Название: The Evolution of the Dragon
Автор: Grafton Elliot Smith
Издательство: Bookwire
Жанр: Языкознание
isbn: 4057664641304
isbn:
[2] Nathan Söderblom, "Les Fravashis Étude sur les Traces dans le Mazdéisme d'une Ancienne Conception sur la Survivance des Morts," Paris, 1899.
ILLUSTRATIONS IN THE TEXT.
PAGE
Fig. 1.—Early representation of a "Dragon" compounded of the forepart of an eagle and the hindpart of a lion (from an Archaic Cylinder-seal from Susa, after Jequier) 79
Fig. 2.—The earliest Babylonian conception of the Dragon Tiamat (from a Cylinder-seal in the British Museum, after L. W. King) 79
Fig. 3.—Wm. Dennis's drawing of the "Flying Dragon" depicted on the rocks at Piasa, Illinois 94
Fig. 4.—Two representations of Astarte (Qetesh) 155
Fig. 5.—Pterocera bryonia, the Red Sea spider-shell 170
Fig. 6.—(a) Picture of a bowl of water—the hieroglyphic sign equivalent to hm (the word hmt means "woman"—Griffith, "Beni Hasan," Part III, Plate VI, Fig. 88 and p. 29). (b) "A basket of sycamore figs"—Wilkinson's "Ancient Egyptians," Vol. I, p. 323. (c) and (d) are said by Wilkinson to be hieroglyphic signs meaning "wife" and are apparently taken from (b). But (c) is identical with (i), which, according to Griffith (p. 14), represents a bivalve shell (g, from Plate III, Fig. 3), more usually placed obliquely (h). The varying conventionalizations of (a) or (b) are shown in (d), (e), and (f) (Griffith, "Hieroglyphics," p. 34). (k) The sign for a lotus leaf, which is a phonetic equivalent of the sign (h), and, according to Griffith ("Hieroglyphics," p. 26), "is probably derived from the same root, on account of its shell-like outline". (l) The hieroglyphic sign for a pot of water in such words as Nu and Nut. (m) A "pomegranate" (replacing a bust of Tanit) upon a sacred column at Carthage (Arthur J. Evans, "Mycenæan Tree and Pillar Cult," p. 46). (n) The form of the body of an octopus as conventionalized on the coins of Central Greece (compare Fig. 24 (d)) 179
Fig. 7.—(a) An Egyptian design representing the sun-god Horus emerging from a lotus, representing his mother Hathor (Isis). (b) Papyrus sceptre often carried by goddesses and animistically identified with them either as an instrument of life-giving or destruction. (c) Conventionalized lily—the prototype of the trident and the thunder-weapon. (d) A water-plant associated with the Nile-gods 180
Fig. 8.—(a) "Ceremonial forked object," or "magic wand," used in the ceremony of "opening the mouth," possibly connected with (b) (a bicornuate uterus), according to Griffith ("Hieroglyphics," p. 60). (c) The Egyptian sign for a key. (d) The double axe of Crete and Egypt 191
Fig. 9.—The Egyptian emblem for gold, the sign nub 222
Chapter I.
INCENSE AND LIBATIONS.[3]
The dragon was primarily a personification of the life-giving and life-destroying powers of water. This chapter is concerned with the genesis of this biological theory of water and its relationship to the other germs of civilisation.
It is commonly assumed that many of the elementary practices of civilization, such as the erection of rough stone buildings, whether houses, tombs, or temples, the crafts of the carpenter and the stonemason, the carving of statues, the customs of pouring out libations or burning incense, are such simple and obvious procedures that any people might adopt them without prompting or contact of any kind with other populations who do the same sort of things. But if such apparently commonplace acts be investigated they will be found to have a long and complex history. None of these things that seem so obvious to us was attempted until a multitude of diverse circumstances became focussed in some particular community, and constrained some individual to make the discovery. Nor did the quality of obviousness become apparent even when the enlightened discoverer had gathered up the threads of his predecessor's ideas and woven them into the fabric of a new invention. For he had then to begin the strenuous fight against the opposition of his fellows before he could induce them to accept his discovery. He had, in fact, to contend against their preconceived ideas and their lack of appreciation of the significance of the progress he had made before he could persuade them of its "obviousness". That is the history of most inventions since the world began. But it is begging the question to pretend that because tradition has made such inventions seem simple and obvious to us it is unnecessary to inquire into their history or to assume that any people or any individual simply did these things without any instruction when the spirit moved it or him so to do.
The customs of burning incense and making libations in religious ceremonies are so widespread and capable of being explained in such plausible, though infinitely diverse, ways that it has seemed unnecessary to inquire more deeply into their real origin and significance. For example, Professor Toy[4] disposes of these questions in relation to incense in a summary fashion. He claims that "when burnt before the deity" it is "to be regarded as food, though in course of time, when the recollection of this primitive character was lost, a conventional significance was attached to the act of burning. A more refined period demanded more refined food for the gods, such as ambrosia and nectar, but these also were finally given up."
This, of course, is a purely gratuitous assumption, or series of assumptions, for which there is no real evidence. Moreover, even if there were any really early literature to justify such statements, they explain nothing. Incense-burning is just as mysterious if Prof. Toy's claim be granted as it was before.
But a bewildering variety of other explanations, for all of which the merit of being "simple and obvious" is claimed, have been suggested. The reader who is curious about these things will find a luxurious crop of speculations by consulting a series of encyclopædias.[5] I shall content myself by quoting only one more. "Frankincense and other spices were indispensable in temples where bloody sacrifices formed part of the religion. The atmosphere of Solomon's temple must have been that of a sickening slaughter-house, and the fumes of incense could alone enable the priests and worshippers to support it. This would apply to thousands of other temples through Asia, and doubtless the palaces of kings and nobles suffered from uncleanliness and insanitary arrangements and required an antidote to evil smells to make them endurable."[6]
It is an altogether delightful anachronism to imagine that religious ritual in the ancient and aromatic East was inspired by such squeamishness as a British sanitary inspector of the twentieth century might experience!