Tuscan Cities. William Dean Howells

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СКАЧАТЬ must face these grisly details from time to time if he would feel what Florence was. All the world was like Florence at that time in its bloody cruelty; the wonder is that Florence, being what she otherwise was, should be like all the world in that One should take the trouble also to keep constantly in mind the smallness of the theatre in which these scenes were enacted. Compared with modern cities, Florence was but a large town, and these Pazzi were neighbors and kinsmen of the Medici, and they and their fathers had seen the time when the Medici were no more in the state than other families which had perhaps scorned to rise by their arts. It would be insufferable to any of us if some acquaintance whom we knew so well, root and branch, should come to reign over us; but this is what happened through the Medici in Florence.

      I walked out one pleasant Sunday afternoon to the Villa Careggi, where Lorenzo made a dramatic end twenty years after the tragedy in the cathedral. It is some two miles from the city; I could not say in just what direction; but it does not matter, since if you do not come to Villa Careggi when you go to look for it, you come to something else equally memorable, by ways as beautiful and through landscapes as picturesque. I remember that there was hanging from a crevice of one of the stone walls which we sauntered between, one of those great purple anemones of Florence, tilting and swaying in the sunny air of February, and that there was a tender presentiment of spring in the atmosphere, and people were out languidly enjoying the warmth about their doors, as if the winter had been some malady of theirs, and they were now slowly convalescent The mountains were white with snow beyond Fiesole, but that was perhaps to set off to better advantage the nearer hill-sides, studded with villas gleaming white through black plumes of cypress, and blurred with long gray stretches of olive orchard; it is impossible to escape some such crazy impression of intention in the spectacular prospect of Italy, though that is probably less the fault of the prospect than of the people who have painted and printed so much about it There were vineyards, of course, as well as olive orchards on all those broken and irregular slopes, over which wandered a tangle of the high walls which everywhere shut you out from intimate approach to the fields about Florence; you may look up at them, afar off, or you may look down at them, but you cannot look into them on the same level. We entered the Villa Careggi, when we got to it, through a high grated gateway, and then we found ourselves in a delicious garden, the exquisite thrill of whose loveliness lingers yet in my utterly satisfied senses. I remember it as chiefly a plantation of rare trees, with an enchanting glimmer of the inexhaustibly various landscape through every break in their foliage; but near the house was a formal parterre for flowers, silent, serene, aristocratic, touched not with decay, but a sort of pensive regret. On a terrace yet nearer were some putti, some frolic boys cut in marble, with a growth of brown moss on their soft backs, and looking as if, in their lapse from the civilization for which they were designed, they had begun to clothe themselves in skins.

      As to the interior of the villa, everyone may go there and observe its facts; its vast, cold, dim saloons, its floors of polished cement, like ice to the foot, and its walls covered with painted histories and anecdotes and portraits of the Medici. The outside warmth had not got into the house, and I shivered in the sepulchral gloom, and could get no sense of the gay, voluptuous, living past there, not even in the prettily painted loggia where Lorenzo used to sit with his friends overlooking Val d'Arno, and glimpsing the tower of Giotto and the dome of Brunelleschi. But there is one room, next to the last of the long suite fronting on the lovely garden, where the event which makes the place memorable has an incomparable actuality. It is the room where Lorenzo died, and his dying eyes could look from its windows out over the lovely garden, and across the vast stretches of villa and village, olive and cypress, to the tops of Florence swimming against the horizon. He was a long time dying, of the gout of his ancestors and his own debauchery, and he drew near his end cheerfully enough, and very much as he had always lived, now reasoning high of philosophy and poetry with Pico della Mirandola and Politian, and now laughing at the pranks of the jesters and buffoons whom they brought in to amuse him, till the very last, when he sickened of all those delights, fine or gross, and turned his thoughts to the mercy despised so long. But, as he kept saying, none had ever dared give him a resolute No, save one: and dreading in his final hours the mockery of flattering priests, he sent for this one fearless soul: and Savonarola, who had never yielded to his threats or caresses, came at the prayer of the dying man, and took his place beside the bed we still see there — high, broad, richly carved in dark wood, with a picture of Perugino's on the wall at the left beside it. Piero, Lorenzo's son, from whom he has just parted, must be in the next room yet, and the gentle Pico della Mirandola, whom Lorenzo was so glad to see that he smiled and jested with him in the old way, has closed the door on the preacher and the sinner. Lorenzo confesses that he has heavy on his soul three crimes: the cruel sack of Volterra, the theft of the public dower of young girls, by which many were driven to a wicked life, and the blood shed after the conspiracy of the Pazzi. " He was greatly agitated, and Savonarola to quiet him kept repeating, 'God is good; God is merciful. But,' he added, when Lorenzo had ceased to speak, 'there is need of three things.' 'And what are they, father? ' ' First, you must have a great and living faith in the mercy of God.' 'This I have — the greatest.' 'Second, you must restore that which you have wrongfully taken, or require your children to restore it for you.' Lorenzo looked surprised and troubled; but he forced himself to compliance, and nodded his head in sign of assent. Then Savonarola rose to his feet, and stood over the dying prince. 'Last, you must give back their liberty to the people of Florence.' Lorenzo, summoning all his remaining strength, disdainfully turned his back; and, without uttering a word, Savonarola departed without giving him absolution."

      It was as if I saw and heard it all, as I stood there in the room where the scene had been enacted; it still remains to me the vividest event in Florentine history, and Villari has no need, for me at least, to summon all the witnesses he calls to establish the verity of the story. There are some disputed things that establish themselves in our credence through the nature of the men and the times of which they are told, and this is one of them. Lorenzo and Savonarola were equally matched in courage, and the Italian soul of the one was as subtle for good as the Italian soul of the other was subtle for evil. In that encounter, the preacher knew that it was not the sack of a city or the blood of conspirators for which the sinner really desired absolution, however artfully and naturally they were advanced in his appeal; and Lorenzo knew when he sent for him that the monk would touch the sore spot in his guilty heart unerringly. It was a profound drama, searching the depths of character on either side, and on either side, it was played with matchless magnanimity.

      XX

      After I had been at Careggi, I had to go again and look at San Marco, at the cell to which Savonarola returned from that deathbed, sorrowing. Yet, at this distance of time and place, one must needs wonder a little why one is so pitiless to Lorenzo, so devoted to Savonarola. I have a suspicion, which I own with shame and reluctance, that I should have liked Lorenzo's company much better, and that I, too, should have felt to its last sweetness the charm of his manner. I confess that I think I should have been bored — it is well to be honest with one's self in all things — by the menaces and mystery of Savonarola's prophesying, and that I should have thought his crusade against the pomps and vanities of Florence a vulgar and ridiculous business. He and his monks would have been terribly dull companions for one of my make within their convent; and when they came out and danced in a ring with his male and female devotees in the square before the church, I should have liked them no better than so many soldiers of the Army of Salvation. That is not my idea of the way in which the souls of men are to be purified and elevated, or their thoughts turned to God. Puerility and vulgarity of a sort to set one's teeth on edge marked the excesses which Savonarola permitted in his followers; and if he could have realized his puritanic republic, it would have been one of the heaviest yokes about the neck of poor human nature that have ever burdened it. For the reality would have been totally different from the ideal. So far as we can understand, the popular conception of Savonarola's doctrine was something as gross as Army-of-Salvationism, as wild and sensuous as backwoods Wesleyism, as fantastic, as spiritually arrogant as primitive Quakerism, as bleak and grim as militant Puritanism. We must face these facts, and the fact that Savonarola, though a Puritan, was no Protestant at all, but the most devout of Catholics, even while he СКАЧАТЬ