The Clayhanger Trilogy: Clayhanger, Hilda Lessways & These Twain (Complete Edition). Bennett Arnold
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Название: The Clayhanger Trilogy: Clayhanger, Hilda Lessways & These Twain (Complete Edition)
Автор: Bennett Arnold
Издательство: Bookwire
Жанр: Языкознание
isbn: 9788027237128
isbn:
“I’ll show ’em!” he muttered.
And he meant that he would show the world... He was honouring the world; he was paying the finest homage to it. In that head of his a flame burnt that was like an altar-fire, a miraculous and beautiful phenomenon, than which nothing is more miraculous nor more beautiful over the whole earth. Whence had it suddenly sprung, that flame? After years of muddy inefficiency, of contentedness with the second-rate and the dishonest, that flame astoundingly bursts forth, from a hidden, unheeded spark that none had ever thought to blow upon. It bursts forth out of a damp jungle of careless habits and negligence that could not possibly have fed it. There is little to encourage it. The very architecture of the streets shows that environment has done naught for it: ragged brickwork, walls finished anyhow with saggars and slag; narrow uneven alleys leading to higgledy-piggledy workshops and kilns; cottages transformed into factories and factories into cottages, clumsily, hastily, because nothing matters so long as “it will do;” everywhere something forced to fulfil, badly, the function of something else; in brief, the reign of the slovenly makeshift, shameless, filthy, and picturesque. Edwin himself seemed no tabernacle for that singular flame. He was not merely untidy and dirty—at his age such defects might have excited in a sane observer uneasiness by their absence; but his gestures and his gait were untidy. He did not mind how he walked. All his sprawling limbs were saying: “What does it matter, so long as we get there?” The angle of the slatternly bag across his shoulders was an insult to the flame. And yet the flame burned with serene and terrible pureness.
It was surprising that no one saw it passing along the mean, black, smoke-palled streets that huddle about Saint Luke’s Church. Sundry experienced and fat old women were standing or sitting at their cottage doors, one or two smoking cutties. But even they, who in child-bed and at gravesides had been at the very core of life for long years, they, who saw more than most, could only see a fresh lad passing along, with fair hair and a clear complexion, and gawky knees and elbows, a fierce, rapt expression on his straightforward, good-natured face. Some knew that it was “Clayhanger’s lad,” a nice-behaved young gentleman, and the spitten image of his poor mother. They all knew what a lad is—the feel of his young skin under his “duds,” the capricious freedom of his movements, his sudden madnesses and shoutings and tendernesses, and the exceeding power of his unconscious wistful charm. They could divine all that in a glance. But they could not see the mysterious and holy flame of the desire for self-perfection blazing within that tousled head. And if Edwin had suspected that anybody could indeed perceive it, he would have whipped it out for shame, though the repudiation had meant everlasting death. Such is youth in the Five Towns, if not elsewhere.
Chapter 3.
Entry into the World.
Edwin came steeply out of the cinder-strewn back streets by Woodisun Bank [hill] into Duck Square, nearly at the junction of Trafalgar Road and Wedgwood Street. A few yards down Woodisun Bank, cocks and hens were scurrying, with necks horizontal, from all quarters, and were even flying, to the call of a little old woman who threw grain from the top step of her porch. On the level of the narrow pavement stood an immense constable, clad in white trousers, with a gun under his arm for the killing of mad dogs; he was talking to the woman, and their two heads were exactly at the same height. On a pair of small double gates near the old woman’s cottage were painted the words, “Steam Printing Works. No admittance except on business.” And from as far as Duck Square could be heard the puff-puff which proved the use of steam in this works to which idlers and mere pleasure-seekers were forbidden access.
Duck Square was one of the oldest, if the least imposing, of all the public places in Bursley. It had no traffic across it, being only a sloping rectangle, like a vacant lot, with Trafalgar Road and Wedgwood Street for its exterior sides, and no outlet on its inner sides. The buildings on those inner sides were low and humble and, as it were, withdrawn from the world, the chief of them being the ancient Duck Inn, where the hand-bell ringers used to meet. But Duck Square looked out upon the very birth of Trafalgar Road, that wide, straight thoroughfare, whose name dates it, which had been invented, in the lifetime of a few then living, to unite Bursley with Hanbridge. It also looked out upon the birth of several old pack-horse roads which Trafalgar Road had supplanted. One of these was Woodisun Bank, that wound slowly up hill and down dale, apparently always choosing the longest and hardest route, to Hanbridge; and another was Aboukir Street, formerly known as Warm Lane, that reached Hanbridge in a manner equally difficult and unhurried. At the junction of Trafalgar Road and Aboukir Street stood the Dragon Hotel, once the great posting-house of the town, from which all roads started. Duck Square had watched coaches and waggons stop at and start from the Dragon Hotel for hundreds of years. It had seen the Dragon rebuilt in brick and stone, with fine bay windows on each storey, in early Georgian times, and it had seen even the new structure become old and assume the dignity of age. Duck Square could remember strings of pack-mules driven by women, ‘trapesing’ in zigzags down Woodisun Bank and Warm Lane, and occasionally falling, with awful smashes of the crockery they carried, in the deep, slippery, scarce passable mire of the first slants into the valley. Duck Square had witnessed the slow declension of these roads into mere streets, and slum streets at that, and the death of all mules, and the disappearance of all coaches and all neighing and prancing and whipcracking romance; while Trafalgar Road, simply because it was straight and broad and easily graded, flourished with toll-bars and a couple of pair-horsed trams that ran on lines. And many people were proud of those cushioned trams; but perhaps they had never known that coach-drivers used to tell each other about the state of the turn at the bottom of Warm Lane (since absurdly renamed in honour of an Egyptian battle), and that Woodisun Bank (now unnoticed save by doubtful characters, policemen, and schoolboys) was once regularly ‘taken’ by four horses at a canter. The history of human manners is crunched and embedded in the very macadam of that part of the borough, and the burgesses unheedingly tread it down every day and talk gloomily about the ugly smoky prose of industrial manufacture. And yet the Dragon Hotel, safely surviving all revolutions by the mighty virtue and attraction of ale, stands before them to remind them of the interestingness of existence.
Two.
At the southern corner of Trafalgar Road and Wedgwood Street, with Duck Square facing it, the Dragon Hotel and Warm Lane to its right, and Woodisun Bank creeping inconspicuously down to its left, stood a three-storey building consisting of house and shop, the frontage being in Wedgwood Street. Over the double-windowed shop was a discreet signboard in gilt letters, “D. Clayhanger, Printer and Stationer,” but above the first floor was a later and much larger sign, with the single word, “Steam-printing.” All the brickwork of the facade was painted yellow, and had obviously been painted yellow many times; the woodwork of the plate-glass windows was a very dark green approaching black. The upper windows were stumpy, almost square, some dirty and some clean and curtained, with prominent sills and architraves. The line of the projecting spouting at the base of the roof was slightly curved through subsidence; at either end of the roof-ridge rose twin chimneys each with three salmon-coloured chimney-pots. The gigantic word ‘Steam-printing’ could be seen from the windows of the Dragon, from the porch of the big Wesleyan chapel higher up the slope, from the Conservative Club and the playground at the top of the slope; and as for Duck Square itself, it could see little else. The left-hand shop window was alluringly set out with the lighter apparatus of writing and reading, and showed incidentally several rosy pictures of ideal English maidens; that to the right was grim and heavy with ledgers, inks, and variegated specimens of steam-printing.