Sandra Belloni (originally Emilia in England) — Complete. George Meredith

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СКАЧАТЬ them turning contemptuously from philosophers in their agony, to find refuge in the arms of smirking orthodoxy. I do not say that Mr. Barrett ventured to play the intelligent Cornelia like a fish; but such a fish was best secured by the method he adopted: that of giving her signal victory in trifles, while on vital matters he held his own.

      Very pleasant evenings now passed at Brookfield, which were not at all disturbed by the wonder expressed from time to time by Mr. Pole, that he had not heard from Martha, meaning Mrs. Chump. “You have Emilia,” the ladies said; this being equivalent to “She is one of that sort;” and Mr. Pole understood it so, and fastened Emilia in one arm, with “Now, a kiss, my dear, and then a toon.” Emilia readily gave both. As often as he heard instances of her want of ladylike training, he would say, “Keep her here; we'll better her.” Mr. Barrett assisted the ladies to see that there was more in Emilia than even Mr. Pericles had perceived. Her story had become partially known to them; and with two friendly dependents of the household, one a gentleman and the other a genius, they felt that they had really attained a certain eminence, which is a thing to be felt only when we have something under our feet. Flying about with a desperate grip on the extreme skirts of aristocracy, the ladies knew to be the elevation of dependency, not true eminence; and though they admired the kite, they by no means wished to form a part of its tail. They had brains. A circle was what they wanted, and they had not to learn that this is to be found or made only in the liberally-educated class, into the atmosphere of which they pressed like dungeoned plants. The parasite completes the animal, and a dependent assures us of our position. The ladies of Brookfield, therefore, let Emilia cling to them, remarking, that it seemed to be their papa's settled wish that she should reside among them for a time. Consequently, if the indulgence had ever to be regretted, they would not be to blame. In their hearts they were aware that it was Emilia who had obtained for them their first invitation to Lady Gosstre's. Gratitude was not a part of their policy, but when it assisted a recognition of material facts they did not repress it. “And if,” they said, “we can succeed in polishing her and toning her, she may have something to thank us for, in the event of her ultimately making a name.” That event being of course necessary for the development of so proper a sentiment. Thus the rides with Wilfrid continued, and the sweet quiet evenings when she sang.

CHAPTER VIII

       Table of Contents

      The windows of Brookfield were thrown open to the air of May, and bees wandered into the rooms, gold spots of sunshine danced along the floors. The garden-walks were dazzling, and the ladies went from flower-bed to flower-bed in broad garden hats that were, as an occasional light glance flung at a window-pane assured Adela, becoming. Sunshine had burst on them suddenly, and there was no hat to be found for Emilia, so Wilfrid placed his gold-laced foraging-cap on her head, and the ladies, after a moment's misgiving, allowed her to wear it, and turned to observe her now and then. There was never pertness in Emilia's look, which on the contrary was singularly large and calm when it reposed: perhaps her dramatic instinct prompted her half-jaunty manner of leaning against the sunny corner of the house where the Chinese honeysuckle climbed. She was talking to Wilfrid. Her laughter seemed careless and easy, and in keeping with the Southern litheness of her attitude.

      “To suit the cap; it's all to suit the cap,” said Adela, the keen of eye. Yet, critical as was this lady, she acknowledged that it was no mere acting effort to suit the cap.

      The philosopher (I would keep him back if I could) bids us mark that the crown and flower of the nervous system, the head, is necessarily sensitive, and to that degree that whatsoever we place on it, does, for a certain period, change and shape us. Of course the instant we call up the forces of the brain, much of the impression departs but what remains is powerful, and fine-nerved. Woman is especially subject to it. A girl may put on her brother's boots, and they will not affect her spirit strongly; but as soon as she puts on her brother's hat, she gives him a manly nod. The same philosopher who fathers his dulness on me, asserts that the modern vice or fastness ('Trotting on the Epicene Border,' he has it) is bred by apparently harmless practices of this description. He offers to turn the current of a Republican's brain, by resting a coronet on his forehead for just five seconds.

      Howsoever these things be, it was true that Emilia's feet presently crossed, and she was soon to be seen with her right elbow doubled against her head as she leaned to the wall, and the little left fist stuck at her belt. And I maintain that she had no sense at all of acting Spanish prince disguised as page. Nor had she an idea that she was making her friend Wilfrid's heart perform to her lightest words and actions, like any trained milk-white steed in a circus. Sunlight, as well as Wilfrid's braided cap, had some magical influence on her. He assured her that she looked a charming boy, and she said, “Do I?” just lifting her chin.

      A gardener was shaving the lawn.

      “Please, spare those daisies,” cried Emilia. “Why do you cut away daisies?”

      The gardener objected that he really must make the lawn smooth. Emilia called to Adela, who came, and hearing the case, said: “Now this is nice of you. I like you to love daisies and wish to protect them. They disfigure a lawn, you know.” And Adela stooped, and picked one, and called it a pet name, and dropped it.

      She returned to her sisters in the conservatory, and meeting Mr. Barren at the door, made the incident a topic. “You know how greatly our Emilia rejoices us when she shows sentiment, and our thirst is to direct her to appreciate Nature in its humility as well as its grandeur.”

      “One expects her to have all poetical feelings,” said Mr. Barrett, while they walked forth to the lawn sloping to the tufted park grass.

      Cornelia said: “You have read Mr. Runningbrook's story?”

      “Yes.”

      But the man had not brought it back, and her name was in it, written with her own hand.

      “Are you of my opinion in the matter?”

      “In the matter of the style? I am and I am not. Your condemnation may be correct in itself; but you say, 'He coins words'; and he certainly forces the phrase here and there, I must admit. The point to be considered is, whether friction demands a perfectly smooth surface. Undoubtedly a scientific work does, and a philosophical treatise should. When we ask for facts simply, we feel the intrusion of a style. Of fiction it is part. In the one case the classical robe, in the other any mediaeval phantasy of clothing.”

      “Yes; true;” said Cornelia, hesitating over her argument. “Well, I must conclude that I am not imaginative.”

      “On the contrary, permit me to say that you are. But your imagination is unpractised, and asks to be fed with a spoon. We English are more imaginative than most nations.”

      “Then, why is it not manifested?”

      “We are still fighting against the Puritan element, in literature as elsewhere.”

      “Your old bugbear, Mr. Barrett!”

      “And more than this: our language is not rich in subtleties for prose. A writer who is not servile and has insight, must coin from his own mint. In poetry we are rich enough; but in prose also we owe everything to the licence our poets have taken in the teeth of critics. Shall I give you examples? It is not necessary. Our simplest prose style is nearer to poetry with us, for this reason, that the poets have made it. Read French poetry. With the first couplet the sails are full, and you have left the shores of prose far behind. Mr. Runningbrook coins words and risks expressions because an imaginative Englishman, pen in hand, is the cadet and СКАЧАТЬ