Sunshine Sketches of a Little Town. Стивен Ликок

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      As it was afterwards recorded, Mr. Smith stood and "studied" with the tray in his hand for at least four minutes. Then he spoke.

      "Boys," he said, "I'll be darned if I close down till I'm ready to close down. I've got an idee. You wait and I'll show you."

      And beyond that, not another word did Mr. Smith say on the subject.

      But within forty-eight hours the whole town knew that something was doing. The hotel swarmed with carpenters, bricklayers and painters. There was an architect up from the city with a bundle of blue prints in his hand. There was an engineer taking the street level with a theodolite, and a gang of navvies with shovels digging like fury as if to dig out the back foundations of the hotel.

      "That'll fool 'em," said Mr. Smith.

      Half the town was gathered round the hotel crazy with excitement. But not a word would the proprietor say. Great dray loads of square timber, and two-by-eight pine joists kept arriving from the planing mill. There was a pile of matched spruce sixteen feet high lying by the sidewalk.

      Then the excavation deepened and the dirt flew, and the beams went up and the joists across, and all the day from dawn till dusk the hammers of the carpenters clattered away, working overtime at time and a half.

      "It don't matter what it costs," said Mr. Smith; "get it done."

      Rapidly the structure took form. It extended down the side street, joining the hotel at a right angle. Spacious and graceful it looked as it reared its uprights into the air.

      Already you could see the place where the row of windows was to come, a veritable palace of glass, it must be, so wide and commodious were they. Below it, you could see the basement shaping itself, with a low ceiling like a vault and big beams running across, dressed, smoothed, and ready for staining. Already in the street there were seven crates of red and white awning.

      And even then nobody knew what it was, and it was not till the seventeenth day that Mr. Smith, in the privacy of the back bar, broke the silence and explained.

      "I tell you, boys," he says, "it's a caff—like what they have in the city—a ladies' and gent's caff, and that underneath (what's yours, Mr. Mullins?) is a Rats' Cooler. And when I get her started, I'll hire a French Chief to do the cooking, and for the winter I will put in a 'girl room,' like what they have in the city hotels. And I'd like to see who's going to close her up then."

      Within two more weeks the plan was in operation. Not only was the caff built but the very hotel was transformed. Awnings had broken out in a red and white cloud upon its face, its every window carried a box of hanging plants, and above in glory floated the Union Jack. The very stationery was changed. The place was now Smith's Summer Pavilion. It was advertised in the city as Smith's Tourists' Emporium, and Smith's Northern Health Resort. Mr. Smith got the editor of the Times-Herald to write up a circular all about ozone and the Mariposa pine woods, with illustrations of the maskinonge (piscis mariposis) of Lake Wissanotti.

      The Saturday after that circular hit the city in July, there were men with fishing rods and landing nets pouring in on every train, almost too fast to register. And if, in the face of that, a few little drops of whiskey were sold over the bar, who thought of it?

      But the caff! that, of course, was the crowning glory of the thing, that and the Rats' Cooler below.

      Light and cool, with swinging windows open to the air, tables with marble tops, palms, waiters in white coats—it was the standing marvel of Mariposa. Not a soul in the town except Mr. Smith, who knew it by instinct, ever guessed that waiters and palms and marble tables can be rented over the long distance telephone.

      Mr. Smith was as good as his word. He got a French Chief with an aristocratic saturnine countenance, and a moustache and imperial that recalled the late Napoleon III. No one knew where Mr. Smith got him. Some people in the town said he was a French marquis. Others said he was a count and explained the difference.

      No one in Mariposa had ever seen anything like the caff. All down the side of it were the grill fires, with great pewter dish covers that went up and down on a chain, and you could walk along the row and actually pick out your own cutlet and then see the French marquis throw it on to the broiling iron; you could watch a buckwheat pancake whirled into existence under your eyes and see fowls' legs devilled, peppered, grilled, and tormented till they lost all semblance of the original Mariposa chicken.

      Mr. Smith, of course, was in his glory.

      "What have you got to-day, Alf?" he would say, as he strolled over to the marquis. The name of the Chief was, I believe Alphonse, but "Alf" was near enough for Mr. Smith.

      The marquis would extend to the proprietor the menu, "Voila, m'sieu, la carte du jour."

      Mr. Smith, by the way, encouraged the use of the French language in the caff. He viewed it, of course, solely in its relation to the hotel business, and, I think, regarded it as a recent invention.

      "It's comin' in all the time in the city," he said, "and y'aint expected to understand it."

      Mr. Smith would take the carte between his finger and thumb and stare at it. It was all covered with such devices as Potage la Mariposa—Filet Mignon a la proprietaire—Cotellete a la Smith, and so on.

      But the greatest thing about the caff were the prices. Therein lay, as everybody saw at once, the hopeless simplicity of Mr. Smith.

      The prices stood fast at 25 cents a meal. You could come in and eat all they had in the caff for a quarter.

      "No, sir," Mr. Smith said stoutly, "I ain't going to try to raise no prices on the public. The hotel's always been a quarter and the caff's a quarter."

      Full? Full of people?

      Well, I should think so! From the time the caff opened at 11 till it closed at 8.30, you could hardly find a table. Tourists, visitors, travellers, and half the people of Mariposa crowded at the little tables; crockery rattling, glasses tinkling on trays, corks popping, the waiters in their white coats flying to and fro, Alphonse whirling the cutlets and pancakes into the air, and in and through it all, Mr. Smith, in a white flannel suit and a broad crimson sash about his waist. Crowded and gay from morning to night, and even noisy in its hilarity.

      Noisy, yes; but if you wanted deep quiet and cool, if you wanted to step from the glare of a Canadian August to the deep shadow of an enchanted glade—walk down below into the Rats' Cooler. There you had it; dark old beams (who could believe they were put there a month ago?), great casks set on end with legends such as Amontillado Fino done in gilt on a black ground, tall steins filled with German beer soft as moss, and a German waiter noiseless as moving foam. He who entered the Rats' Cooler at three of a summer afternoon was buried there for the day. Mr. Golgotha Gingham spent anything from four to seven hours there of every day. In his mind the place had all the quiet charm of an interment, with none of its sorrows.

      But at night, when Mr. Smith and Billy, the desk clerk, opened up the cash register and figured out the combined losses of the caff and the Rats' Cooler, Mr. Smith would say:

      "Billy, just wait till I get the license renood, and I'll close up this damn caff so tight they'll never know what hit her. What did that lamb cost? Fifty cents a pound, was it? I figure it, Billy, that every one of them hogs eats about a dollar's worth a grub for every twenty-five cents they pay on it. As for Alf—by gosh, I'm through with him."

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