Supernatural Mysteries: 60+ Horror Tales, Ghost Stories & Murder Mysteries. Джек Лондон

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      "And here is the original card," I answered, breaking the seal of the envelope I had taken from Burwell's iron box. "I have waited for your arrival to look at it. Yes, the writing has indeed vanished; the card seems quite blank."

      "Not when you hold it this way," said the stranger, and as he tipped the card I saw such a horrid revelation as I can never forget. In an instant I realized how the shock of seeing that card had been too great for the soul of wife or friend to bear. In these pictures was the secret of a cursed life. The resemblance to Burwell was unmistakable, the proof against him was overwhelming. In looking upon that piece of pasteboard the wife had seen a crime which the mother could never forgive, the partner had seen a crime which the friend could never forgive. Think of a loved face suddenly melting before your eyes into a grinning skull, then into a mass of putrefaction, then into the ugliest fiend of hell, leering at you, distorted with all the marks of vice and shame. That is what I saw, that is what they had seen!

      "Let us lay these two cards in the coffin," said my companion impressively, "we have done what we could."

      Eager to be rid of the hateful piece of pasteboard (for who could say that the curse was not still clinging about it?), I took the strange man's arm, and together we advanced into the adjoining room where the body lay. I had seen Burwell as he breathed his last, and knew that there had been a peaceful look on his face as he died. But now, as we laid the two white cards on the still, breast, the savant suddenly touched my arm, and pointing to the dead man's face, now frightfully distorted, whispered:—"See, even in death It followed him. Let us close the coffin quickly."

1 Years later, some workmen in Paris, making excavations in the Rue Picpus, came upon a heavy door buried under a mass of debris, under an old cemetery. On lifting the door they found a vault-like chamber in which were a number of female skeletons, and graven on the walls were blasphemous words written in French, which experts declared dated from fully two hundred years before. They also declared this handwriting identical with that found on the door at the Water Street murder in New York. Thus we may deduce a theory of fiend reincarnation; for it would seem clear, almost to the point of demonstration, that this murder of the seventeenth century was the work of the same evil soul that killed the poor woman on Water Street towards the end of the nineteenth century.

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