Æsop's Fables: A Version for Young Readers. Aesop

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      MODERN versions of Æsop go back no further than 480 A.D. In their earliest use they are related to the folklore current among all primitive peoples. This folklore had risen in Greece to the rank of literary form a thousand years before the above-mentioned revival in Germany, France, and England. As the creation of Æsop it was the answer to a need for trenchant, but veiled, characterization of men and measures in the dangerous times of the Tyrants. In mirth-provoking utterances, quite apart from personal criticism, things could be intimated with all the force of specific judgments, yet in such veiled form that to resent them was tacit confession that they applied. Later on, when free speech became safer, the grammarians and rhetoricians raised these clever, pithy stories to the literary form they have since maintained.

      There is for Æsop’s Fables no authorized original version. Always, it appears, they were subject to interpolations and special versions. They took on metrical forms in Latin, and in later times in French. It is the particular distinction of a real fable that it bears this amplification, yet can at any time and from any true version shake off the accessories of particular phrasing and in its bare facts meet all the requirements of a literary and artistic whole. It is this static character which has made the fable of such value to language students. Even little children, comparing different versions, learn to distinguish the raw material of a real story from its varying renderings. Subjoined is an account of Æsop, called the Inventor and Father of Fable in its present form.

ÆSOP, THE FATHER OF THE FABLE

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      The life of Æsop, like that of Homer, the most famous of Greek poets, is involved in much obscurity. Sardis, the capital of Lydia; Samos, a Greek island; Mesembria, an ancient colony in Thrace; and Cotiæum, the chief city of a province of Phrygia, contend for the distinction of being his birthplace. Although the honor thus claimed cannot be definitely assigned to any one of these places, yet there are a few incidents now generally accepted by scholars as established facts relating to the birth, life, and death of Æsop. He is, by an almost universal consent, allowed to have been born about the year 620 B.C. and to have been by birth a slave. He was owned by two masters in succession, Xanthus and Jadmon, both inhabitants of Samos, the latter of whom gave him his liberty as a reward for his learning and wit. One of the privileges of a freedman in the ancient republics of Greece was the permission to take an active interest in public affairs; and Æsop, like the philosophers Phædo, Menippus, and Epictetus in later times, raised himself from the indignity of a servile condition to a position of high renown. In his desire alike to instruct and to be instructed, he traveled through many countries, and among others came to Sardis, the capital of the famous king of Lydia, the great patron, in that day, of learning and of learned men. At the court of Crœsus he met with Solon, Thales, and other sages, and is related so to have pleased his royal master by the part he took in the conversations held with these philosophers that Crœsus applied to him an expression which has since passed into a proverb—μαλλον ὁ Φρὑξ, “The Phrygian has spoken better than all.”

      On the invitation of Crœsus he fixed his residence at Sardis, and was employed by that monarch in various difficult and delicate affairs of state. In his discharge of these commissions he visited the different petty republics of Greece. At one time he is found in Corinth, and at another in Athens, endeavoring, by the narration of some of his wise fables, to reconcile the inhabitants of those cities to the administration of their rulers. One of these missions, undertaken at the command of Crœsus, was the occasion of his death. Having been sent to Delphi with a large sum of gold for distribution among the citizens, he was so indignant at their covetousness that he refused to divide the money and sent it back to his master. The Delphians, enraged at this treatment, accused him of impiety and, in spite of his sacred character as ambassador, executed him as a public criminal. But the great fabulist did not lack posthumous honors, for a statue was erected to his memory at Athens, the work of Lysippus, one of the most famous of Greek sculptors. These few facts are all that can be relied on with any degree of certainty in reference to the birth, life, and death of Æsop.

      The fable on pages 197–200 is a translation of La Fontaine’s metrical version of one of the most popular of the Æsop Fables. La Fontaine, who died at Paris in 1695, was a popular writer of drama and the most noted of the French fabulists. Following this, on pages 201–214, are fables from the Russian of Kriloff, a writer who for nearly twenty years was one of the librarians at the Imperial Public Library at St. Petersburg, in which city he died in 1844.

ÆSOP’S FABLES

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