William Shakespeare. Виктор Мари Гюго

Чтение книги онлайн.

СКАЧАТЬ eternity, distracted; his poetry has a profound smile of madness; the reverberation of the Most High is in the eye of this man. It is the sublime going fully astray. Men do not understand it—scorn it, and laugh. "My dear Thiriot," says Voltaire, "the Apocalypse is filth." Religions, being in want of this book, have taken to worshipping it; but, in order not to be thrown to the common sewer, it must be put on the altar. What does it matter? John is a spirit. It is in the John of Patmos, among all, that the communication between certain men of genius and the abyss is apparent. In all other poets men get a glimpse of this communication; in John they see it, at times they touch it, and have a shivering fit in placing, so to speak, the hand on this sombre door. That is the way to the Deity. It seems, when you read the poem of Patmos, that some one pushes you from behind; you have a confused outline of the dreadful opening. It fills you with terror and attraction. If John had only that, he would be immense.

      10. Another, Paul, a saint for the Church, a great man for humanity, represents this prodigy, at the same time human and divine,—conversion. He is the one who has had a glimpse of the future. It leaves him haggard; and nothing can be more magnificent than this face, forever wondering, of the man conquered by the light. Paul, born a Pharisee, had been a weaver of camel's-hair for tents, and servant of one of the judges of Jesus Christ, Gamaliel; then the scribes had advanced him, trusting to his natural ferocity. He was the man of the past; he had taken care of the mantles of the stone-throwers. He aspired, having studied with the priests, to become an executioner; he was on the road for this. All at once a wave of light emanates from the darkness, throws him down from his horse, and henceforth there will be in the history of the human race this wonderful thing,—the road to Damascus. That day of the metamorphosis of Saint Paul is a great day; keep the date,—it corresponds to the 25th January in our Gregorian calendar. The road to Damascus is necessary to the march of Progress. To fall into the truth and to rise a just man, a fall and transfiguration, that is sublime. It is the history of Saint Paul. From his day it will be the history of humanity. The flash of light is beyond the flash of lightning. Progress will carry itself on by a series of scintillations. As for Saint Paul, who has been turned aside by the force of new conviction, this harsh stroke from on high opens to him genius. Once on his feet again, behold him proceed: he will no more stop. "Forward!" is his cry. He is a cosmopolite. He loves the outsiders, whom Paganism calls barbarians, and Christianity calls Gentiles; he devotes himself to them. He is the apostle of the outer world. He writes to the nations epistles on behalf of God. Listen to him speaking to the Galatians: "O insane Galatians! how can you go back to the yokes to which you were tied? There are no more Jews, or Greeks, or slaves. Do not carry out your grand ceremonies ordained by your laws. I declare unto you that all that is nothing. Love each other. Man must be a new creature. Freedom is awaiting you." There were at Athens, on the hill of Mars, steps hewn in rock, which may be seen to this day. On these steps sat the great judges before whom Orestes had appeared. There Socrates had been judged. Paul went there; and there, at night (the Areopagus only sat at night), he said to the grave men, "I come to announce to you the unknown God." The Epistles of Paul to the Gentiles are simple and profound, with the subtlety so marked in its influence over savages. There are in these messages gleams of hallucination; Paul speaks of the Celestials as if he distinctly saw them. Like John, half-way between life and eternity, it seems that he had one part of his thought on the earth and one in the Unknown; and it may be said, at moments, that one of his verses answers to another from beyond the dark wall of the tomb. This half-possession of death gives him a personal certainty, and one often distinctly apart from the dogma, and a mark of conviction on his personal conceptions, which makes him almost heretical. His humility, bordering on the mysterious, is lofty. Peter says, "The words of Paul may be taken in a bad sense." The deacon Hilaire and the Luciferians ascribe their schism to the Epistles of Paul. Paul is at heart so anti-monarchical that King James I., very much encouraged by the orthodox University of Oxford, caused the Epistle to the Romans to be burned by the hand of the common hangman. It is true it was one with a commentary by David Pareus. Many of Paul's works are rejected by the Church: they are the finest; and among them his Epistle to the Laodiceans, and above all his Apocalypse, erased by the Council of Rome under Gelasius. It would be curious to compare it with the Apocalypse of John. On the opening that Paul had made to heaven the Church wrote, "Entrance forbidden." He is not less holy for it. It is his official consolation. Paul has the restlessness of the thinker; text and formulary are little for him. The letter does not suffice; the letter, it is matter. Like all men of progress, he speaks with reserve of the written law; he prefers grace, as we prefer justice. What is grace? It is the inspiration from on high; it is the breath, flat ubi vult; it is liberty. Grace is the spirit of law. This discovery of the spirit of law belongs to Saint Paul; and what he calls "grace" from a heavenly point of view, we, from an earthly point, call "right." Such is Paul. The greatness of a spirit by the irruption of clearness, the beauty of violence done by truth to one spirit, breaks forth in this man. In that, we insist, lies the virtue of the road to Damascus. Henceforth, whoever wishes this increase, must follow the guide-post of Saint Paul. All those to whom justice shall reveal itself, every blindness desirous of the day, all the cataracts looking to be healed, all searchers after conviction, all the great adventurers after virtue, all the holders of good in quest of truth, shall go by this road. The light that they find there shall change nature, for the light is always relative to darkness; it shall increase in intensity. After having been revelation, it shall be rationalism; but it shall always be light. Voltaire is like Saint Paul on the road to Damascus. The road to Damascus shall be forever the passage for great minds. It shall also be the passage for peoples,—for peoples, these vast individualisms, have like each of us their crisis and their hour. Paul, after his glorious fall, rose up again armed against ancient errors, with that flaming sword, Christianity; and two thousand years after, France, struck by the light, arouses herself, she also holding in hand this sword of fire, the Revolution.

      11. Another, Dante, has mentally conceived the abyss. He has made the epic poem of spectres. He rends the earth; in the terrible hole he has made he puts Satan. Then he pushes through purgatory up to heaven. Where all end Dante begins. Dante is beyond man; beyond, not without,—a singular proposition, which, however, has nothing contradictory in it, the soul being a prolongation of man into the indefinite. Dante twists light and shade into a huge spiral; it descends, then it ascends. Wonderful architecture! At the threshold is the sacred mist; across the entrance is stretched the corpse of Hope; all that you perceive beyond is night. The infinite anguish is sobbing somewhere in the invisible darkness. You lean over this gulf-poem. Is it a crater? You hear reports; the verse shoots out narrow and livid, as from the fissures of a solfatara. It is vapour now, then lava. This paleness speaks; and then you know that the volcano, of which you have caught a glimpse, is hell. This is no longer the human medium; you are in the unknown abyss. In this poem the imponderable submits to the laws of the ponderable, with which it is mixed, as in the sudden tumbling down of a building on fire, the smoke, carried down by the ruins, falls and rolls with them, and seems caught under the timber and the stones; thence strange effects: the ideas seem to suffer and to be punished in men. The idea, sufficiently man to undergo expiation, is the phantom (a form that is shade), impalpable, but not invisible,—an appearance retaining yet a sufficient amount of reality for the chastisement to have a hold on it; sin in the abstract state, but having kept the human figure. It is not only the wicked who grieves in this Apocalypse, it is the evil; there all possible bad actions are in despair. This spiritualization of pain gives to the poem a powerful moral import. The depth of hell once sounded, Dante pierces it, and remounts to the other side of the infinite. In rising, he becomes idealized; and thought drops the body as a robe. From Virgil he passes to Beatrice. His guide to hell, it is the poet; his guide to heaven, it is poetry. The epic poem continues, and has more grandeur yet; but man comprehends it no more. Purgatory and paradise are not less extraordinary than gehenna; but the more he ascends the less interested is man. He was somewhat at home in hell, but he is no longer so in heaven. He cannot recognize himself in angels. The human eye is perhaps not made for so much sun; and when the poem draws happiness, it becomes tedious. It is generally the case with all happiness. Marry the lovers, or send the souls to dwell in paradise, it is well; but seek the drama elsewhere than there. After all, what does it matter to Dante if you no longer follow him? He goes on without you. He goes alone, this lion. His work is a wonder. What a philosopher is this visionary! What a sage is this madman! Dante lays down the law for Montesquieu; the penal СКАЧАТЬ