At the Gate of Samaria. William John Locke
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Название: At the Gate of Samaria

Автор: William John Locke

Издательство: Bookwire

Жанр: Языкознание

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isbn: 4057664619655

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      “Goodness gracious, my dear,” she said, “the man isn't going to eat you!”

      So Clytie went alone to the studio to learn her destiny.

      “You have great talent,” said the artist, “but it needs cultivation. After two or three years' severe training you may do something.”

      Then Clytie asked him the question that had been burning her heart for two days.

      “Do you think I shall ever be able to earn my own living?”

      “You might do that now, if you chose, and had patience,” he replied.

      “How?”

      “By book illustrating.”

      “But I want to become a great artist.”

      “Doubtless. Most of us do. You may if you try hard, and love art for art's sake. But,” he added, looking at her keenly—“there always is a 'but,' Miss Davenant.”

      “Why do you say that?” she asked quickly.

      “Parce que, as the French say—begging your pardon.”

      And that was practically the end of the conversation.

      All this had happened to Clytie three months before Mrs. Blather had discovered the offending picture in Clytie's attic studio and had carried it to her father. After this foretaste of life the girl wearied more than ever of Durdleham with its soullessness, its stagnation, its prim formulas. A dangerous reaction of spirit set in, leading her to long spells of hopeless melancholy, alternating with outbursts of passionate rebellion. She would stand for hours in the recess of her window gazing over the flat stretch of country, and dreaming strange dreams of the world that lay beyond the dreary horizon—dreams in which sharp reminiscence mingled with fancy in vague, weird shapes. But still she was beginning to realise herself, her needs, her vague cravings. Her passionate desires now flowed into some definite channel—to escape at all costs from Durdleham, and consequently to enter that free world of art the glimpse of which had enchanted her.

      The scenes between her sisters and herself were of daily occurrence. The narrower, gentler women were shocked at her wilfulnesses, her unladylike behaviour; she was revolted to her soul at the pettiness and sordidness of the disputes. Existence at Durdleham had become impossible.

      “For God's sake, Gracie, let me go away from here,” she cried one day, “or I shall hate you—and I want to love you if I can. Let me go to London. Auntie will take me in. Oh, my God! I shall go mad in this place among you.”

      And Mrs. Blather, for the sake of her own tranquillity and the reputation of the family, made up her mind that Clytie should have her desire and that Durdleham should know her no more. And in the end Mrs. Blather gained her father's consent to the arrangement; but the old man looked upon Clytie almost as a lost soul.

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      When the eager young soul starts out unaided to solve the riddle of life, it meets with many paradoxes that admit of no solution, and many sordid simplicities that only unfamiliarity made it regard as enigmas. Despair in the one instance and disgust in the other not unfrequently drive it into a hopeless pessimism, in which inaction seems to be the least pain. Or else the soul bruises itself in vain against the mocking bars, shrinks in loathing from the disveiled corruption, and flies back to the unavailing aids that it spurned aforetime. It is cast in the valley of the shadow of death which only the stout-hearted can pass through unshaken.

      The multitude stands by the formulas that profess to solve the eternal problem. It follows them blindly, like the schoolboy who cares not whether they are right or wrong, or whether the answer is conclusive. So long as there is an answer of some sort its mind is easy. But there are earnester inquirers whom these formulas do not satisfy—who see that they are followed for their own sake, that they never can lead to any conclusions. The soul, now of a people, now of an individual, rebels; it rejects the formulas; it starts from the first principles of being, asserting fiercely its individuality, its inalienable right to seek after truth according to its own methods. These are prejudiced. All great action must be. Because a system is rotten and incomplete the perfervid spirit judges that every factor must be false. It misses the fact that every great human system contains elemental truths of vital importance, without which it must fall in its struggle. And at last, when the forces of endeavour are well nigh spent, it finds the key of the great enigma inwrapped in a greater one still, in the eternal tragedy of things.

      It was with this burning protest against formulas that Clytie entered into the world. They had been presented to her in their smug complacency as solving all mysteries human and divine. She had seen them worshipped as fetiches, and her soul revolted against the futile idolatry. She was too young to examine them carefully, to see that the sacrosanctity of some was miserably justified by human experience. She spurned them all, and she plunged into the waters of Life, a rudderless bark in search of the unknown.

      She spent two years in study at the Slade School in University College, living under the protection of her aunt, who had a house in Russell Square. The training was severe and at times irksome. But she learned strict academical rules of drawing, in spite of her repugnance to the stern coldness of the antique. After her term of hard training was over she went for a year into a painter's studio and learned colour and painting from the live model.

      They were years of probation, as Clytie well knew, and they brought her lessons in self-restraint, both in art and in the conduct of life. Her aunt, Miss Davenant, was shrewder and broader-minded than her brother, having lived more in the whirl of humanity, but the formulas of Durdleham were ranged as household gods upon her hearthstone, and Clytie, out of pure self-interest, was bound to show them outward respect. To compensate, however, for this, Clytie found in her student life many experiences, as she had found during her continental trip, with which she could fill her heart without violating her aunt's Lares and Penates.

      She seldom went to Durdleham. She had an odd feeling that she was in disgrace there for having wished to leave it. Besides, both Mrs. Blather and Janet, as is the inconsequent way of such women, spoke tauntingly of her gay life in town, and contrasted it enviously with their country dulness. And then, too, her father was always querulous, complaining, not of her absence from home, but of her dissimilarity to her sisters.

      “My dear papa,” she said one day, “I could no more be like them than they could be like me.”

      “You might if you had tried,” said the old man.

      Clytie looked hopelessly out of window. What possible reply could be made?

      The happiest, most expansive hours that Clytie spent during these three years were in Harley Street with the Farquharsons. At first her aunt was rather averse to a continuance of the intimacy. Although she had kept up a visiting acquaintance with the Farquharsons since their return from Switzerland, and liked them both personally, she was conscious of an unfamiliar atmosphere in their house. The instinctive shrinking from the unknown made her seek to draw Clytie back with her towards the security of her own accustomed circle. But eventually, when she saw that the girl, to whom she had grown sincerely attached, found real happiness in going to Harley Street, she withdrew her tentative restrictions altogether. Perhaps she read deeper into the girl's heart than either was conscious of, and realised СКАЧАТЬ