The Best Works of Balzac. Оноре де Бальзак
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Название: The Best Works of Balzac

Автор: Оноре де Бальзак

Издательство: Bookwire

Жанр: Языкознание

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isbn: 4057664560742

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СКАЧАТЬ forbid you to have any anxiety whatever about my health,” Raphael went on.

      “Yes, my Lord Marquis,” said the old servant, wiping away his tears.

      “And for the future you had very much better not come here without my orders.”

      Jonathan meant to be obedient, but in the look full of pity and devotion that he gave the Marquis before he went, Raphael read his own death-warrant. Utterly disheartened, brought all at once to a sense of his real position, Valentin sat down on the threshold, locked his arms across his chest, and bowed his head. Jonathan turned to his master in alarm, with “My Lord——”

      “Go away, go away,” cried the invalid.

      In the hours of the next morning, Raphael climbed the crags, and sat down in a mossy cleft in the rocks, whence he could see the narrow path along which the water for the dwelling was carried. At the base of the hill he saw Jonathan in conversation with the Auvergnate. Some malicious power interpreted for him all the woman’s forebodings, and filled the breeze and the silence with her ominous words. Thrilled with horror, he took refuge among the highest summits of the mountains, and stayed there till the evening; but yet he could not drive away the gloomy presentiments awakened within him in such an unfortunate manner by a cruel solicitude on his account.

      The Auvergne peasant herself suddenly appeared before him like a shadow in the dusk; a perverse freak of the poet within him found a vague resemblance between her black and white striped petticoat and the bony frame of a spectre.

      “The damp is falling now, sir,” said she. “If you stop out there, you will go off just like rotten fruit. You must come in. It isn’t healthy to breathe the damp, and you have taken nothing since the morning, besides.”

      “Tonnerre de Dieu! old witch,” he cried; “let me live after my own fashion, I tell you, or I shall be off altogether. It is quite bad enough to dig my grave every morning; you might let it alone in the evenings at least——”

      “Your grave, sir! I dig your grave!—and where may your grave be? I want to see you as old as father there, and not in your grave by any manner of means. The grave! that comes soon enough for us all; in the grave——”

      “That is enough,” said Raphael.

      “Take my arm, sir.”

      “No.”

      The feeling of pity in others is very difficult for a man to bear, and it is hardest of all when the pity is deserved. Hatred is a tonic—it quickens life and stimulates revenge; but pity is death to us—it makes our weakness weaker still. It is as if distress simpered ingratiatingly at us; contempt lurks in the tenderness, or tenderness in an affront. In the centenarian Raphael saw triumphant pity, a wondering pity in the child’s eyes, an officious pity in the woman, and in her husband a pity that had an interested motive; but no matter how the sentiment declared itself, death was always its import.

      A poet makes a poem of everything; it is tragical or joyful, as things happen to strike his imagination; his lofty soul rejects all half-tones; he always prefers vivid and decided colors. In Raphael’s soul this compassion produced a terrible poem of mourning and melancholy. When he had wished to live in close contact with nature, he had of course forgotten how freely natural emotions are expressed. He would think himself quite alone under a tree, whilst he struggled with an obstinate coughing fit, a terrible combat from which he never issued victorious without utter exhaustion afterwards; and then he would meet the clear, bright eyes of the little boy, who occupied the post of sentinel, like a savage in a bent of grass; the eyes scrutinized him with a childish wonder, in which there was as much amusement as pleasure, and an indescribable mixture of indifference and interest. The awful Brother, you must die, of the Trappists seemed constantly legible in the eyes of the peasants with whom Raphael was living; he scarcely knew which he dreaded most, their unfettered talk or their silence; their presence became torture.

      One morning he saw two men in black prowling about in his neighborhood, who furtively studied him and took observations. They made as though they had come there for a stroll, and asked him a few indifferent questions, to which he returned short answers. He recognized them both. One was the cure and the other the doctor at the springs; Jonathan had no doubt sent them, or the people in the house had called them in, or the scent of an approaching death had drawn them thither. He beheld his own funeral, heard the chanting of the priests, and counted the tall wax candles; and all that lovely fertile nature around him, in whose lap he had thought to find life once more, he saw no longer, save through a veil of crape. Everything that but lately had spoken of length of days to him, now prophesied a speedy end. He set out the next day for Paris, not before he had been inundated with cordial wishes, which the people of the house uttered in melancholy and wistful tones for his benefit.

      He traveled through the night, and awoke as they passed through one of the pleasant valleys of the Bourbonnais. View after view swam before his gaze, and passed rapidly away like the vague pictures of a dream. Cruel nature spread herself out before his eyes with tantalizing grace. Sometimes the Allier, a liquid shining ribbon, meandered through the distant fertile landscape; then followed the steeples of hamlets, hiding modestly in the depths of a ravine with its yellow cliffs; sometimes, after the monotony of vineyards, the watermills of a little valley would be suddenly seen; and everywhere there were pleasant chateaux, hillside villages, roads with their fringes of queenly poplars; and the Loire itself, at last, with its wide sheets of water sparkling like diamonds amid its golden sands. Attractions everywhere, without end! This nature, all astir with a life and gladness like that of childhood, scarcely able to contain the impulses and sap of June, possessed a fatal attraction for the darkened gaze of the invalid. He drew the blinds of his carriage windows, and betook himself again to slumber.

      Towards evening, after they had passed Cesne, he was awakened by lively music, and found himself confronted with a village fair. The horses were changed near the marketplace. Whilst the postilions were engaged in making the transfer, he saw the people dancing merrily, pretty and attractive girls with flowers about them, excited youths, and finally the jolly wine-flushed countenances of old peasants. Children prattled, old women laughed and chatted; everything spoke in one voice, and there was a holiday gaiety about everything, down to their clothing and the tables that were set out. A cheerful expression pervaded the square and the church, the roofs and windows; even the very doorways of the village seemed likewise to be in holiday trim.

      Raphael could not repress an angry exclamation, nor yet a wish to silence the fiddles, annihilate the stir and bustle, stop the clamor, and disperse the ill-timed festival; like a dying man, he felt unable to endure the slightest sound, and he entered his carriage much annoyed. When he looked out upon the square from the window, he saw that all the happiness was scared away; the peasant women were in flight, and the benches were deserted. Only a blind musician, on the scaffolding of the orchestra, went on playing a shrill tune on his clarionet. That piping of his, without dancers to it, and the solitary old man himself, in the shadow of the lime-tree, with his curmudgeon’s face, scanty hair, and ragged clothing, was like a fantastic picture of Raphael’s wish. The heavy rain was pouring in torrents; it was one of those thunderstorms that June brings about so rapidly, to cease as suddenly. The thing was so natural, that, when Raphael had looked out and seen some pale clouds driven over by a gust of wind, he did not think of looking at the piece of skin. He lay back again in the corner of his carriage, which was very soon rolling upon its way.

      The next day found him back in his home again, in his own room, beside his own fireside. He had had a large fire lighted; he felt cold. Jonathan brought him some letters; they were all from Pauline. He opened the first one without any eagerness, and unfolded it as if it had been the gray-paper form of application for taxes made by the revenue collector. He read the first sentence:

      “Gone! СКАЧАТЬ