The Greatest Works of Anna Katharine Green. Анна Грин

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      “You are quite right. As I was going out, then, I encountered an elderly gentleman coming in. His hand had just touched the bell handle. You will acknowledge that it was a perplexing moment for me. His face, which was well preserved for his years, wore an air of expectation that was almost gay. He glanced in astonishment at mine, which, whatever its usual serenity, certainly must have borne marks of deep emotion. Neither of us spoke. At last he inquired politely if he might enter, and said something about having an appointment with some one in the study. At which I stepped briskly enough aside, I assure you, for this might mean—What did you say? Did I close the door? I assuredly did. Was I to let the whole of —— Street into the horrors of this house at a moment when a poor old man—No, I didn’t go out myself. Why should I? Was I to leave a man on the verge of eighty—excuse me, not every man of eighty is so hale and vigorous as yourself—to enter such a scene alone? Besides, I had not warned him of the condition of the only other living occupant of the house.”

      “Discreet, very. Quite what was to be expected of you, Miss Butterworth. More than that. You followed him, no doubt, with careful supervision, down the hall.”

      “Most certainly! What would you have thought of me if I had not? He was in a strange house; there was no servant to guide him, he wanted to know the way to the study, and I politely showed him there.”

      “Kind of you, madam,—very. It must have been an interesting moment to you.”

      “Very interesting! Too interesting! I own that I am not made entirely of steel, sir, and the shock he received at finding a dead man awaiting him, instead of a live one, was more or less communicated to me. Yet I stood my ground.”

      “Admirable! I could have done no better myself. And so this man who had an appointment with Mr. Adams was shocked, really shocked, at finding him lying there under a cross, dead?”

      “Yes, there was no doubting that. Shocked, surprised, terrified, and something more. It is that something more which has proved my perplexity. I cannot make it out, not even in thinking it over. Was it the fascination which all horrible sights exert on the morbid, or was it a sudden realization of some danger he had escaped, or of some difficulty yet awaiting him? Hard to say, Mr. Gryce, hard to say; but you may take my word for it that there was more to him in this meeting than an unexpected stumbling upon a dead man where he expected to find a live one. Yet he made no sound after that first cry, and hardly any movement. He just stared at the figure on the floor; then at his face, which he seemed to devour, at first with curiosity, then with hate, then with terror, and lastly—how can I express myself?—with a sort of hellish humor that in another moment might have broken into something like a laugh, if the bird, which I had failed to observe up to this moment, had not waked in its high cage, and, thrusting its beak between the bars, shrilled out in the most alarming of tones: ‘Remember Evelyn!’ That startled the old man even more than the sight on the floor had done. He turned round, and I saw his fist rise as if against some menacing intruder, but it quickly fell again as his eyes encountered the picture which hung before him, and with a cringe painful to see in one of his years, he sidled back till he reached the doorway. Here he paused a minute to give another look at the man outstretched at his feet, and I heard him say:

      “‘It is Amos’s son, not Amos! Is it fatality, or did he plan this meeting, thinking——’

      “But here he caught sight of my figure in the antechamber beyond, and resuming in an instant his former debonair manner, he bowed very low and opened his lips as if about to ask a question. But he evidently thought better of it, for he strode by me and made his way to the front door without a word. Being an intruder myself, I did not like to stop him. But I am sorry now for the consideration I showed him; for just before he stepped out, his emotion—the special character of which, I own to you, I find impossible to understand—culminated in a burst of raucous laughter which added the final horror to this amazing adventure. Then he went out, and in the last glimpse I had of him before the door shut he wore the same look of easy self-satisfaction with which he had entered this place of death some fifteen minutes before.”

      “Remarkable! Some secret history there! That man must be found. He can throw light upon Mr. Adams’s past. ‘Amos’s son,’ he called him? Who is Amos? Mr. Adams’s name was Felix. Felix, the son of Amos. Perhaps this connection of names may lead to something. It is not a common one, and if given to the papers, may result in our receiving a clew to a mystery which seems impenetrable. Your stay in Mr. Adams’s house was quite productive, ma’am. Did you prolong it after the departure of this old man?”

      “No, sir, I had had my fill of the mysterious, and left immediately after him. Ashamed of the spirit of investigation which had led me to enter the house, I made a street boy the medium of my communication to the police, and would have been glad if I could have so escaped all responsibility in the matter. But the irony of fate follows me as it does others. A clew was left of my presence, which involves me in this affair, whether I will or no. Was the hand of Providence in this? Perhaps. The future will tell. And now, Mr. Gryce, since my budget is quite empty and the hour late, I will take my leave. If you hear from that bit of paper——”

      “If I hear from it in the way you suggest I will let you know. It will be the least I can do for a lady who has done so much for me.”

      “Now you flatter me—proof positive that I have stayed a minute longer than was judicious. Good evening, Mr. Gryce. What? I have not stayed too long? You have something else to ask.”

      “Yes, and this time it is concerning a matter personal to yourself. May I inquire if you wore the same bonnet yesterday that you do to-day?”

      “No, sir. I know you have a good reason for this question, and so will not express my surprise. Yesterday I was in reception costume, and my bonnet was a jet one——”

      “With long strings tied under the chin?”

      “No, sir, short strings; long strings are no longer the fashion.”

      “But you wore something which fell from your neck?”

      “Yes, a boa—a feather boa. How came you to know it, sir? Did I leave my image in one of the mirrors?”

      “Hardly. If so, I should not have expected it to speak. You merely wrote the fact on the study table top. Or so I have dared to think. You or the young lady—did she wear ribbons or streamers, too?”

      “That I cannot say. Her face was all I saw, and the skirt of a dove-colored silk dress.”

      “Then you must settle the question for me in this way. If on the tips of that boa of yours you find the faintest evidence of its having been dipped in blood, I shall know that the streaks found on the top of the table I speak of were evidences of your presence there. But if your boa is clean, or was not long enough to touch that dying man as you leaned over him, then we have proof that the young lady with the dove-colored plumes fingered that table also, instead of falling at once into the condition in which you saw her carried out.”

      “I fear that it is my boa which will tell the tale: another proof of the fallibility of man, or, rather, woman. In secret search for clews I left behind me traces of my own presence. I really feel mortified, sir, and you have quite the advantage of me.”

      And with this show of humility, which may not have been entirely sincere, this estimable lady took her departure.

      Did Mr. Gryce suffer from any qualms of conscience at having elicited so much and imparted so little? I doubt it. Mr. Gryce’s conscience was quite seared in certain places.

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