THE PARISH TRILOGY - Annals of a Quiet Neighbourhood, The Seaboard Parish & The Vicar's Daughter. George MacDonald

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СКАЧАТЬ then all at once the thought struck me—why was it that I had never seen this auntie, with the lovely name, at church? Was she going to turn out another strange parishioner?

      There she sat, intent on her book. As we drew near she looked up and rose, but did not come forward.

      "Aunt Winnie, here's Mr. Walton," said Judy.

      I lifted my hat and held out my hand. Before our hands met, however, a tremendous splash reached my ears from the pond. I started round. Judy had vanished. I had my coat half off, and was rushing to the pool, when Miss Oldcastle stopped me, her face unmoved, except by a smile, saying, "It's only one of that frolicsome child's tricks, Mr Walton. It is well for you that I was here, though. Nothing would have delighted her more than to have you in the water too."

      "But," I said, bewildered, and not half comprehending, "where is she?"

      "There," returned Miss Oldcastle, pointing to the pool, in the middle of which arose a heaving and bubbling, presently yielding passage to the laughing face of Judy.

      "Why don't you help me out, Mr Walton? You said you could swim."

      "No, I did not," I answered coolly. "You talked so fast, you did not give me time to say so."

      "It's very cold," she returned.

      "Come out, Judy dear," said her aunt. "Run home and change your clothes. There's a dear."

      Judy swam to the opposite side, scrambled out, and was off like a spaniel through the trees and up the stairs, dripping and raining as she went.

      "You must be very much astonished at the little creature, Mr Walton."

      "I find her very interesting. Quite a study."

      "There never was a child so spoiled, and never a child on whom it took less effect to hurt her. I suppose such things do happen sometimes. She is really a good girl; though mamma, who has done all the spoiling, will not allow me to say she is good."

      Here followed a pause, for, Judy disposed of, what should I say next? And the moment her mind turned from Judy, I saw a certain stillness—not a cloud, but the shadow of a cloud—come over Miss Oldcastle's face, as if she, too, found herself uncomfortable, and did not know what to say next. I tried to get a glance at the book in her hand, for I should know something about her at once if I could only see what she was reading. She never came to church, and I wanted to arrive at some notion of the source of her spiritual life; for that she had such, a single glance at her face was enough to convince me. This, I mean, made me even anxious to see what the book was. But I could only discover that it was an old book in very shabby binding, not in the least like the books that young ladies generally have in their hands.

      And now my readers will possibly be thinking it odd that I have never yet said a word about what either Judy or Miss Oldcastle was like. If there is one thing I feel more inadequate to than another, in taking upon me to relate—it is to describe a lady. But I will try the girl first.

      Judy was rosy, gray-eyed, auburn-haired, sweet-mouthed. She had confidence in her chin, assertion in her nose, defiance in her eyebrows, honesty and friendliness over all her face. No one, evidently, could have a warmer friend; and to an enemy she would be dangerous no longer than a fit of passion might last. There was nothing acrid in her; and the reason, I presume, was, that she had never yet hurt her conscience. That is a very different thing from saying she had never done wrong, you know. She was not tall, even for her age, and just a little too plump for the immediate suggestion of grace. Yet every motion of the child would have been graceful, except for the fact that impulse was always predominant, giving a certain jerkiness, like the hopping of a bird, instead of the gliding of one motion into another, such as you might see in the same bird on the wing.

      There is one of the ladies.

      But the other—how shall I attempt to describe her?

      The first thing I felt was, that she was a lady-woman. And to feel that is almost to fall in love at first sight. And out of this whole, the first thing you distinguished would be the grace over all. She was rather slender, rather tall, rather dark-haired, and quite blue-eyed. But I assure you it was not upon that occasion that I found out the colour of her eyes. I was so taken with her whole that I knew nothing about her parts. Yet she was blue-eyed, indicating northern extraction—some centuries back perhaps. That blue was the blue of the sea that had sunk through the eyes of some sea-rover's wife and settled in those of her child, to be born when the voyage was over. It had been dyed so deep INGRAYNE, as Spenser would say, that it had never been worn from the souls of the race since, and so was every now and then shining like heaven out at some of its eyes. Her features were what is called regular. They were delicate and brave.—After the grace, the dignity was the next thing you came to discover. And the only thing you would not have liked, you would have discovered last. For when the shine of the courtesy with which she received me had faded away a certain look of negative haughtiness, of withdrawal, if not of repulsion, took its place, a look of consciousness of her own high breeding—a pride, not of life, but of circumstance of life, which disappointed me in the midst of so much that was very lovely. Her voice was sweet, and I could have fancied a tinge of sadness in it, to which impression her slowness of speech, without any drawl in it, contributed. But I am not doing well as an artist in describing her so fully before my reader has become in the least degree interested in her. I was seeing her, and no words can make him see her.

      Fearing lest some such fancy as had possessed Judy should be moving in her mind, namely, that I was, if not exactly going to put her through her Catechism, yet going in some way or other to act the clergyman, I hastened to speak.

      "This is a most romantic spot, Miss Oldcastle," I said; "and as surprising as it is romantic. I could hardly believe my eyes when I looked out of the window and saw it first."

      "Your surprise was the more natural that the place itself is not properly natural, as you must have discovered."

      This was rather a remarkable speech for a young lady to make. I answered—

      "I only know that such a chasm is the last thing I should have expected to find in this gently undulating country. That it is artificial I was no more prepared to hear than I was to see the place itself."

      "It looks pretty, but it has not a very poetic origin," she returned. "It is nothing but the quarry out of which the old house at the top of it was built."

      "I must venture to differ from you entirely in the aspect such an origin assumes to me," I said. "It seems to me a more poetic origin than any convulsion of nature whatever would have been; for, look you," I said—being as a young man too much inclined to the didactic, "for, look you," I said—and she did look at me—"from that buried mass of rock has arisen this living house with its histories of ages and generations; and"—

      Here I saw a change pass upon her face: it grew almost pallid. But her large blue eyes were still fixed on mine.

      "And it seems to me," I went on, "that such a chasm made by the uplifting of a house therefrom, is therefore in itself more poetic than if it were even the mouth of an extinct volcano. For, grand as the motions and deeds of Nature are, terrible as is the idea of the fiery heart of the earth breaking out in convulsions, yet here is something greater; for human will, human thought, human hands in human labour and effort, have all been employed to build this house, making not only the house beautiful, but the place whence it came beautiful too. It stands on the edge of what Shelley would call its 'antenatal tomb'—now beautiful enough to be its mother—filled from generation to generation "—

      Her face had grown СКАЧАТЬ