Pharos, the Egyptian (Horror Classic). Guy Boothby
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Название: Pharos, the Egyptian (Horror Classic)

Автор: Guy Boothby

Издательство: Bookwire

Жанр: Языкознание

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isbn: 9788027247028

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СКАЧАТЬ height was considerably below the average, his skull was as small as his shoulders were broad. But it was not of his stature, his shoulders, or the size of the head which caused the curious effect I have elsewhere described. It was his eyes, the shape of his face, the multitudinous wrinkles that lined it, and, above all, the extraordinary colour of his skin, that rendered his appearance so repulsive. To understand what I mean you must think first of old ivory, and then endeavour to realise what the complexion of a corpse would be like after lying in an hermetically sealed tomb for many years. Blend the two and you will have some dim notion of the idea I am trying to convey. His eyes were small, deeply sunken, and in repose apparently devoid of light and even of life. He wore a heavy fur coat, and, for the reason that he disdained the customary headgear of polite society, and had substituted for it a curious description of cap, I argued that he was a man who boasted a will of his own, and who did not permit himself to be bound by arbitrary rules. But, however plain these things may have been, his age was a good deal more difficult to determine. It was certainly not less than seventy, and one might have been excused had one even set it down at a hundred. He walked feebly, supporting himself with a stick, upon which his thin yellow fist was clutched till the knuckles stood out and shone like billiard balls in the moonlight.

      Under the influence of his mysterious personality, I stood speechless for some moments, forgetful of everything—the hour, the place, and even his inhumanity to the drowning wretch in the river below. By the time I recovered myself he was gone, and I could see him crossing the road and moving swiftly away in the direction of Charing Cross. Drawing my hand across my forehead, which was clammy with the sweat of real fear, I looked again at the river. A police boat was pulling toward the steps, and by the light of the lantern on board I could make out the body of a man. My nerves, already strained to breaking pitch, were not capable of standing any further shock. I accordingly turned upon my heel and hurried from the place with all the speed at my command.

      Such was my first meeting with the man whom I afterward came to know as Pharos the Egyptian.

      Chapter II.

       Table of Contents

      As you are aware, my picture that year was hung in an excellent position, was favourably received by those for whose criticism I had any sort of respect, attracted its fair share of attention from the general public, and, as a result, brought me as near contentment as a man can well hope or expect to be in this world. Before it had been twenty-four hours "on the line," I had received several tempting offers for it; but as I had set my heart on obtaining a certain sum, and was determined not to accept less, you may suppose I did not give them much attention. If I received what I wanted, I promised myself a treat I had been looking forward to all my life. In that case I would take a long holiday, and, instead of spending the next winter in England, would start for Egypt in the autumn, taking in Italy en route, make my way up the Nile, and be home again, all being well, in the spring, or, at latest, during the early days of summer.

      Ever since I first became an exhibitor at Burlington House, I have made it a rule to studiously avoid visiting the gallery after varnishing day. My reasons would interest no one, but they were sufficiently strong to induce me to adhere to them. This year, however, I was led into doing so in a quite unintentional fashion, and as that exception vitally concerns this narrative, I must narrate in detail the circumstances that led up to it.

      On a certain Friday early in June, I was sitting in my studio, after lunch, wondering what I should do with myself during the afternoon, when a knock sounded at the door, and a moment later, after I had invited whoever stood outside to enter, my old friend, George Merridew, his wife, son, and three daughters, trooped into the room. They were plainly up from the country, and, as usual, were doing the sights at express speed. George Merridew, as you know, stands six feet in his stockings, and is broad in proportion. His face is red, his eyes blue, and he carries with him wherever he goes the air of a prosperous country squire, which he certainly is. Like many other big men, he is unconscious of his strength, and when he shakes hands with you, you have reason to remember the fact for five minutes afterward. His wife is small, and, as some folks declare, looks younger than her eldest daughter, who is a tennis champion, a golfer, and boasts a supreme contempt for Royal Academicians and, for that matter, for artists generally. The son is at Oxford, a nice enough young fellow with limpid blue eyes, who, to his father's disgust, takes no sort of interest in fox-hunting, racing, football, or any other sport, and has openly asserted his intention of entering the Church in the near future. There are two other girls, Gwendoline and Ethel—the latter, by the way, promises to be a second edition of her mother—who, at present, are in the advanced schoolroom stage, dine with their parents, except on state occasions, and play duets together on the piano with a conscientious regard for time and fingering that gives their father no small amount of pleasure, but with other people rather detracts from the beauty of the performance.

      "Thank goodness we have got you at last!" cried Merridew, as he rushed forward and gripped my hand with a cordiality that made me suffer in silent agony for minutes afterward. "But, my dear fellow, what on earth induces you to live in a place that's so difficult to find? We have been all round the neighbourhood, here, there, and everywhere, making inquiries, and shouldn't have found you now had it not been for an intelligent butcher-boy, who put us on the right scent and enabled us to run you to earth at last."

      "Such is fame, you see," I answered with a smile. "One should be humble when one reflects that the knowledge of one's address is confined to a butcher-boy.—How do you do, Mrs. Merridew? I am sorry you should have had so much difficulty in discovering my poor abode."

      I shook hands with the rest of the family, and when I had done so, waited to be informed as to the reason of their visit.

      "Now, look here," said the squire, as he spoke producing an enormous gold repeater from his pocket, which by sheer force of habit he held in his hand, though he never once looked at it, during the time he was speaking. "I'll tell you what we're going to do. In the first place you're to take us to the Academy to see your picture, which every one is talking about, and at the same time to act as showman and tell us who's who. After that you'll dine with us at the Langham, and go to the theatre afterward. No, no, it's not a bit of use you're pretending you've got another engagement. We don't come up to town very often, but when we do we enjoy ourselves, and—why, man alive! just consider—I haven't seen you since last autumn, and if you think I am going to let you escape now, you're very much mistaken. Such a thing is not to be thought of—is it, mother?"

      Thus appealed to, Mrs. Merridew was kind enough to say that she hoped I would comply with her husband's wishes. The daughters murmured something, which I have no doubt was intended to be a complimentary expression of their feelings, while the son commenced a remark, failed to make himself intelligible, and then lapsed into silence again.

      Thus hemmed in, it remained for me to invent a valid excuse, or to fall in with their plans. I effected a compromise, informed them that I should be much pleased to accompany them to the Academy, but that it was quite impossible I should dine with them afterward, or even visit the theatre in their company, having, as was quite true, already accepted an invitation for that evening. Five minutes later the matter was settled, and we were making our way toward Piccadilly and Burlington House.

      In the light of all that has happened since, I can only regard my behaviour on that occasion with a contemptuous sort of pity. The minutest details connected with that afternoon's amusement are as clearly photographed upon my brain as if they had occurred but yesterday. If I close my eyes for a moment, I can see, just as I saw it then, the hawkers selling catalogues in the busy street outside, the great courtyard with the lines of waiting carriages, the fashionable crowd ascending and descending the stairs, and inside the rooms that surging mass of well-dressed humanity so characteristic of London and the season. When we had fought our way to the vestibule, I was for doing the round of the rooms in the orthodox СКАЧАТЬ