Sixes and Sevens. O. Hooper Henry

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СКАЧАТЬ Sam, as far as the roads are cut out."

      "Oh, I don't know," said Sam, reflectively. "But I certainly do get there on variations. I guess I can handle anything in five flats about as well as any of 'em. But you look kind of fagged out, Uncle Ben—ain't you feeling right well this evening?"

      "Little tired; that's all, Sam. If you ain't played yourself out, let's have that Mexican piece that starts off with: 'Huile, huile, palomita.' It seems that that song always kind of soothes and comforts me after I've been riding far or anything bothers me."

      "Why, seguramente, señor," said Sam. "I'll hit her up for you as often as you like. And before I forget about it, Uncle Ben, you want to jerk Bradshaw up about them last hams he sent us. They're just a little bit strong."

      A man sixty-five years old, living on a sheep ranch and beset by a complication of disasters, cannot successfully and continuously dissemble. Moreover, a troubadour has eyes quick to see unhappiness in others around him—because it disturbs his own ease. So, on the next day, Sam again questioned the old man about his air of sadness and abstraction. Then old man Ellison told him the story of King James's threats and orders and that pale melancholy and red ruin appeared to have marked him for their own. The troubadour took the news thoughtfully. He had heard much about King James.

      On the third day of the seven days of grace allowed him by the autocrat of the range, old man Ellison drove his buckboard to Frio City to fetch some necessary supplies for the ranch. Bradshaw was hard but not implacable. He divided the old man's order by two, and let him have a little more time. One article secured was a new, fine ham for the pleasure of the troubadour.

      Five miles out of Frio City on his way home the old man met King James riding into town. His majesty could never look anything but fierce and menacing, but to-day his slits of eyes appeared to be a little wider than they usually were.

      "Good day," said the king, gruffly. "I've been wanting to see you. I hear it said by a cowman from Sandy yesterday that you was from Jackson County, Mississippi, originally. I want to know if that's a fact."

      "Born there," said old man Ellison, "and raised there till I was twenty-one."

      "This man says," went on King James, "that he thinks you was related to the Jackson County Reeveses. Was he right?"

      "Aunt Caroline Reeves," said the old man, "was my half-sister."

      "She was my aunt," said King James. "I run away from home when I was sixteen. Now, let's re-talk over some things that we discussed a few days ago. They call me a bad man; and they're only half right. There's plenty of room in my pasture for your bunch of sheep and their increase for a long time to come. Aunt Caroline used to cut out sheep in cake dough and bake 'em for me. You keep your sheep where they are, and use all the range you want. How's your finances?"

      The old man related his woes in detail, dignifiedly, with restraint and candour.

      "She used to smuggle extra grub into my school basket—I'm speaking of Aunt Caroline," said King James. "I'm going over to Frio City to-day, and I'll ride back by your ranch to-morrow. I'll draw $2,000 out of the bank there and bring it over to you; and I'll tell Bradshaw to let you have everything you want on credit. You are bound to have heard the old saying at home, that the Jackson County Reeveses and Kings would stick closer by each other than chestnut burrs. Well, I'm a King yet whenever I run across a Reeves. So you look out for me along about sundown to-morrow, and don't worry about nothing. Shouldn't wonder if the dry spell don't kill out the young grass."

      Old man Ellison drove happily ranchward. Once more the smiles filled out his wrinkles. Very suddenly, by the magic of kinship and the good that lies somewhere in all hearts, his troubles had been removed.

      On reaching the ranch he found that Sam Galloway was not there. His guitar hung by its buckskin string to a hackberry limb, moaning as the gulf breeze blew across its masterless strings.

      The Kiowa endeavoured to explain.

      "Sam, he catch pony," said he, "and say he ride to Frio City. What for no can damn sabe. Say he come back to-night. Maybe so. That all."

      As the first stars came out the troubadour rode back to his haven. He pastured his pony and went into the house, his spurs jingling martially.

      Old man Ellison sat at the kitchen table, having a tin cup of before-supper coffee. He looked contented and pleased.

      "Hello, Sam," said he. "I'm darned glad to see ye back. I don't know how I managed to get along on this ranch, anyhow, before ye dropped in to cheer things up. I'll bet ye've been skylarking around with some of them Frio City gals, now, that's kept ye so late."

      And then old man Ellison took another look at Sam's face and saw that the minstrel had changed to the man of action.

      And while Sam is unbuckling from his waist old man Ellison's six-shooter, that the latter had left behind when he drove to town, we may well pause to remark that anywhere and whenever a troubadour lays down the guitar and takes up the sword trouble is sure to follow. It is not the expert thrust of Athos nor the cold skill of Aramis nor the iron wrist of Porthos that we have to fear—it is the Gascon's fury—the wild and unacademic attack of the troubadour—the sword of D'Artagnan.

      "I done it," said Sam. "I went over to Frio City to do it. I couldn't let him put the skibunk on you, Uncle Ben. I met him in Summers's saloon. I knowed what to do. I said a few things to him that nobody else heard. He reached for his gun first—half a dozen fellows saw him do it—but I got mine unlimbered first. Three doses I gave him—right around the lungs, and a saucer could have covered up all of 'em. He won't bother you no more."

      "This—is—King—James—you speak—of?" asked old man Ellison, while he sipped his coffee.

      "You bet it was. And they took me before the county judge; and the witnesses what saw him draw his gun first was all there. Well, of course, they put me under $300 bond to appear before the court, but there was four or five boys on the spot ready to sign the bail. He won't bother you no more, Uncle Ben. You ought to have seen how close them bullet holes was together. I reckon playing a guitar as much as I do must kind of limber a fellow's trigger finger up a little, don't you think, Uncle Ben?"

      Then there was a little silence in the castle except for the spluttering of a venison steak that the Kiowa was cooking.

      "Sam," said old man Ellison, stroking his white whiskers with a tremulous hand, "would you mind getting the guitar and playing that 'Huile, huile, palomita' piece once or twice? It always seems to be kind of soothing and comforting when a man's tired and fagged out."

      There is no more to be said, except that the title of the story is wrong. It should have been called "The Last of the Barons." There never will be an end to the troubadours; and now and then it does seem that the jingle of their guitars will drown the sound of the muffled blows of the pickaxes and trip hammers of all the Workers in the world.

II

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