Название: The Descent of Man and Other Stories
Автор: Edith Wharton
Издательство: Bookwire
Жанр: Языкознание
isbn: 4057664650016
isbn:
Waythorn stood silent. He did not care a farthing for the success of Varick's venture, but the honor of the office was to be considered, and he could hardly refuse to oblige his partner.
"Very well," he said, "I'll do it."
That afternoon, apprised by telephone, Varick called at the office. Waythorn, waiting in his private room, wondered what the others thought of it. The newspapers, at the time of Mrs. Waythorn's marriage, had acquainted their readers with every detail of her previous matrimonial ventures, and Waythorn could fancy the clerks smiling behind Varick's back as he was ushered in.
Varick bore himself admirably. He was easy without being undignified, and Waythorn was conscious of cutting a much less impressive figure. Varick had no head for business, and the talk prolonged itself for nearly an hour while Waythorn set forth with scrupulous precision the details of the proposed transaction.
"I'm awfully obliged to you," Varick said as he rose. "The fact is I'm not used to having much money to look after, and I don't want to make an ass of myself—" He smiled, and Waythorn could not help noticing that there was something pleasant about his smile. "It feels uncommonly queer to have enough cash to pay one's bills. I'd have sold my soul for it a few years ago!"
Waythorn winced at the allusion. He had heard it rumored that a lack of funds had been one of the determining causes of the Varick separation, but it did not occur to him that Varick's words were intentional. It seemed more likely that the desire to keep clear of embarrassing topics had fatally drawn him into one. Waythorn did not wish to be outdone in civility.
"We'll do the best we can for you," he said. "I think this is a good thing you're in."
"Oh, I'm sure it's immense. It's awfully good of you—" Varick broke off, embarrassed. "I suppose the thing's settled now—but if—"
"If anything happens before Sellers is about, I'll see you again," said Waythorn quietly. He was glad, in the end, to appear the more self-possessed of the two.
The course of Lily's illness ran smooth, and as the days passed Waythorn grew used to the idea of Haskett's weekly visit. The first time the day came round, he stayed out late, and questioned his wife as to the visit on his return. She replied at once that Haskett had merely seen the nurse downstairs, as the doctor did not wish any one in the child's sick-room till after the crisis.
The following week Waythorn was again conscious of the recurrence of the day, but had forgotten it by the time he came home to dinner. The crisis of the disease came a few days later, with a rapid decline of fever, and the little girl was pronounced out of danger. In the rejoicing which ensued the thought of Haskett passed out of Waythorn's mind and one afternoon, letting himself into the house with a latchkey, he went straight to his library without noticing a shabby hat and umbrella in the hall.
In the library he found a small effaced-looking man with a thinnish gray beard sitting on the edge of a chair. The stranger might have been a piano-tuner, or one of those mysteriously efficient persons who are summoned in emergencies to adjust some detail of the domestic machinery. He blinked at Waythorn through a pair of gold-rimmed spectacles and said mildly: "Mr. Waythorn, I presume? I am Lily's father."
Waythorn flushed. "Oh—" he stammered uncomfortably. He broke off, disliking to appear rude. Inwardly he was trying to adjust the actual Haskett to the image of him projected by his wife's reminiscences. Waythorn had been allowed to infer that Alice's first husband was a brute.
"I am sorry to intrude," said Haskett, with his over-the-counter politeness.
"Don't mention it," returned Waythorn, collecting himself. "I suppose the nurse has been told?"
"I presume so. I can wait," said Haskett. He had a resigned way of speaking, as though life had worn down his natural powers of resistance.
Waythorn stood on the threshold, nervously pulling off his gloves.
"I'm sorry you've been detained. I will send for the nurse," he said; and as he opened the door he added with an effort: "I'm glad we can give you a good report of Lily." He winced as the we slipped out, but Haskett seemed not to notice it.
"Thank you, Mr. Waythorn. It's been an anxious time for me."
"Ah, well, that's past. Soon she'll be able to go to you." Waythorn nodded and passed out.
In his own room, he flung himself down with a groan. He hated the womanish sensibility which made him suffer so acutely from the grotesque chances of life. He had known when he married that his wife's former husbands were both living, and that amid the multiplied contacts of modern existence there were a thousand chances to one that he would run against one or the other, yet he found himself as much disturbed by his brief encounter with Haskett as though the law had not obligingly removed all difficulties in the way of their meeting.
Waythorn sprang up and began to pace the room nervously. He had not suffered half so much from his two meetings with Varick. It was Haskett's presence in his own house that made the situation so intolerable. He stood still, hearing steps in the passage.
"This way, please," he heard the nurse say. Haskett was being taken upstairs, then: not a corner of the house but was open to him. Waythorn dropped into another chair, staring vaguely ahead of him. On his dressing-table stood a photograph of Alice, taken when he had first known her. She was Alice Varick then—how fine and exquisite he had thought her! Those were Varick's pearls about her neck. At Waythorn's instance they had been returned before her marriage. Had Haskett ever given her any trinkets—and what had become of them, Waythorn wondered? He realized suddenly that he knew very little of Haskett's past or present situation; but from the man's appearance and manner of speech he could reconstruct with curious precision the surroundings of Alice's first marriage. And it startled him to think that she had, in the background of her life, a phase of existence so different from anything with which he had connected her. Varick, whatever his faults, was a gentleman, in the conventional, traditional sense of the term: the sense which at that moment seemed, oddly enough, to have most meaning to Waythorn. He and Varick had the same social habits, spoke the same language, understood the same allusions. But this other man … it was grotesquely uppermost in Waythorn's mind that Haskett had worn a made-up tie attached with an elastic. Why should that ridiculous detail symbolize the whole man? Waythorn was exasperated by his own paltriness, but the fact of the tie expanded, forced itself on him, became as it were the key to Alice's past. He could see her, as Mrs. Haskett, sitting in a "front parlor" furnished in plush, with a pianola, and a copy of "Ben Hur" on the centre-table. He could see her going to the theatre with Haskett—or perhaps even to a "Church Sociable"—she in a "picture hat" and Haskett in a black frock-coat, a little creased, with the made-up tie on an elastic. On the way home they would stop and look at the illuminated shop-windows, lingering over the photographs of New York actresses. On Sunday afternoons Haskett would take her for a walk, pushing Lily ahead of them in a white enameled perambulator, and Waythorn had a vision of the people they would stop and talk to. He could fancy how pretty Alice must have looked, in a dress adroitly constructed from the hints of a New York fashion-paper; how she must have looked down on the other women, chafing at her life, and secretly feeling that she belonged in a bigger place.
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