IN SEARCH OF LOST TIME - Complete 7 Book Collection (Modern Classics Series). Marcel Proust

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      My grandmother, naturally enough, looked upon our exodus from a somewhat different point of view, and (for she was still as anxious as ever that the presents which were made me should take some artistic form) had planned, so that she might be offering me, of this journey, a 'print' that was, at least, in parts 'old,' that we should repeat, partly by rail and partly by road, the itinerary that Mme. de Sévigné followed when she went from Paris to 'L'Orient' by way of Chaulnes and 'the Pont-Audemer.' But my grandmother had been obliged to abandon this project, at the instance of my father who knew, whenever she organised any expedition with a view to extracting from it the utmost intellectual benefit that it was capable of yielding, what a tale there would be to tell of missed trains, lost luggage, sore throats and broken rules. She was free at least to rejoice in the thought that never, when the time came for us to sally forth to the beach, should we be exposed to the risk of being kept indoors by the sudden appearance of what her beloved Sévigné calls a 'beast of a coachload,' since we should know not a soul at Balbec, Legrandin having refrained from offering us a letter of introduction to his sister. (This abstention had not been so well appreciated by my aunts Céline and Flora, who, having known as a child that lady, of whom they had always spoken until then, to commemorate this early intimacy, as 'Renée de Cambremer,' and having had from her and still possessing a number of those little presents which continue to ornament a room or a conversation but to which the feeling between the parties no longer corresponds, imagined that they were avenging the insult offered to us by never uttering again, when they called upon Mme. Legrandin, the name of her daughter, confining themselves to a mutual congratulation, once they were safely out of the house: "I made no reference to you know whom!" "I think that went home!")

      And so we were simply to leave Paris by that one twenty-two train which I had too often beguiled myself by looking out in the railway timetable, where its itinerary never failed to give me the emotion, almost the illusion of starting by it, not to feel that I already knew it. As the delineation in our mind of the features of any form of happiness depends more on the nature of the longings that it inspires in us than on the accuracy of the information which we have about it, I felt that I knew this train in all its details, nor did I doubt that I should feel, sitting in one of its compartments, a special delight as the day began to cool, should be contemplating this or that view as the train approached one or another station; so much so that this train, which always brought to my mind's eye the images of the same towns, which I bathed in the sunlight of those post-meridian hours through which it sped, seemed to me to be different from every other train; and I had ended—as we are apt to do with a person whom we have never seen but of whom we like to believe that we have won his friendship—by giving a distinct and unalterable cast of countenance to the traveller, artistic, golden-haired, who would thus have taken me with him upon his journey, and to whom I should bid farewell beneath the Cathedral of Saint-Lo, before he hastened to overtake the setting sun.

      As my grandmother could not bring herself to do anything so 'stupid' as to go straight to Balbec, she was to break the journey half-way, staying the night with one of her friends, from whose house I was to proceed the same evening, so as not to be in the way there and also in order that I might arrive by daylight and see Balbec Church, which, we had learned, was at some distance from Balbec-Plage, so that I might not have a chance to visit it later on, when I had begun my course of baths. And perhaps it was less painful for me to feel that the desirable goal of my journey stood between me and that cruel first night on which I should have to enter a new habitation, and consent to dwell there. But I had had first to leave the old; my mother had arranged to 'move in,' that afternoon, at Saint-Cloud, and had made, or pretended to make, all the arrangements for going there directly after she had seen us off at the station, without needing to call again at our own house to which she was afraid that I might otherwise feel impelled at the last moment, instead of going to Balbec, to return with her. In fact, on the pretext of having so much to see to in the house which she had just taken and of being pressed for time, but in reality so as to spare me the cruel ordeal of a long-drawn parting, she had decided not to wait with us until that moment of the signal to start at which, concealed hitherto among ineffective comings and goings and preparations that lead to nothing definite, separation is made suddenly manifest, impossible to endure when it is no longer possibly to be avoided, concentrated in its entirety in one enormous instant of impotent and supreme lucidity.

      For the first time I began to feel that it was possible that my mother might live without me, otherwise than for me, a separate life. She was going to stay with my father, whose existence it may have seemed to her that my feeble health, my nervous excitability complicated somewhat and saddened. This separation made me all the more wretched because I told myself that it probably marked for my mother an end of the successive disappointments which I had caused her, of which she had never said a word to me but which had made her realise the difficulty of our taking our holidays together; and perhaps also the first trial of a form of existence to which she was beginning, now, to resign herself for the future, as the years crept on for my father and herself, an existence in which I should see less of her, in which (a thing that not even in my nightmares had yet been revealed to me) she would already have become something of a stranger, a lady who might be seen going home by herself to a house in which I should not be, asking the porter whether there was not a letter for her from me.

      I could scarcely answer the man in the station who offered to take my bag. My mother, to comfort me, tried the methods which seemed to her most efficacious. Thinking it to be useless to appear not to notice my unhappiness, she gently teased me about it:

      "Well, and what would Balbec church say if it knew that people pulled long faces like that when they were going to see it? Surely this is not the enraptured tourist Ruskin speaks of. Besides, I shall know if you rise to the occasion, even when we are miles apart I shall still be with my little man. You shall have a letter to-morrow from Mamma."

      "My dear," said my grandmother, "I picture you like Mme. de Sévigné, your eyes glued to the map, and never losing sight of us for an instant."

      Then Mamma sought to distract my mind, asked me what I thought of having for dinner, drew my attention to Françoise, complimented her on a hat and cloak which she did not recognise, in spite of their having horrified her long ago when she first saw them, new, upon my great-aunt, one with an immense bird towering over it, the other decorated with a hideous pattern and jet beads. But the cloak having grown too shabby to wear, Françoise had had it turned, exposing an 'inside' of plain cloth and quite a good colour. As for the bird, it had long since come to grief and been thrown away. And just as it is disturbing, sometimes, to find the effects which the most conscious artists attain only by an effort occurring in a folk-song, on the wall of some peasant's cottage where above the door, at the precisely right spot in the composition, blooms a white or yellow rose—so the velvet band, the loop of ribbon which would have delighted one in a portrait by Chardin or Whistler, Françoise had set with a simple but unerring taste upon the hat, which was now charming.

      To take a parallel from an earlier age, the modesty and integrity which often gave an air of nobility to the face of our old servant having spread also to the garments which, as a woman reserved but not humbled, who knew how to hold her own and to keep her place, she had put on for the journey so as to be fit to be seen in our company without at the same time seeming or wishing to make herself conspicuous,—Françoise in the cherry-coloured cloth, now faded, of her cloak, and the discreet nap of her fur collar, brought to mind one of those miniatures of Anne of Brittany painted in Books of Hours by an old master, in which everything is so exactly in the right place, the sense of the whole is so evenly distributed throughout the parts that the rich and obsolete singularity of the costume expresses the same pious gravity as the eyes, lips and hands.

      Of thought, in relation to Françoise, one could hardly speak. She knew nothing, in that absolute sense in which to know nothing means to understand nothing, save the rare truths to which the heart is capable of directly attaining. The vast world of ideas existed not for her. But when one studied the clearness of her gaze, the lines of nose and lips, all СКАЧАТЬ