The Famous Cases of Dr. Thorndyke (Illustrated). R. Austin Freeman
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Название: The Famous Cases of Dr. Thorndyke (Illustrated)

Автор: R. Austin Freeman

Издательство: Bookwire

Жанр: Языкознание

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isbn: 9788075834591

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СКАЧАТЬ confess to being very considerably startled; for though the reflection of the open door was plain enough in the mirror, my own reflection was replaced by that of a Chinaman. After a momentary pause of astonishment, I entered the closet and walked towards the mirror; and simultaneously the figure of the Chinaman entered and walked towards me. I had advanced more than halfway down the closet when suddenly the mirror darkened; there was a whirling flash, the Chinaman vanished in an instant, and, as I reached the glass, my own reflection faced me.

      I turned back into the room pretty completely enlightened, and looked at Calverley with a new-born distaste. He still sat facing the bewildered lawyer, one moment sobbing convulsively, the next yelping with hysteric laughter. He was not an agreeable spectacle, and when, a few moments later, Thorndyke entered the room, and halted by the door with a stare of disgust, I was moved to join him. But at this juncture a man pushed past Thorndyke, and, striding up to Calverley, shook him roughly by the arm.

      "Stop that row!" he exclaimed furiously. "Do you hear? Stop it!"

      "I can't help it, Raggerton," gasped Calverley. "He gave me such a turn—the mandarin, you know."

      "What!" ejaculated Raggerton.

      He dashed across to the closet, looked in, and turned upon Calverley with a snarl. Then he walked out of the room.

      "Brodribb," said Thorndyke, "I should like to have a word with you and Jervis outside." Then, as we followed him out on to the landing, he continued: "I have something rather interesting to show you. It is in here."

      He softly opened an adjoining door, and we looked into a small unfurnished room. A projecting closet occupied one side of it, and at the door of the closet stood Captain Raggerton, with his hand upon the key. He turned upon us fiercely, though with a look of alarm, and demanded:

      "What is the meaning of this intrusion? and who the deuce are you? Do you know that this is my private room?"

      "I suspected that it was," Thorndyke replied quietly. "Those will be your properties in the closet, then?"

      Raggerton turned pale, but continued to bluster. "Do I understand that you have dared to break into my private closet?" he demanded.

      "I have inspected it," replied Thorndyke, "and I may remark that it is useless to wrench at that key, because I have hampered the lock."

      "The devil you have!" shouted Raggerton.

      "Yes; you see, I am expecting a police-officer with a search warrant, so I wished to keep everything intact."

      Raggerton turned livid with mingled fear and rage. He stalked up to Thorndyke with a threatening air, but, suddenly altering his mind, exclaimed, "I must see to this!" and flung out of the room.

      Thorndyke took a key from his pocket, and, having locked the door, turned to the closet. Having taken out the key to unhamper the lock with a stout wire, he reinserted it and unlocked the door. As we entered, we found ourselves in a narrow closet, similar to the one in the other room, but darker, owing to the absence of a mirror. A few clothes hung from the pegs, and when Thorndyke had lit a candle that stood on a shelf, we could see more of the details.

      "Here are some of the properties," said Thorndyke. He pointed to a peg from which hung a long, blue silk gown of Chinese make, a mandarin's cap, with a pigtail attached to it, and a beautifully-made papier-màché mask. "Observe," said Thorndyke, taking the latter down and exhibiting a label on the inside, marked "Renouard à Paris," "no trouble has been spared."

      He took off his coat, slipped on the gown, the mask, and the cap, and was, in a moment, in that dim light, transformed into the perfect semblance of a Chinaman.

      "By taking a little more time," he remarked, pointing to a pair of Chinese shoes and a large paper lantern, "the make-up could be rendered more complete; but this seems to have answered for our friend Alfred."

      "But," said Mr. Brodribb, as Thorndyke shed the disguise, "still, I don't understand—"

      "I will make it clear to you in a moment," said Thorndyke. He walked to the end of the closet, and, tapping the right-hand wall, said: "This is the back of the mirror. You see that it is hung on massive well-oiled hinges, and is supported on this large, rubber-tyred castor, which evidently has ball bearings. You observe three black cords running along the wall, and passing through those pulleys above. Now, when I pull this cord, notice what happens."

      He pulled one cord firmly, and immediately the mirror swung noiselessly inwards on its great castor, until it stood diagonally across the closet, where it was stopped by a rubber buffer.

      "Bless my soul!" exclaimed Mr. Brodribb. "What an extraordinary thing!"

      The effect was certainly very strange, for, the mirror being now exactly diagonal to the two closets they appeared to be a single, continuous passage, with a door at either end. On going up to the mirror, we found that the opening which it had occupied was filled by a sheet of plain glass, evidently placed there as a precaution to prevent any person from walking through from one closet into the other, and so discovering the trick.

      "It's all very puzzling," said Mr. Brodribb; "I don't clearly understand it now."

      "Let us finish here," replied Thorndyke, "and then I will explain. Notice this black curtain. When I pull the second cord, it slides across the closet and cuts off the light. The mirror now reflects nothing into the other closet; it simply appears dark. And now I pull the third cord."

      He did so, and the mirror swung noiselessly back into its place.

      "There is only one other thing to observe before we go out," said Thorndyke, "and that is this other mirror standing with its face to the wall. This, of course, is the one that Fred Calverley originally saw at the end of the closet; it has since been removed, and the larger swinging glass put in its place. And now," he continued, when we came out into the room, "let me explain the mechanism in detail. It was obvious to me, when I heard poor Fred Calverley's story, that the mirror was 'faked,' and I drew a diagram of the probable arrangement, which turns out to be correct. Here it is." He took a sheet of paper from his pocket and handed it to the lawyer. "There are two sketches. Sketch 1 shows the mirror in its ordinary position, closing the end of the closet. A person standing at A, of course, sees his reflection facing him at, apparently, A 1. Sketch 2 shows the mirror swung across. Now a person standing at A does not see his own reflection at all; but if some other person is standing in the other closet at B, A sees the reflection of B apparently at B 1—that is, in the identical position that his own reflection occupied when the mirror was straight across."

      "I see now," said Brodribb; "but who set up this apparatus, and why was it done?"

      "Let me ask you a question," said Thorndyke. "Is Alfred Calverley the next-of-kin?"

      "No; there is Fred's younger brother. But I may say that Fred has made a will quite recently very much in Alfred's favour."

      "There is the explanation, then," said Thorndyke. "These two scoundrels have conspired to drive the poor fellow to suicide, and Raggerton was clearly the leading spirit. He was evidently concocting some story with which to work on poor Fred's superstitions when the mention of the Chinaman on the steamer gave him his cue. He then invented the very picturesque story of the murdered mandarin and the stolen pearl. You remember that these 'visitations' did not begin until after that story had been told, and Fred had been absent from the house on a visit. Evidently, during his absence, Raggerton took down the original mirror, and substituted this swinging arrangement; and at the same time procured the Chinaman's dress and mask from the theatrical property СКАЧАТЬ