Rudyard Kipling For Children - 7 Books in One Edition (Illustrated Edition). Rudyard Kipling

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СКАЧАТЬ to Algiers will tell you, first, that your notion is borrowed, and, secondly, that it isn't Art."

      "This comes of my leaving town for a month. Dickie, you've been promenading among the toy-shops and hearing people talk."

      "I couldn't help it," said Dick, penitently. "You weren't here, and it was lonely these long evenings. A man can't work for ever."

      "A man might have gone to a pub, and got decently drunk."

      "I wish I had; but I forgathered with some men of sorts. They said they were artists, and I knew some of them could draw,—but they wouldn't draw. They gave me tea,—tea at five in the afternoon!—and talked about Art and the state of their souls. As if their souls mattered. I've heard more about Art and seen less of her in the last six months than in the whole of my life. Do you remember Cassavetti, who worked for some continental syndicate, out with the desert column? He was a regular Christmas-tree of contraptions when he took the field in full fig, with his water-bottle, lanyard, revolver, writing-case, housewife, gig-lamps, and the Lord knows what all. He used to fiddle about with 'em and show us how they worked; but he never seemed to do much except fudge his reports from the Nilghai. See?"

      "Dear old Nilghai! He's in town, fatter than ever. He ought to be up here this evening. I see the comparison perfectly. You should have kept clear of all that man-millinery. Serves you right; and I hope it will unsettle your mind."

      "It won't. It has taught me what Art—holy sacred Art—means."

      "You've learnt something while I've been away. What is Art?"

      "Give 'em what they know, and when you've done it once do it again."

      Dick dragged forward a canvas laid face to the wall. "Here's a sample of real Art. It's going to be a facsimile reproduction for a weekly. I called it 'His Last Shot.' It's worked up from the little water-colour I made outside El Maghrib. Well, I lured my model, a beautiful rifleman, up here with drink; I drored him, and I redrored him, and I redrored him, and I made him a flushed, dishevelled, bedevilled scallawag, with his helmet at the back of his head, and the living fear of death in his eye, and the blood oozing out of a cut over his ankle-bone. He wasn't pretty, but he was all soldier and very much man."

      "Once more, modest child!"

      Dick laughed. "Well, it's only to you I'm talking. I did him just as well as I knew how, making allowance for the slickness of oils. Then the art-manager of that abandoned paper said that his subscribers wouldn't like it. It was brutal and coarse and violent,—man being naturally gentle when he's fighting for his life. They wanted something more restful, with a little more colour. I could have said a good deal, but you might as well talk to a sheep as an art-manager. I took my 'Last Shot' back. Behold the result! I put him into a lovely red coat without a speck on it. That is Art. I polished his boots,—observe the high light on the toe. That is Art. I cleaned his rifle,—rifles are always clean on service,—because that is Art. I pipeclayed his helmet,—pipeclay is always used on active service, and is indispensable to Art. I shaved his chin, I washed his hands, and gave him an air of fatted peace. Result, military tailor's pattern-plate. Price, thank Heaven, twice as much as for the first sketch, which was moderately decent."

      "And do you suppose you're going to give that thing out as your work?"

      "Why not? I did it. Alone I did it, in the interests of sacred, home-bred Art and Dickenson's Weekly."

      Torpenhow smoked in silence for a while. Then came the verdict, delivered from rolling clouds: "If you were only a mass of blathering vanity, Dick, I wouldn't mind,—I'd let you go to the deuce on your own mahl-stick; but when I consider what you are to me, and when I find that to vanity you add the twopenny-halfpenny pique of a twelve-year-old girl, then I bestir myself in your behalf. Thus!"

      The canvas ripped as Torpenhow's booted foot shot through it, and the terrier jumped down, thinking rats were about.

      "If you have any bad language to use, use it. You have not. I continue. You are an idiot, because no man born of woman is strong enough to take liberties with his public, even though they be—which they ain't—all you say they are."

      "But they don't know any better. What can you expect from creatures born and bred in this light?" Dick pointed to the yellow fog. "If they want furniture-polish, let them have furniture-polish, so long as they pay for it. They are only men and women. You talk as if they were gods."

      "That sounds very fine, but it has nothing to do with the case. They are they people you have to do work for, whether you like it or not. They are your masters. Don't be deceived, Dickie, you aren't strong enough to trifle with them,—or with yourself, which is more important.

      "Moreover,—Come back, Binkie: that red daub isn't going anywhere,—unless you take precious good care, you will fall under the damnation of the check-book, and that's worse than death. You will get drunk—you're half drunk already—on easily acquired money. For that money and you own infernal vanity you are willing to deliberately turn out bad work. You'll do quite enough bad work without knowing it. And, Dickie, as I love you and as I know you love me, I am not going to let you cut off your nose to spite your face for all the gold in England. That's settled. Now swear."

      "Don't know," said Dick. "I've been trying to make myself angry, but I can't, you're so abominably reasonable. There will be a row on Dickenson's Weekly, I fancy."

      "Why the Dickenson do you want to work on a weekly paper? It's slow bleeding of power."

      "It brings in the very desirable dollars," said Dick, his hands in his pockets.

      Torpenhow watched him with large contempt. "Why, I thought it was a man!" said he. "It's a child."

      "No, it isn't," said Dick, wheeling quickly. "You've no notion what the certainty of cash means to a man who has always wanted it badly. Nothing will pay me for some of my life's joys; on that Chinese pig-boat, for instance, when we ate bread and jam for every meal, because Ho-Wang wouldn't allow us anything better, and it all tasted of pig,—Chinese pig. I've worked for this, I've sweated and I've starved for this, line on line and month after month. And now I've got it I am going to make the most of it while it lasts. Let them pay—they've no knowledge."

      "What does Your Majesty please to want? You can't smoke more than you do; you won't drink; you're a gross feeder; and you dress in the dark, by the look of you. You wouldn't keep a horse the other day when I suggested, because, you said, it might fall lame, and whenever you cross the street you take a hansom. Even you are not foolish enough to suppose that theatres and all the live things you can by thereabouts mean Life. What earthly need have you for money?"

      "It's there, bless its golden heart," said Dick. "It's there all the time. Providence has sent me nuts while I have teeth to crack 'em with. I haven't yet found the nut I wish to crack, but I'm keeping my teeth filed. Perhaps some day you and I will go for a walk round the wide earth."

      "With no work to do, nobody to worry us, and nobody to compete with? You would be unfit to speak to in a week. Besides, I shouldn't go. I don't care to profit by the price of a man's soul,—for that's what it would mean. Dick, it's no use arguing. You're a fool."

      "Don't see it. When I was on that Chinese pig-boat, our captain got credit for saving about twenty-five thousand very seasick little pigs, when our old tramp of a steamer fell foul of a timber-junk. Now, taking those pigs as a parallel——"

      "Oh, confound your parallels! Whenever I try to improve your soul, you always drag in some anecdote from your very shady past. Pigs aren't the British public; and self-respect СКАЧАТЬ