ARTHUR MACHEN: 30+ Horror Classics, Supernatural & Fantasy Books (Including Translations, Essays & Memoirs). Arthur Machen
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May 4.—It looks like a white robe. There was a strong smell of incense to-day in the trench. No one seemed to notice it. There is decidedly a white robe, and I think I can see feet, passing very slowly before me at this moment while I write.
There is no space here for continuous extracts from Karl Heinz's diary. But to condense with severity, it would seem that he slowly gathered about himself a complete set of sensory hallucinations. First the auditory hallucination of the sound of a bell, which the doctor called tinnitus. Then a patch of white growing into a white robe, then the smell of incense. At last he lived in two worlds. He saw his trench, and the level before it, and the English lines; he talked with his comrades and obeyed orders, though with a certain difficulty; but he also heard the deep boom of St. Lambart's bell, and saw continually advancing towards him a white procession of little children, led by a boy who was swinging a censer. There is one extraordinary entry: "But in August those children carried no lilies; now they have lilies in their hands. Why should they have lilies?"
It is interesting to note the transition over the border line. After May 2 there is no reference in the diary to bodily illness, with two notable exceptions. Up to and including that date the sergeant knows that he is suffering from illusions; after that he accepts his hallucinations as actualities. The man who cannot see what he sees and hear what he hears is a fool. So he writes: "I ask who is singing 'Ave Maria Stella.' That blockhead Friedrich Schumacher raises his crest and answers insolently that no one sings, since singing is strictly forbidden for the present."
A few days before the disastrous night expedition the last figure in the procession appeared to those sick eyes.
The old priest now comes in his golden robe, the two boys holding each side of it. He is looking just as he did when he died, save that when he walked in St. Lambart there was no shining round his head. But this is illusion and contrary to reason, since no one has a shining about his head. I must take some medicine.
Note here that Karl Heinz absolutely accepts the appearance of the martyred priest of St. Lambart as actual, while he thinks that the halo must be an illusion; and so he reverts again to his physical condition.
The priest held up both his hands, the diary states, "as if there were something between them. But there is a sort of cloud or dimness over this object, whatever it may be. My poor Aunt Kathie suffered much from her eyes in her old age."
* * * * *
One can guess what the priest of St. Lambart carried in his hands when he and the little children went out into the hot sunlight to implore mercy, while the great resounding bell of St. Lambart boomed over the plain. Karl Heinz knew what happened then; they said that it was he who killed the old priest and helped to crucify the little child against the church door. The baby was only three years old. He died calling piteously for "mummy" and "daddy."
* * * * *
And those who will may guess what Karl Heinz saw when the mist cleared from before the monstrance in the priest's hands. Then he shrieked and died.
The Dazzling Light
The new head-covering is made of heavy steel, which has been specialty treated to increase its resisting power. The walls protecting the skull are particularly thick, and the weight of the helmet renders its use in open warfare out of the question. The rim is large, like that of the headpiece of Mambrino, and the soldier can at will either bring the helmet forward and protect his eyes or wear it so as to protect the base of the skull . . . Military experts admit that continuance of the present trench warfare may lead to those engaged in it, especially bombing parties and barbed wire cutters, being more heavily armoured than the knights, who fought at Bouvines and at Agincourt.—The Times, July 22, 1915
The war is already a fruitful mother of legends. Some people think that there are too many war legends, and a Croydon gentleman—or lady, I am not sure which—wrote to me quite recently telling me that a certain particular legend, which I will not specify, had become the "chief horror of the war." There may be something to be said for this point of view, but it strikes me as interesting that the old myth-making faculty has survived into these days, a relic of noble, far-off Homeric battles. And after all, what do we know? It does not do to be too sure that this, that, or the other hasn't happened and couldn't have happened.
What follows, at any rate, has no claim to be considered either as legend or as myth. It is merely one of the odd circumstances of these times, and I have no doubt it can easily be "explained away." In fact, the rationalistic explanation of the whole thing is patent and on the surface. There is only one little difficulty, and that, I fancy, is by no means insuperable. In any case this one knot or tangle may be put down as a queer coincidence and nothing more.
Here, then, is the curiosity or oddity in question. A young fellow, whom we will call for avoidance of all identification Delamere Smith— he is now Lieutenant Delamere Smith—was spending his holidays on the coast of west South Wales at the beginning of the war. He was something or other not very important in the City, and in his leisure hours he smattered lightly and agreeably a little literature, a little art, a little antiquarianism. He liked the Italian primitives, he knew the difference between first, second, and third pointed, he had looked through Boutell's "Engraved Brasses." He had been heard indeed to speak with enthusiasm of the brasses of Sir Robert de Septvans and Sir Roger de Trumpington.
One morning—he thinks it must have been the morning of August 16, 1914—the sun shone so brightly into his room that he woke early, and the fancy took him that it would be fine to sit on the cliffs in the pure sunlight. So he dressed and went out, and climbed up Giltar Point, and sat there enjoying the sweet air and the radiance of the sea, and the sight of the fringe of creaming foam about the grey foundations of St. Margaret's Island. Then he looked beyond and gazed at the new white monastery on Caldy, and wondered who the architect was, and how he had contrived to make the group of buildings look exactly like the background of a mediæval picture.
After about an hour of this and a couple of pipes, Smith confesses that he began to feel extremely drowsy. He was just wondering whether it would be pleasant to stretch himself out on the wild thyme that scented the high place and go to sleep till breakfast, when the mounting sun caught one of the monastery windows, and Smith stared sleepily at the darting flashing light till it dazzled him. Then he felt "queer." There was an odd sensation as if the top of his head were dilating and contracting, and then he says he had a sort of shock, something between a mild current of electricity and the sensation of putting one's hand into the ripple of a swift brook.
Now, what happened next Smith cannot describe at all clearly. He knew he was on Giltar, looking across the waves to Caldy; he heard all the while the hollow, booming tide in the caverns of the rocks far below him, And yet he saw, as if in a glass, a very different country—a level fenland cut by slow streams, by long avenues of trimmed trees.
"It looked," he says, "as if it ought to have been a lonely country, but it was swarming with men; they were thick as ants in an anthill. And they were all dressed in armour; that was the strange thing about it.
"I thought I was standing by what looked as if it had been a farmhouse; but it was all battered to bits, just a heap of ruins and rubbish. All that was left was one tall round chimney, shaped very much like the fifteenth-century chimneys in Pembrokeshire. And thousands and tens of thousands went marching by.
"They were all in armour, and in all sorts of armour. Some of them had overlapping tongues of bright metal fastened on their clothes, others were СКАЧАТЬ