ARTHUR MACHEN: 30+ Horror Classics, Supernatural & Fantasy Books (Including Translations, Essays & Memoirs). Arthur Machen

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      I

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      One evening in autumn, when the deformities of London were veiled in faint blue mist, and its vistas and far-reaching streets seemed splendid, Mr. Charles Salisbury was slowly pacing down Rupert Street, drawing nearer to his favourite restaurant by slow degrees. His eyes were downcast in study of the pavement, and thus it was that as he passed in at the narrow door a man who had come up from the lower end of the street jostled against him.

      'I beg your pardon—wasn't looking where I was going. Why, it's Dyson!'

      'Yes, quite so. How are you, Salisbury?'

      'Quite well. But where have you been, Dyson? I don't think I can have seen you for the last five years?'

      'No; I dare say not. You remember I was getting rather hard up when you came to my place at Charlotte Street?'

      'Perfectly. I think I remember your telling me that you owed five weeks' rent, and that you had parted with your watch for a comparatively small sum.'

      'My dear Salisbury, your memory is admirable. Yes, I was hard up. But the curious thing is that soon after you saw me I became harder up. My financial state was described by a friend as "stone broke." I don't approve of slang, mind you, but such was my condition. But suppose we go in; there might be other people who would like to dine—it's a human weakness, Salisbury.'

      'Certainly; come along. I was wondering as I walked down whether the corner table were taken. It has a velvet back, you know.'

      'I know the spot; it's vacant. Yes, as I was saying, I became even harder up.'

      'What did you do then?' asked Salisbury, disposing of his hat, and settling down in the corner of the seat, with a glance of fond anticipation at the menu.

      'What did I do? Why, I sat down and reflected. I had a good classical education, and a positive distaste for business of any kind: that was the capital with which I faced the world. Do you know, I have heard people describe olives as nasty! What lamentable Philistinism! I have often thought, Salisbury, that I could write genuine poetry under the influence of olives and red wine. Let us have Chianti; it may not be very good, but the flasks are simply charming.'

      'It is pretty good here. We may as well have a big flask.'

      'Very good. I reflected, then, on my want of prospects, and I determined to embark in literature.'

      'Really; that was strange. You seem in pretty comfortable circumstances, though.'

      'Though! What a satire upon a noble profession. I am afraid, Salisbury, you haven't a proper idea of the dignity of an artist. You see me sitting at my desk—or at least you can see me if you care to call—with pen and ink, and simple nothingness before me, and if you come again in a few hours you will (in all probability) find a creation!'

      'Yes, quite so. I had an idea that literature was not remunerative.'

      'You are mistaken; its rewards are great. I may mention, by the way, that shortly after you saw me I succeeded to a small income. An uncle died, and proved unexpectedly generous.'

      'Ah, I see. That must have been convenient.'

      'It was pleasant—undeniably pleasant. I have always considered it in the light of an endowment of my researches. I told you I was a man of letters; it would, perhaps, be more correct to describe myself as a man of science.'

      'Dear me, Dyson, you have really changed very much in the last few years. I had a notion, don't you know, that you were a sort of idler about town, the kind of man one might meet on the north side of Piccadilly every day from May to July.'

      'Exactly. I was even then forming myself, though all unconsciously. You know my poor father could not afford to send me to the University. I used to grumble in my ignorance at not having completed my education. That was the folly of youth, Salisbury; my University was Piccadilly. There I began to study the great science which still occupies me.'

      'What science do you mean?'

      'The science of the great city; the physiology of London; literally and metaphysically the greatest subject that the mind of man can conceive. What an admirable salmi this is; undoubtedly the final end of the pheasant. Yet I feel sometimes positively overwhelmed with the thought of the vastness and complexity of London. Paris a man may get to understand thoroughly with a reasonable amount of study; but London is always a mystery. In Paris you may say: "Here live the actresses, here the Bohemians, and the Ratés"; but it is different in London. You may point out a street, correctly enough, as the abode of washerwomen; but, in that second floor, a man may be studying Chaldee roots, and in the garret over the way a forgotten artist is dying by inches.'

      'I see you are Dyson, unchanged and unchangeable,' said Salisbury, slowly sipping his Chianti. 'I think you are misled by a too fervid imagination; the mystery of London exists only in your fancy. It seems to me a dull place enough. We seldom hear of a really artistic crime in London, whereas I believe Paris abounds in that sort of thing.'

      'Give me some more wine. Thanks. You are mistaken, my dear fellow, you are really mistaken. London has nothing to be ashamed of in the way of crime. Where we fail is for want of Homers, not Agamemnons. Carent quia vate sacro, you know.'

      'I recall the quotation. But I don't think I quite follow you.'

      'Well, in plain language, we have no good writers in London who make a speciality of that kind of thing. Our common reporter is a dull dog; every story that he has to tell is spoilt in the telling. His idea of horror and of what excites horror is so lamentably deficient. Nothing will content the fellow but blood, vulgar red blood, and when he can get it he lays it on thick, and considers that he has produced a telling article. It's a poor notion. And, by some curious fatality, it is the most commonplace and brutal murders which always attract the most attention and get written up the most. For instance, I dare say that you never heard of the Harlesden case?'

      'No; no, I don't СКАЧАТЬ