ARTHUR MACHEN: 30+ Horror Classics, Supernatural & Fantasy Books (Including Translations, Essays & Memoirs). Arthur Machen

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СКАЧАТЬ man who, in eight or nine years' time, will say good-bye to the dear old school, setting his teeth tight, restraining himself from giving up to the anguish of this last farewell. Nay, I think that ours is the harder task, for the metal that is sent to the foundry has, I presume, been freed of its impurities; we have to deal rather with the ore—a mass which is not only shapeless, but contains much that is not metal at all, which must be burnt out and cast aside as useless rubbish. So the boy comes from his home, which may or may not have possessed valuable formative influences; which we often find has tended to create a spirit of individualism and assertiveness; which, in numerous cases, has left the boy under the delusion that he has come into the world to live his own life and think his own thoughts. This is the ore that we cast into our furnace. We burn out the dross and rubbish; we liquefy the stubborn and resisting metal till it can be run into the mould—the mould being the whole tone and feeling of a great community. We discourage all excessive individuality; we make it quite plain to the boy that he has come to Lupton, not to live his life, not to think his thoughts, but to live our life, to think our thoughts. Very often, as I think I need scarcely say, the process is a somewhat unpleasant one, but, sooner or later, the stubbornest metal yields to the cleansing, renewing, restoring fires of discipline and public opinion, and the shapeless mass takes on the shape of the Great School. Only the other day an old pupil came to see me and confessed that, for the whole of his first year at Lupton, he had been profoundly wretched. 'I was a dreamy young fool,' he said. 'My head was stuffed with all sorts of queer fancies, and I expect that if I hadn't come to Lupton I should have turned out an absolute loafer. But I hated it badly that first year. I loathed rocker—I did, really—and I thought the fellows were a lot of savages. And then I seemed to go into a kind of cloud. You see, Sir, I was losing my old self and hadn't got the new self in its place, and I couldn't make out what was happening. And then, quite suddenly, it all came out light and clear. I saw the purpose behind it all—how we were all working together, masters and boys, for the dear old school; how we were all "members one of another," as the Doctor said in Chapel; and that I had a part in this great work, too, though I was only a kid in the Third. It was like a flash of light: one minute I was only a poor little chap that nobody cared for and who didn't matter to anybody, and the next I saw that, in a way, I was as important as the Doctor himself—I was a part of the failure or success of it all. Do you know what I did, Sir? I had a book I thought a lot of—Poems and Tales of Edgar Allan Poe. It was my poor sister's book; she had died a year before when she was only seventeen, and she had written my name in it when she was dying—she knew I was fond of reading it. It was just the sort of thing I used to like—morbid fancies and queer poems, and I was always reading it when the fellows would let me alone. But when I saw what life really was, when the meaning of it all came to me, as I said just now, I took that book and tore it to bits, and it was like tearing myself up. But I knew that writing all that stuff hadn't done that American fellow much good, and I didn't see what good I should get by reading it. I couldn't make out to myself that it would fit in with the Doctor's plans of the spirit of the school, or that I should play up at rocker any better for knowing all about the "Fall of the House of Usher," or whatever it's called. I knew my poor sister would understand, so I tore it up, and I've gone straight ahead ever since—thanks to Lupton.' Like a refiner's fire. I remembered the dreamy, absent-minded child of fifteen years before; I could scarcely believe that he stood before—keen, alert, practical, living every moment of his life, a force, a power in the world, certain of successful achievement."

      Such were the influences to which Ambrose Meyrick was being subjected, and with infinite success, as it seemed to everybody who watched him. He was regarded as a conspicuous instance of the efficacy of the system—he had held out so long, refusing to absorb the "tone," presenting an obstinate surface to the millstones which would, for his own good, have ground him to powder, not concealing very much his dislike of the place and of the people in it. And suddenly he had submitted with a good grace: it was wonderful! The masters are believed to have discussed the affair amongst themselves, and Horbury, who confessed or boasted that he had used sharp persuasion, got a good deal of kudos in consequence.

      III

      A few years ago a little book called Half-holidays attracted some attention in semi-scholastic, semi-clerical circles. It was anonymous, and bore the modest motto Crambe bis cocta; but those behind the scenes recognised it as the work of Charles Palmer, who was for many years a master at Lupton. His acknowledged books include a useful little work on the Accents and an excellent summary of Roman History from the Fall of the Republic to Romulus Augustulus. The Half-holidays contains the following amusing passage; there is not much difficulty in identifying the N. mentioned in it with Ambrose Meyrick.

      "The cleverest dominie sometimes discovers"—the passage begins—"that he has been living in a fool's paradise, that he has been tricked by a quiet and persistent subtlety that really strikes one as almost devilish when one finds it exhibited in the person of an English schoolboy. A good deal of nonsense, I think, has been written about boys by people who in reality know very little about them; they have been credited with complexities of character, with feelings and aspirations and delicacies of sentiment which are quite foreign to their nature. I can quite believe in the dead cat trick of Stalky and his friends, but I confess that the incident of the British Flag leaves me cold and sceptical. Such refinement of perception is not the way of the boy—certainly not of the boy as I have known him. He is radically a simple soul, whose feelings are on the surface; and his deepest laid schemes and manœuvres hardly call for the talents of a Sherlock Holmes if they are to be detected and brought to naught. Of course, a good deal of rubbish has been talked about the wonderful success of our English plan of leaving the boys to themselves without the everlasting supervision which is practised in French schools. As a matter of fact, the English schoolboy is under constant supervision; where in a French school one wretched usher has to look after a whole horde of boys, in an English school each boy is perpetually under the observation of hundreds of his fellows. In reality, each boy is an unpaid pion, a watchdog whose vigilance never relaxes. He is not aware of this; one need scarcely say that such a notion is far from his wildest thoughts. He thinks, and very rightly, doubtless, that he is engaged in maintaining the honour of the school, in keeping up the observance of the school tradition, in dealing sharply with slackers and loafers who would bring discredit on the place he loves so well. He is, no doubt, absolutely right in all this; none the less, he is doing the master's work unwittingly and admirably. When one thinks of this, and of the Compulsory System of Games, which ensures that every boy shall be in a certain place at a certain time, one sees, I think, that the phrase about our lack of supervision is a phrase and nothing more. There is no system of supervision known to human wit that approaches in thoroughness and minuteness the supervision under which every single boy is kept all through his life at an English Public School.

      "Hence one is really rather surprised when, in spite of all these unpaid assistants, who are the whole school, one is thoroughly and completely taken in. I can only remember one such case, and I am still astonished at the really infernal ability with which the boy in question lived a double life under the very eyes of the masters and six hundred other boys. N., as I shall call him, was not in my House, and I can scarcely say how I came to watch his career with so much interest; but there was certainly something about him which did interest me a good deal. It may have been his appearance: he was an odd-looking boy—dark, almost swarthy, dreamy and absent in manner, and, for the first years of his school life, a quite typical loafer. Such boys, of course, are not common in a big school, but there are a few such everywhere. One never knows whether this kind will write a successful book, or paint a great picture, or go to the devil—from my observation I am sorry to say that the last career is the most usual. I need scarcely say that such boys meet with but little encouragement; it is not the type which the Public School exists to foster, and the boy who abandons himself to morbid introspection is soon made to feel pretty emphatically that he is matter in the wrong place. Of course, one may be crushing genius. If this ever happened it would be very unfortunate; still, in all communities the minority must suffer for the good of the majority, and, frankly, I have always been willing to run the risk. As I have hinted, the particular sort of boy I have in my mind turns out in nine cases out of ten to СКАЧАТЬ