The Greatest Works of Robert E. Howard: 300+ Titles in One Edition. Robert E. Howard
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Название: The Greatest Works of Robert E. Howard: 300+ Titles in One Edition

Автор: Robert E. Howard

Издательство: Bookwire

Жанр: Языкознание

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isbn: 9788027223909

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СКАЧАТЬ door he heard a stealthy step. Straining his eyes he made out a bent, indistinct figure outside the grille. There was a rasp of metal against metal, and he heard the clink of tumblers, as if a key had been turned in the lock. Then the figure moved silently out of his range of vision. Some guard, he supposed, trying the lock. After a while he heard the sound repeated faintly somewhere farther on, and that was followed by the soft opening of a door, and then a swift scurry of softly shod feet retreated in the distance. Then silence fell again.

      Conan listened for what seemed a long time, but which could not have been, for the moon still shone down the hidden shaft, but he heard no further sound. He shifted his position at last, and his chains clanked. Then he heard another, lighter footfall—a soft step outside the nearer door, the door though which he had entered the cell. An instant later a slender figure was etched dimly in the gray light.

      "King Conan!" a soft voice intoned urgently. "Oh, my lord, are you there?"

      "Where else?" he answered guardedly, twisting his head about to stare at the apparition.

      It was a girl who stood grasping the bars with her slender fingers. The dim glow behind her outlined her supple figure through the wisp of silk twisted about her loins, and shone vaguely on jeweled breast-plates. Her dark eyes gleamed in the shadows, her white limbs glistened softly, like alabaster. Her hair was a mass of dark foam, at the burnished luster of which the dim light only hinted.

      "The keys to your shackles and to the farther door!" she whispered, and a slim White hand came through the bars and dropped three objects with a clink to the flags beside him.

      "What game is this?" he demanded. "You speak in the Nemedian tongue, and I have no friends in Nemedia. What deviltry is your master up to now? Has he sent you here to mock me?"

      "It is no mockery!" The girl was trembling violently. Her bracelets and breast-plates clinked against the bars she grasped. "I swear by Mitra! I stole the keys from the black jailers. They are the keepers of the pits, and each bears a key which will open only one set of locks. I made them drunk. The one whose head you broke was carried away to a leech, and I could not get his key. But the others I stole. Oh, please do not loiter! Beyond these dungeons lie the pits which are the doors to hell."

      Somewhat impressed, Conan tried the keys dubiously, expecting to meet only failure and a burst of mocking laughter. But he was galvanized to discover that one, indeed, loosed him of his shackles, fitting not only the lock that held them to the ring, but the locks on his limbs as well. A few seconds later he stood upright, exulting fiercely in his comparative freedom. A quick stride carried him to the grille, and his fingers closed about a bar and the slender wrist that was pressed against it, imprisoning the owner, who lifted her face bravely to his fierce gaze.

      "Who are you, girl?" he demanded. "Why do you do this?"

      "I am only Zenobia," she murmured, with a catch of breathlessness, as if in fright; "only a girl of the king's seraglio."

      "Unless this is some cursed trick," muttered Conan, "I cannot see why you bring me these keys."

      She bowed her dark head, and then lifted it and looked full into his suspicious eyes. Tears sparkled like jewels on her long dark lashes.

      "I am only a girl of the king's seraglio," she said, with a certain humility. "He has never glanced at me, and probably never will. I am less than one of the dogs that gnaw the bones in his banquet hall.

      "But I am no painted toy; I am of flesh and blood. I breathe, hate, fear, rejoice and love. And I have loved you. King Conan, ever since I saw you riding at the head of your knights along the streets of Belverus when you visited King Nimed, years ago. My heart tugged at its strings to leap from my bosom and fall in the dust of the street under your horse's hoofs."

      Color flooded her countenance as she spoke, but her dark eyes did not waver. Conan did not at once reply; wild and passionate and untamed he was, yet any but the most brutish of men must be touched with a certain awe or wonder at the baring of a woman's naked soul.

      She bent her head then, and pressed her red lips to the fingers that imprisoned her slim wrist. Then she flung up her head as if in sudden recollection of their position, and terror flared in her dark eyes. "Haste!" she whispered urgently. "It is past midnight. You must be gone."

      "But won't they skin you alive for stealing these keys?"

      "They'll never know. If the black men remember in the morning who gave them the wine, they will not dare admit the keys were stolen from them while they were drunk. The key that I could not obtain is the one that unlocks this door. You must make your way to freedom through the pits. What awful perils lurk beyond that door I cannot even guess. But greater danger lurks for you if you remain in this cell.

      "King Tarascus has returned—"

      "What? Tarascus?"

      "Aye! He has returned, in great secrecy, and not long ago he descended into the pits and then came out again, pale and shaking, like a man who had dared a great hazard. I heard him whisper to his squire, Arideus, that despite Xaltotun you should die."

      "What of Xaltotun?" murmured Conan. He felt her shudder.

      "Do not speak of him!" she whispered. "Demons are often summoned by the sound of their names. The slaves say that he lies in his chamber, behind a bolted door, dreaming the dreams of the black lotus. I believe that even Tarascus secretly fears him, or he would slay you openly. But he has been in the pits tonight, and what he did here, only Mitra knows."

      "I wonder if that could have been Tarascus who fumbled at my cell door awhile ago?" muttered Conan.

      "Here is a dagger!" she whispered, pressing something through the bars. His eager fingers closed on an object familiar to their touch. "Go quickly through yonder door, turn to the left and make your way along the cells until you come to a stone stair. On your life do not stray from the line of the cells! Climb the stair and open the door at the top; one of the keys will fit it. If it be the will of Mitra, I will await you there." Then she was gone, with a patter of light slippered feet.

      Conan shrugged his shoulders, and turned toward the farther grille. This might be some diabolical trap planned by Tarascus, but plunging headlong into a snare was less abhorrent to Conan's temperament than sitting meekly to await his doom. He inspected the weapon the girl had given him, and smiled grimly. Whatever else she might be, she was proven by that dagger to be a person of practical intelligence. It was no slender stiletto, selected because of a jeweled hilt or gold guard, fitted only for dainty murder in milady's boudoir; it was a forthright poniard, a warrior's weapon, broad-bladed, fifteen inches in length, tapering to a diamond-sharp point.

      He grunted with satisfaction. The feel of the hilt cheered him and gave him a glow of confidence. Whatever webs of conspiracy were drawn about him, whatever trickery and treachery ensnared him, this knife was real. The great muscles of his right arm swelled in anticipation of murderous blows.

      He tried the farther door, rumbling with the keys as he did so. It was not locked. Yet he remembered the black man locking it. That furtive, bent figure, then, had been no jailer seeing that the bolts were in place. He had unlocked the door, instead. There was a sinister suggestion about that unlocked door. But Conan did not hesitate. He pushed open the grille and stepped from the dungeon into the outer darkness.

      As he had thought, the door did not open into another corridor. The flagged floor stretched away under his feet, and the line of cells ran away to right and left behind him, but he could not make out the other limits of the place into which he had come. He could see neither the roof nor any other wall. The moonlight filtered СКАЧАТЬ