The Greatest Works of Robert E. Howard: 300+ Titles in One Edition. Robert E. Howard
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Название: The Greatest Works of Robert E. Howard: 300+ Titles in One Edition

Автор: Robert E. Howard

Издательство: Bookwire

Жанр: Языкознание

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isbn: 9788027223909

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СКАЧАТЬ early moon had risen and its light slanted through the pierced dome which by some curious workmanship intensified the light. The shining dome of Alkmeenon was no fable, then. Perhaps its interior was of the curious whitely flaming crystal found only in the hills of the black countries. The light flooded the throne room and seeped into the chambers immediately adjoining.

      But as Conan made toward the door that led into the throne room, he was brought around suddenly by a noise that seemed to emanate from the passage that led off from the alcove. He crouched at the mouth, staring into it, remembering the clangor of the gong that had echoed from it to lure him into a snare. The light from the dome filtered only a little way into that narrow corridor, and showed him only empty space. Yet he could have sworn that he had heard the furtive pad of a foot somewhere down it.

      While he hesitated, he was electrified by a woman's strangled cry from behind him. Bounding through the door behind the throne, he saw an unexpected spectacle, in the crystal light.

      The torches of the priests had vanished from the great hall outside – but one priest was still in the palace: Gwarunga. His wicked features were convulsed with fury, and he grasped the terrified Muriela by the throat, choking her efforts to scream and plead, shaking her brutally.

      "Traitress!" Between his thick red lips his voice hissed like a cobra. "What game are you playing? Did not Zargheba tell you what to say? Aye, Thutmekri told me! Are you betraying your master, or is he betraying his friends through you? Slut! I'll twist off your false head—but first I'll—"

      A widening of his captive's lovely eyes as she stared over his shoulder warned the huge black. He released her and wheeled, just as Conan's sword lashed down. The impact of the stroke knocked him headlong backward to the marble floor, where he lay twitching, blood oozing from a ragged gash in his scalp.

      Conan started toward him to finish the job—for he knew that the black's sudden movement had caused the blade to strike flat—but Muriela threw her arms convulsively about him.

      "I've done as you ordered!" she gasped hysterically. "Take me away! Oh, please take me away!"

      "We can't go yet," he grunted. "I want to follow the priests and see where they get the jewels. There may be more loot hidden there. But you can go with me. Where's that gem you wore in your hair?"

      "It must have fallen out on the dais," she stammered, feeling for it. "I was so frightened—when the priests left I ran out to find you, and this big brute had stayed behind, and he grabbed me—"

      "Well, go get it while I dispose of this carcass," he commanded. "Go on! That gem is worth a fortune itself."

      She hesitated, as if loth to return to that cryptic chamber; then, as he grasped Gwarunga's girdle and dragged him into the alcove, she turned and entered the oracle room.

      Conan dumped the senseless black on the floor, and lifted his sword. The Cimmerian had lived too long in the wild places of the world to have any illusions about mercy. The only safe enemy was a headless enemy. But before he could strike, a startling scream checked the lifted blade. It came from the oracle chamber.

      "Conan! Conan! She's come back!" The shriek ended in a gurgle and a scraping shuffle.

      With an oath Conan dashed out of the alcove, across the throne dais and into the oracle chamber, almost before the sound had ceased. There he halted, glaring bewilderedly. To all appearances Muriela lay placidly on the dais, eyes closed as if in slumber.

      "What in thunder are you doing?" he demanded acidly. "Is this any time to be playing jokes—"

      His voice trailed away. His gaze ran along the ivory thigh molded in the close-fitting silk skirt. That skirt should gape from girdle to hem. He knew, because it had been his own hand that tore it, as he ruthlessly stripped the garment from the dancer's writhing body. But the skirt showed no rent. A single stride brought him to the dais and he laid his hand on the ivory body – snatched it away as if it had encountered hot iron instead of the cold immobility of death.

      "Crom!" he muttered, his eyes suddenly slits of balefire. "It's not Muriela! It's Yelaya!"

      He understood now that frantic scream that had burst from Muriela's lips when she entered the chamber. The goddess had returned. The body had been stripped by Zargheba to furnish the accouterments for the pretender. Yet now it was clad in silk and jewels as Conan had first seen it. A peculiar prickling made itself manifest among the sort hairs at the base of Conan's scalp.

      "Muriela!" he shouted suddenly. "Muriela! Where the devil are you?"

      The walls threw back his voice mockingly. There was no entrance that he could see except the golden door, and none could have entered or departed through that without his knowledge. This much was indisputable: Yelaya had been replaced on the dais within the few minutes that had elapsed since Muriela had first left the chamber to be seized by Gwarunga; his ears were still tingling with the echoes of Muriela's scream, yet the Corinthian girl had vanished as if into thin air. There was but one explanation, if he rejected the darker speculation that suggested the supernatural—somewhere in the chamber there was a secret door. And even as the thought crossed his mind, he saw it.

      In what had seemed a curtain of solid marble, a thin perpendicular crack showed and in the crack hung a wisp of silk. In an instant he was bending over it. That shred was from Muriela's torn skirt. The implication was unmistakable. It had been caught in the closing door and torn off as she was borne through the opening by whatever grim beings were her captors. The bit of clothing had prevented the door from fitting perfectly into its frame.

      Thrusting his dagger-point into the crack, Conan exerted leverage with a corded forearm. The blade bent, but it was of unbreakable Akbitanan steel. The marble door opened. Conan's sword was lifted as he peered into the aperture beyond, but he saw no shape of menace. Light filtering into the oracle chamber revealed a short flight of steps cut out of marble. Pulling the door back to its fullest extent, he drove his dagger into a crack in the floor, proping it open. Then he went down the steps without hesitation. He saw nothing, heard nothing. A dozen steps down, the stair ended in a narrow corridor which ran straight away into gloom.

      He halted suddenly, posed like a statue at the foot of the stair, staring at the paintings which frescoed the walls, half visible in the dim light which filtered down from above. The art was unmistakably Pelishti; he had seen frescoes of identical characteristics on the walls of Asgalun. But the scenes depicted had no connection with anything Pelishti, except for one human figure, frequently recurrent: a lean, white-bearded old man whose racial characteristics were unmistakable. They seemed to represent various sections of the palace above. Several scenes showed a chamber he recognized as the oracle chamber with the figure of Yelaya stretched upon the ivory dais and huge black men kneeling before it. And there behind the wall, in the niche, lurked the ancient Pelishti. And there were other figures, too—figures that moved through the deserted palace, did the bidding of the Pelishti, and dragged unnamable things out of the subterranean river. In the few seconds Conan stood frozen, hitherto unintelligible phrases in the parchment manuscript blazed in his brain with chilling clarity. The loose bits of the patern clicked into place. The mystery of Bit-Yakin was a mystery no longer, nor the riddle of Bit-Yakin's servants.

      Conan turned and peered into the darkness, an icy finger crawling along his spine. Then he went along the corridor, cat-footed, and without hesitation, moving deeper and deeper into the darkness as he drew farther away from the stair. The air hung heavy with the odor he had scented in the court of the gong.

      Now in utter blackness he heard a sound ahead of him—the shuffle of bare feet, or the swish of loose garments against stone, he could not tell which. But an instant later his outstretched hand encountered a barrier which he identified СКАЧАТЬ