The Greatest Works of Robert E. Howard: 300+ Titles in One Edition. Robert E. Howard

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СКАЧАТЬ loaf of bread in the suk," grunted Conan. "Bring me a tankard of Ghazan wine—I've got just enough left to pay for it." He tossed a copper coin on the wine-splashed board.

      "You did not win at the gaming tables?"

      "How could I, with only a handful of silver to begin with? I paid you for the room this morning, because I knew I'd probably lose. I wanted to be sure I had a roof over my head tonight. I notice nobody sleeps in the streets of Zamboula. The very beggars hunt a niche they can barricade before dark. The city must be full of a particularly bloodthirsty band of thieves."

      He gulped the cheap wine with relish and then followed Aram out of the taproom. Behind him the players halted their game to stare after him with a cryptic speculation in their eyes. They said nothing, but the Stygian laughed, a ghastly laugh of inhuman cynicism and mockery. The others lowered their eyes uneasily, avoiding one another's glance. The arts studied by a Stygian scholar are not calculated to make him share the feelings of a normal being.

      Conan followed Aram down a corridor lighted by copper lamps, and it did not please him to note his host's noiseless tread. Aram's feet were clad in soft slippers and the hallway was carpeted with thick Turanian rugs; but there was an unpleasant suggestion of stealthiness about the Zamboulan.

      At the end of the winding corridor, Aram halted at a door, across which a heavy iron bar rested in powerful metal brackets. This Aram lifted and showed the Cimmerian into a well-appointed chamber, the windows of which, Conan instantly noted, were small and strongly set with twisted bars of iron, tastefully gilded. There were rugs on the floor, a couch, after the Eastern fashion, and ornately carven stools. It was a much more elaborate chamber than Conan could have procured for the price nearer the center of the city—a fact that had first attracted him, when, that morning, he discoverd how slim a purse his roistering for the past few days had left him. He had ridden into Zamboula from the desert a week before.

      Aram had lighted a bronze lamp, and he now called Conan's attention to the two doors. Both were provided with heavy bolts.

      "You may sleep safely tonight, Cimmerian," said Aram, blinking over his bushy beard from the inner doorway.

      Conan grunted and tossed his naked broadsword on the couch.

      "Your bolts and bars are strong; but I always sleep with steel by my side."

      Aram made no reply; he stood fingering his thick beard for a moment as he stared at the grim weapon. Then silently he withdrew, closing the door behind him. Conan shot the bolt into place, crossed the room, opened the opposite door, and looked out. The room was on the side of the house that faced the road running west from the city. The door opened into a small court that was enclosed by a wall of its own. The end walls, which shut it off from the rest of the tavern compound, were high and without entrances; but the wall that flanked the road was low, and there was no lock on the gate.

      Conan stood for a moment in the door, the glow of the bronze lamps behind him, looking down the road to where it vanished among the dense palms. Their leaves rustled together in the faint breeze; beyond them lay the naked desert. Far up the street, in the other direction, lights gleamed and the noises of the city came faintly to him. Here was only starlight, the whispering of the palm leaves, and beyond that low wall, the dust of the road and the deserted huts thrusting their flat roofs against the low stars. Somewhere beyond the palm groves a drum began.

      The garbled warnings of the Zuagir returned to him, seeming somehow less fantastic than they had seemed in the crowded, sunlit streets. He wondered again at the riddle of those empty huts. Why did the beggars shun them? He turned back into the chamber, shut the door, and bolted it.

      The light began to flicker, and he investigated, swearing when he found the palm oil in the lamp was almost exhausted. He started to shout for Aram, then shrugged his shoulders and blew out the light. In the soft darkness he stretched himself fully clad on the couch, his sinewy hand by instinct searching for and closing on the hilt of his broadsword. Glancing idly at the stars framed in the barred windows, with the murmur of the breeze though the palms in his ears, he sank into slumber with a vague consciousness of the muttering drum, out on the desert—the low rumble and mutter of a leather-covered drum, beaten with soft, rhythmic strokes of an open black hand...

      II. — THE NIGHT SKULKERS

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      IT WAS the stealthy opening of a door which awakened the Cimmerian. He did not awake as civilized men do, drowsy and drugged and stupid. He awoke instantly, with a clear mind, recognizing the sound that had interruped his sleep. Lying there tensely in the dark he saw the outer door slowly open. In a widening crack of starlit sky he saw framed a great black bulk, broad, stooping shoulders, and a misshapen head blocked out against the stars.

      Conan felt the skin crawl between his shoulders. He had bolted that door securely. How could it be opening now, save by supernatural agency? And how could a human being possess a head like that outlined against the stars? All the tales he had heard in the Zuagir tents of devils and goblins came back to bead his flesh with clammy sweat. Now the monster slid noiselessly into the room, with a crouching posture and a shambling gait; and a familiar scent assailed the Cimmerian's nostrils, but did not reassure him, since Zuagir legendry represented demons as smelling like that.

      Noiselessly Conan coiled his long legs under him; his naked sword was in his right hand, and when he struck it was as suddenly and murderously as a tiger lunging out of the dark. Not even a demon could have avoided that catapulting charge. His sword met and clove through flesh and bone, and something went heavily to the floor with a strangling cry. Conan crouched in the dark above it, sword dripping in his hand. Devil or beast or man, the thing was dead there on the floor. He sensed death as any wild thing senses it. He glared through the half-open door into the starlit court beyond. The gate stood open, but the court was empty.

      Conan shut the door but did not bolt it. Groping in the darkness he found the lamp and lighted it. There was enough oil in it to burn for a minute or so. An instant later he was bending over the figure that sprawled on the floor in a pool of blood.

      It was a gigantic black man, naked but for a loin cloth. One hand still grasped a knotty-headed budgeon. The fellow's kinky wool was built up into hornlike spindles with twigs and dried mud. This barbaric coiffure had given the head its misshapen appearance in the starlight. Provided with a clue to the riddle, Conan pushed back the thick red lips and grunted as he stared down at teeth filed to points.

      He understood now the mystery of the strangers who had disappeared from the house of Aram Baksh; the riddle of the black drum thrumming out there beyond the palm groves, and of that pit of charred bones—that pit where strange meat might be roasted under the stars, while black beasts squatted about to glut a hideous hunger. The man on the floor was a cannibal slave from Darfar.

      There were many of his kind in the city. Cannibalism was not tolerated openly in Zamboula. But Conan knew now why people locked themselves in so securely at night, and why even beggars shunned the open alley and doorless ruins. He grunted in disgust as he visualized brutish black shadows skulking up and down the nighted streets, seeking human prey—and such men as Aram Baksh to open the doors to them. The innkeeper was not a demon; he was worse. The slaves from Darfar were notorious thieves; there was no doubt that some of their pilfered loot found its way into the hands of Aram Baksh. And in return he sold them human flesh.

      Conan blew out the light, stepped to the door and opened it, and ran his hand over the ornaments on the outer side. One of them was movable and worked the bolt inside. The room was a trap to catch human prey like rabbits. But this time, instead of a rabbit, it had СКАЧАТЬ