MARQUISE OF LOSSIE'S ADVENTURES: Malcolm & The Marquis's Secret. George MacDonald

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      CHAPTER XII:

       THE CHURCHYARD

       Table of Contents

      On Sundays, Malcolm was always more or less annoyed by the obtrusive presence of his arms and legs, accompanied by a vague feeling that, at any moment, and no warning given, they might, with some insane and irrepressible flourish, break the Sabbath on their own account, and degrade him in the eyes of his fellow townsmen, who seemed all silently watching how he bore the restraints of the holy day. It must be conceded, however, that the discomfort had quite as much to do with his Sunday clothes as with the Sabbath day, and that it interfered but little with an altogether peculiar calm which appeared to him to belong in its own right to the Sunday, whether its light flowed in the sunny cataracts of June, or oozed through the spongy clouds of November. As he walked again to the Alton, or Old Town in the evening, the filmy floats of white in the lofty blue, the droop of the long dark grass by the side of the short brown corn, the shadows pointing like all lengthening shadows towards the quarter of hope, the yellow glory filling the air and paling the green below, the unseen larks hanging aloft—like air pitcher plants that overflowed in song—like electric jars emptying themselves of the sweet thunder of bliss in the flashing of wings and the trembling of melodious throats; these were indeed of the summer but the cup of rest had been poured out upon them; the Sabbath brooded like an embodied peace over the earth, and under its wings they grew sevenfold peaceful—with a peace that might be felt, like the hand of a mother pressed upon the half sleeping child. The rusted iron cross on the eastern gable of the old church stood glowing lustreless in the westering sun; while the gilded vane, whose business was the wind, creaked radiantly this way and that, in the flaws from the region of the sunset: its shadow flickered soft on the new grave, where the grass of the wounded sod was drooping. Again seated on a neighbour stone, Malcolm found his friend.

      "See," said the schoolmaster as the fisherman sat down beside him, "how the shadow from one grave stretches like an arm to embrace another! In this light the churchyard seems the very birthplace of shadows: see them flowing out of the tombs as from fountains, to overflow the world! Does the morning or the evening light suit such a place best, Malcolm?"

      The pupil thought for a while.

      "The evenin' licht, sir," he answered at length; "for ye see the sun's deem' like, an' deith's like a fa'in asleep, an' the grave's the bed, an' the sod's the bedclaes, an' there's a lang nicht to the fore."

      "Are ye sure o' that, Malcolm?"

      "It's the wye folk thinks an' says aboot it, sir."

      "Or maybe doesna think, an' only says?"

      "Maybe, sir; I dinna ken."

      "Come here, Malcolm," said Mr Graham, and took him by the arm, and led him towards the east end of the church, where a few tombstones were crowded against the wall, as if they would press close to a place they might not enter.

      "Read that," he said, pointing to a flat stone, where every hollow letter was shown in high relief by the growth in it of a lovely moss. The rest of the stone was rich in gray and green and brown lichens, but only in the letters grew the bright moss; the inscription stood as it were in the hand of nature herself—"He is not here; he is risen."

      While Malcolm gazed, trying to think what his master would have him think, the latter resumed.

      "If he is risen—if the sun is up, Malcolm—then the morning and not the evening is the season for the place of tombs; the morning when the shadows are shortening and separating, not the evening when they are growing all into one. I used to love the churchyard best in the evening, when the past was more to me than the future; now I visit it almost every bright summer morning, and only occasionally at night."

      "But, sir, isna deith a dreidfu' thing?" said Malcolm.

      "That depends on whether a man regards it as his fate, or as the will of a perfect God. Its obscurity is its dread; but if God be light, then death itself must be full of splendour—a splendour probably too keen for our eyes to receive."

      "But there's the deein' itsel': isna that fearsome? It's that I wad be fleyed at."

      "I don't see why it should be. It's the want of a God that makes it dreadful, and you will be greatly to blame, Malcolm, if you haven't found your God by the time you have to die."

      They were startled by a gruff voice near them. The speaker was. hidden by a corner of the church.

      "Ay, she's weel happit (covered)," it said. "But a grave never luiks richt wantin' a stane, an' her auld cousin wad hear o' nane bein' laid ower her. I said it micht be set up at her heid, whaur she wad never fin' the weicht o' 't; but na, na! nane o' 't for her! She's ane 'at maun tak her ain gait, say the ither thing wha likes."

      It was Wattie Witherspail who spoke—a thin shaving of a man, with a deep, harsh, indeed startling voice.

      "An' what ailed her at a stane?" returned the voice of Jonathan Auldbuird, the sexton. "—Nae doobt it wad be the expense?"

      "Amna I tellin' ye what it was? Deil a bit o' the expense cam intil the calcalation! The auld maiden's nane sae close as fowk 'at disna ken her wad mak her oot. I ken her weel. She wadna hae a stane laid upon her as gien she wanted to hand her doon, puir thing! She said, says she, 'The yerd's eneuch upo' the tap o' her, wantin' that!'"

      "It micht be some sair, she wad be thinkin' doobtless, for sic a waik worn cratur to lift whan the trump was blawn," said the sexton, with the feeble laugh of one who doubts the reception of his wit.

      "Weel, I div whiles think," responded Wattie,—but it was impossible from his tone to tell whether or not he spoke in earnest,—"'at maybe my boxies is a wheen ower weel made for the use they're pitten till. They sudna be that ill to rive—gien a' be true 'at the minister says. Ye see, we dinna ken whan that day may come, an' there may na be time for the wat an' the worm to ca (drive) the boords apairt."

      "Hoots, man! it's no your lang nails nor yet yer heidit screws 'll haud doon the redeemt, gien the jeedgement war the morn's mornin'," said the sexton; "an' for the lave, they wad be glaid eneuch to bide whaur they are; but they'll a' be howkit oot,—fear na ye that."

      "The Lord grant a blessed uprisin' to you an' me, Jonathan, at that day!" said Wattie, in the tone of one who felt himself uttering a more than ordinarily religious sentiment and on the word followed the sound of their retreating footsteps.

      "How closely together may come the solemn and the grotesque! the ludicrous and the majestic!" said the schoolmaster. "Here, to us lingering in awe about the doors beyond which lie the gulfs of the unknown—to our very side come the wright and the grave digger with their talk of the strength of coffins and the judgment of the living God!"

      "I hae whiles thoucht mysel', sir," said Malcolm, "it was gey strange like to hae a wuman o' the mak o' Mistress Catanach sittin' at the receipt o' bairns, like the gatekeeper o' the ither wan', wi' the hasp o' 't in her han': it doesna promise ower weel for them 'at she lats in. An' noo ye hae pitten't intil my heid that there's Wattie Witherspail an' Jonathan Auldbuird for the porters to open an' lat a' that's left o' 's oot again! Think o' sic like haein' sic a han' in sic solemn maitters!"

      "Indeed some of us have СКАЧАТЬ