50+ Space Action Adventure Classics. Жюль Верн

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СКАЧАТЬ certain percentage of his dream items are — sometimes quite plainly — anticipations of things that will come into his mind out of reality, days, weeks, and even years ahead.”

      “That’s Dunne.”

      “It’s nothing.”

      “But how — nothing?”

      “Nothing to what I have been doing for a long time.”

      “And that is —?”

      He stared at the backs of my books. It was amusing to find Raven for once at a loss for words.

      “Well?” I said.

      He turned and looked at me with a reluctant expression that broke into a smile. Then he seemed to rally his candour.

      “How shall I put it? I wouldn’t tell anyone but you. For some years, off and on — between sleeping and waking — I’ve been — in effect — reading a book. A non-existent book. A dream book if you like. It’s always the same book. Always. And it’s a history.”

      “Of the past?”

      “There’s a lot about the past. With all sorts of things I didn’t know and all sorts of gaps filled in. Extraordinary things about North India and Central Asia, for instance. And also — it goes on. It’s going on. It keeps on going on.”

      “Going on?”

      “Right past the present time.”

      “Sailing away into the future?”

      “Yes.”

      “Is it — is it a PAPER book?”

      “Not quite paper. Rather like that newspaper of your friend Brownlow. Not quite print as we know it. Vivid maps. And quite easy to read, in spite of the queer letters and spelling.”

      He paused. “I know it’s nonsense.”

      He added. “It’s frightfully real.”

      “Do you turn the pages?”

      He thought for a moment. “No, I don’t turn the pages. That would wake me up.”

      “It just goes on?”

      “Yes.”

      “Until you realize you are doing it?”

      “I suppose — yes, it is like that.”

      “And then you wake up?”

      “Exactly. And it isn’t there!”

      “And you are always READING?”

      “Generally — very definitely.”

      “But at times?”

      “Oh — just the same as reading a book when one is awake. If the matter is vivid one SEES the events. As if one was looking at a moving picture on the page.”

      “But the book is still there?”

      “Yes — always. I think it’s there always.”

      “Do you by any chance make notes?”

      “I didn’t at first. Now I do.”

      “At once?”

      “I write a kind of shorthand. . . . Do you know — I’ve piles of notes THAT high.”

      He straddled my fireplace and stared at me.

      “Now you’ve told me,” I said.

      “Now I’ve told you.”

      “Illegible, my dear sir — except to me. You don’t know my shorthand. I can hardly read it myself after a week or so. But lately I’ve been writing it out — some I’ve dictated.

      “You see,” he went on, standing up and walking about my room, “if it’s — a reality, it’s the most important thing in the world. And I haven’t an atom of proof. Not an atom. Do you —? Do you believe this sort of thing is possible?”

      “POSSIBLE?” I considered. “I’m inclined to think I do. Though what exactly this kind of thing may be, I don’t know.”

      “I can’t tell anyone but you. How could I? Naturally they would say I had gone cranky — or that I was an impostor. You know the sort of row. Look at Oliver Lodge. Look at Charles Richet. It would smash my work, my position. And yet, you know, it’s such credible stuff. . . . I tell you I believe in it.”

      “If you wrote some of it out. If I could see some of it.”

      “You shall.”

      He seemed to be consulting my opinion. “The worst thing against it is that I always believe in what the fellow says. That’s rather as though it was ME, eh?”

      He did not send me any of his notes, but when next I met him, it was at Berne, he gave me a spring-backed folder filled with papers. Afterwards he gave me two others. Pencilled sheets they were mostly, but some were evidently written at his desk in ink and perhaps fifty pages had been typed, probably from his dictation. He asked me to take great care of them, to read them carefully, have typed copies made and return a set to him. The whole thing was to be kept as a secret between us. We were both to think over the advisability of a possibly anonymous publication. And meanwhile events might either confirm or explode various statements made in this history and so set a definite value, one way or the other, upon its authenticity.

      Then he died.

      He died quite unexpectedly as the result of a sudden operation. Some dislocation connected with his marked spinal curvature had developed abruptly into an acute crisis.

      As soon as I heard of his death I hurried off to Geneva and told the story of the dream book to his heir and executor, Mr. Montefiore Renaud. I am greatly indebted to that gentleman for his courtesy and quick understanding of the situation. He was at great pains to get every possible scrap of material together and to place it all at my disposal. In addition to the three folders Raven had already given me there were a further folder in longhand and a drawerful of papers in his peculiar shorthand evidently dealing with this History. The fourth folder contained the material which forms the concluding book of this present work. The shorthand notes, of which even the pages were not numbered, have supplied the material for the penultimate book, which has had to be a compilation of my own. Generally, Raven seems to have scribbled down his impressions of the dream book as soon as he could, before the memory faded, and as he intended to recopy it all himself he had no consideration for any prospective reader. This material was just for his own use. It is a mixture of very cursive (and inaccurate) shorthand, and for proper names and so forth, longhand. Punctuation is indicated by gaps, and often a single word stands for a whole sentence and even a paragraph. About a third of the shorthand stuff was already represented by longhand or typescript copy in the folders. That was my Rosetta Stone. If it were not for the indications conveyed by that I do not think it would have been possible to decipher any of the remainder. As it is, I found it impossible to make a flowing narrative, altogether of a piece СКАЧАТЬ