Less than half a mile away, the lights of the car dipped into sight. With a broken cry Nosby turned and stumbled off down the road.
Corcoran took a pencil and an envelope from his pocket and worked quickly for a few minutes by the glow of the headlights. Then he wet one finger and held it up tentatively in the air as if he were making an experiment. The result seemed to satisfy him. He waited, ruffling the large thin notes—there were forty of them—in his hands.
The lights of the other car came nearer, slowed up, came to a stop twenty feet away.
Leaving the engine running idle, four men got out and walked toward him.
‘Buona sera!’ he called, and then continued in Italian, ‘We have broken down.’
‘Where are the rest of your people?’ demanded one of the men quickly.
‘They were picked up by another car. It turned around and took them back to Agropoli,’ Corcoran said politely. He was aware that he was covered by two revolvers, but he waited an instant longer, straining to hear the flurry in the trees which would announce a gust of wind. The men drew nearer.
‘But I have something here that may interest you.’ Slowly, his heart thumping, he raised his hand, bringing the packet of notes into the glare of the headlight. Suddenly out of the valley swept the wind, louder and nearer; he waited a moment longer until he felt the first cold freshness on his face. ‘Here are two hundred thousand lire in English bank notes!’ He raised the sheaf of paper higher as if to hand it to the nearest man. Then he released it with a light upward flick and immediately the wind seized upon it and whirled the notes in forty directions through the air.
The nearest man cursed and made a lunge for the closest piece. Then they were all scurrying here and there about the road while the frail bills sailed and flickered in the gale, pirouetting like elves along the grass, bouncing and skipping from side to side in mad perversity.
From one side to the other they ran, Corcoran with them, crumpling the captured money into their pockets, then scattering always farther and farther apart in wild pursuit of the elusive beckoning symbols of gold.
Suddenly Corcoran saw his opportunity. Bending low, as if he had spotted a stray bill beneath the car, he ran toward it, vaulted over the side and hitched into the driver’s seat. As he plunged the lever into first, he heard a cursing cry and then a sharp report, but the warmed car had jumped forward safely and the shot went wide.
In a moment, his teeth locked and muscles tense against the fusillade, he had passed the stalled taxi and was racing along into the darkness. There was another report close at hand and he ducked wildly, afraid for an instant that one of them had clung to the running board; then he realized that one of their shots had blown out a tire.
After three-quarters of a mile he stopped, cut off his motor and listened. There wasn’t a sound, only the drip from his radiator onto the road.
‘Hallie!’ he called. ‘Hallie!’
A figure emerged from the shadows not ten feet away, then another figure and another.
‘Hallie!’ he said.
She clambered into the front seat with him; her arms went about him.
‘You’re safe!’ she sobbed. ‘We heard the shots and wanted to go back.’
Mr Nosby, very cool now, stood in the road.
‘I don’t suppose you brought back any of that money,’ he said.
Corcoran took three crumpled bank notes from his pocket.
‘That’s all,’ he said. ‘But they’re liable to be along here any minute and you can argue with them about the rest.’
Mr Nosby, followed by Mrs Bushmill and the chauffeur, stepped quickly into the car.
‘Nevertheless,’ he insisted shrilly, as they moved off, ‘this has been a pretty expensive business. You’ve flung away ten thousand dollars that was to have bought goods in Sicily.’
‘Those are English bank notes,’ said Corcoran. ‘Big notes too. Every bank in England and Italy will be watching for those numbers.’
‘But we don’t know the numbers!’
‘I took all the numbers,’ said Corcoran.
The rumor that Mr Julius Bushmill’s purchasing department keeps him awake nights is absolutely unfounded. There are those who say that a once conservative business is expanding in a way that is more sensational than sound, but they are probably small, malevolent rivals with a congenital disgust for the grand scale. To all gratuitous advice, Mr Bushmill replies that even when his son-in-law seems to be throwing it away, it all comes back. His theory is that the young idiot really has a talent for spending money.
Not in the Guidebook.
(Woman’s Home Companion, November 1925)
This story began three days before it got into the papers. Like many other news-hungry Americans in Paris this spring, I opened the Franco-American Star one morning, and having skimmed the hackneyed headlines (largely devoted to reporting the sempiternal “Lafayette-love-Washington” bombast of French and American orators) I came upon something of genuine interest.
“Look at that!” I exclaimed, passing it over to the twin bed. But the occupant of the twin bed immediately found an article about Leonora Hughes, the dancer, in another column, and began to read it. So of course I demanded the paper back.
“You don’t realize—” I began.
“I wonder,” interrupted the occupant of the twin bed, “if she’s a real blonde.”
However, when I issued from the domestic suite a little later I found other men in various cafes saying, “Look at that!” as they pointed to the Item of Interest. And about noon I found another writer (whom I have since bribed with champagne to hold his peace) and together we went down into Franco-American officialdom to see.
It began on a boat; and with a young woman who, though she wasn’t even faintly uneasy, was leaning over the rail. She was watching the parallels of longitude as they swam beneath the keel, and trying to read the numbers on them, but of course the S.S. Olympic travels too fast for that, and all that the young woman could see was the agate-green, foliage-like spray, changing and complaining around the stern. Though there was little to look at except the spray and a dismal Scandinavian tramp in the distance and the admiring millionaire who was trying to catch her eye from the first-class deck above, Milly Cooley was perfectly happy. For she was beginning life over.
Hope is a usual cargo between Naples and Ellis Island, but on ships bound east for Cherbourg it is noticeably rare. The first-class passengers specialize in sophistication and the steerage passengers go in for disillusion (which is much the same thing) but the young woman by the rail was going in for hope raised to the ultimate power. It was not her own life she was beginning over, but someone else’s, and this is a much more dangerous thing СКАЧАТЬ