PENELOPE'S PROGRESS - Complete Series. Kate Douglas Wiggin

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СКАЧАТЬ I paint to-day? Shall it be the bit of garden underneath my window, with the tangle of pinks and roses, and the cabbages growing appetisingly beside the sweet-williams, the woodbine climbing over the brown stone wall, the wicket-gate, and the cherry-tree with its fruit hanging red against the whitewashed cottage? Ah, if I could only paint it so truly that you could hear the drowsy hum of the bees among the thyme, and smell the scented hay-meadows in the distance, and feel that it is midsummer in England! That would indeed be truth, and that would be art. Shall I paint the Bobby baby as he stoops to pick the cowslips and the flax, his head as yellow and his eyes as blue as the flowers themselves; or that bank opposite the gate, with its gorse bushes in golden bloom, its mountain-ash hung with scarlet berries, its tufts of harebells blossoming in the crevices of rock, and the quaint low clock-tower at the foot? Can I not paint all these in the full glow of summer-time in my secret heart whenever I open the door a bit and admit its life-giving warmth and beauty? I think I can, if I can only quit dreaming.

      I wonder how the great artists worked, and under what circumstances they threw aside the implements of their craft, impatient of all but the throb of life itself? Could Raphael paint Madonnas the week of his betrothal? Did Thackeray write a chapter the day his daughter was born? Did Plato philosophise freely when he was in love? Were there interruptions in the world’s great revolutions, histories, dramas, reforms, poems, and marbles when their creators fell for a brief moment under the spell of the little blind tyrant who makes slaves of us all? It must have been so. Your chronometer heart, on whose pulsations you can reckon as on the procession of the equinoxes, never gave anything to the world unless it were a system of diet, or something quite uncoloured and unglorified by the imagination.

Chapter XX.

       A Canticle to Jane

       Table of Contents

      There are many donkeys owned in these nooks among the hills, and some of the thriftier families keep donkey-chairs (or ‘cheers,’ as they call them) to let to the casual summer visitor. This vehicle is a regular Bath chair, into which the donkey is harnessed. Some of them have a tiny driver’s seat, where a small lad sits beating and berating the donkey for the incumbent, generally a decrepit dowager from London. Other chairs are minus this absurd coachman’s perch, and in this sort I take my daily drives. I hire the miniature chariot from an old woman who dwells at the top of Gorse Hill, and who charges one and fourpence the hour, It is a little more when she fetches the donkey to the door, or when the weather is wet or the day is very warm, or there is an unusual breeze blowing, or I wish to go round the hills; but under ordinary circumstances, which may at any time occur, but which never do, one and four the hour. It is only a shilling, if you have the boy to drive you; but, of course, if you drive yourself, you throw the boy out of employment, and have to pay extra.

      It was in this fashion and on these elastic terms that I first met you, Jane, and this chapter shall be sacred to you! Jane the long-eared, Jane the iron-jawed, Jane the stubborn, Jane donkeyer than other donkeys,—in a word, MULIER! It may be that Jane has made her bow to the public before this. If she has ever come into close relation with man or woman possessed of the instinct of self-expression, then this is certainly not her first appearance in print, for no human being could know Jane and fail to mention her.

      Pause, Jane,—this you will do gladly, I am sure, since pausing is the one accomplishment to which you lend yourself with special energy,—pause, Jane, while I sing a canticle to your character. Jane is a tiny—person, I was about to say, for she has so strong an individuality that I can scarcely think of her as less than human—Jane is a tiny, solemn creature, looking all docility and decorum, with long hair of a subdued tan colour, very much worn off in patches, I fear, by the offending toe of man.

      I am a member of the Society for the Prevention of Cruelty to Animals, and I hope that I am as tender-hearted as most women; nevertheless, I can understand how a man of weak principle and violent temper, or a man possessed of a desire to get to a particular spot not favoured by Jane, or by a wish to reach any spot by a certain hour,—I can understand how such a man, carried away by helpless wrath, might possibly ruffle Jane’s sad-coloured hair with the toe of his boot.

      Jane is small, yet mighty. She is multum in parvo; she is the rock of Gibraltar in animate form; she is cosmic obstinacy on four legs. When following out the devices and desires of her own heart, or resisting the devices and desires of yours, she can put a pressure of five hundred tons on the bit. She is further fortified by the possession of legs which have iron rods concealed in them, these iron rods terminating in stout grip-hooks, with which she takes hold on mother earth with an expression that seems to say,—

      ‘This rock shall fly

       From its firm base as soon as I.’

      When I start out in the afternoon, Mrs. Bobby frequently asks me where I am going. I always answer that I have not made up my mind, though what I really mean to say is that Jane has not made up her mind. She never makes up her mind until after I have made up mine, lest by some unhappy accident she might choose the very excursion that I desire myself.

Chapter XXI.

       I Remember, I Remember

       Table of Contents

      For example, I wish to visit St. Bridget’s Well, concerning which there are some quaint old verses in a village history:—

      ‘Out of thy famous hille,

       There daylie springyeth,

       A water passynge stille,

       That alwayes bringyeth

       Grete comfort to all them

       That are diseased men,

       And makes them well again

       To prayse the Lord.

       ‘Hast thou a wound to heale,

       The wyche doth greve thee;

       Come thenn unto this welle;

       It will relieve thee;

       Nolie me tangeries,

       And other maladies,

       Have there theyr remedies,

       Prays’d be the Lord.’

      St. Bridget’s Well is a beautiful spot, and my desire to see it is a perfectly laudable one. In strict justice, it is really no concern of Jane whether my wishes are laudable or not; but it only makes the case more flagrant when she interferes with the reasonable plans of a reasonable being. Never since the day we first met have I harboured a thought that I wished to conceal from Jane (would that she could say as much!); nevertheless she treats me as if I were a monster of caprice. As I said before, I wish to visit St. Bridget’s Well, but Jane absolutely refuses to take me there. After we pass Belvern churchyard we approach two roads: the one to the right leads to the Holy Well; the one to the left leads to Shady Dell Farm, where Jane lived when she was a girl. At the critical moment I pull the right rein with all my force. In vain: Jane is always overcome by sentiment when she sees that left-hand road. She bears to the left like a whirlwind, and nothing can stop her mad career until she is again amid the scenes so dear to her recollection, the beloved pastures where the mother still lives at whose feet she brayed in early youth!

      Now this is all very pretty and touching. Her action СКАЧАТЬ