The Greatest Works of J. S. Fletcher (64+ Titles in One Illustrated Edition). J. S. Fletcher

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СКАЧАТЬ brass wi' him these here animals 'll go fro' bad to worse—if such is possible! Howsomever, I mun cut some o' yon clover for t' hosses and t' cows."

      From a nook behind the corn-chest Pippany brought forth a hay-cutting knife, and proceeded to put an edge on it with a whetstone which he took from a hole in the wall. And at last, armed with this and with a stable fork whereupon he meant to impale the chunk of dried clover which he intended to carve out of the old stack at the end of the orchard, he went forth into the fold and crossed over to the orchard gate.

      In the orchard, amidst the pink and white of the cherry-trees, two women were hanging out the last results of a day's family washing. The lines to which they suspended the various articles of clothing, drawn wet and heavy from the wicker basket which they had just set down on the grass, were fastened here and there to the trunks or branches of the trees, here and there to certain ancient posts which were shaky in their foundations, and looked as if a little extra weight on the lines would pull them down altogether. There was scarcely any movement of air in the orchard; the lighter garments stirred but feebly when they were safely pinned to the line, the heavy ones hung straight down, motionless and inert.

      Of the two women thus employed when Pippany entered the orchard, one, the elder, Tibby Graddige, general odd-job woman to the parish, was a tall, spare, athletic female whose every action indicated energy and strength. When she moved, every muscle and sinew of her body seemed to be brought into play; hands moved in unison with feet, and elbows with knees. Just as active were the motions of her thin, straight lips and her coal-black eyes; the way in which her hair, equally black, was drawn in straight, severe fashion from her forehead and hidden behind an old cap fashioned from the remains of some shred of funeral crape indicated her views of life and of a day's work, which were to keep going at both until both were over. She passed now from basket to line and from line to basket as if everything of importance in the world depended upon the swiftness with which the wet linen was hung out to dry.

      The other and younger woman, Rhoda Perris, wife of Pippany's absent master, was of a different order of femininity. She looked to be about two-and-twenty years of age; the print gown which she wore did little to hide a figure which sculptors would have had nothing to find fault with had it been suggested to them as a model for the statue of something between a Venus and a Diana. Above the medium height, generous of bosom and hip, there was yet a curious suggestion of lissom slenderness about her which was heightened by the print gown. Her uncovered hair, catching the glint of the westering sun, revealed tints of gold and red and brown accordingly as her head was turned; it fell away to her ears in natural undulations from a centre parting, and was carelessly bound up into a heavy coil at the nape of her neck. Beneath the low, square forehead which the ripples of this elusively-tinted hair shaded were a pair of large eyes, the colour of which was as elusive as the hair—at times they seemed to be violet, at times grey, at times green. Always there was in them a strange sleepy seductiveness and a curious steadiness of gaze when they fixed themselves upon the object of their possessor's thoughts. The nose was in the slightest degree retrousse, the mouth inclining to largeness but perfectly shaped, the chin firm and rounded. As for the woman's colour it was that of the healthy, full-blooded human animal whose surroundings from infancy have been those of the woods and fields, and into whom the spirit of free air and the strength of the earth has entered with all the stirring nourishment of mother's milk.

      Rhoda Perris, idly hanging a garment on the clothesline, looked round as Pippany shambled through the rickety gate. She took a clothes-peg from between her strong, white teeth, and smiled sideways at Tibby Graddige.

      "Seems to me it takes a nice long time to put one shoe on a horse nowadays, Pippany Webster," she remarked. "You took that horse down to the crossroads at one o'clock, and it's past five now."

      "T' smith weren't theer when I landed," said Pippany sullenly. "He were away up to Mestur Spink's about summat or other. An' when he came back theer wor another man afore me 'at had browt two hosses—leastways a hoss an' a mare. Ye can't shoe a beast i' five minutes. An' I worn't going down there to wait all that time for nowt."

      "No, and I'll warrant you didn't!" remarked Tibby Graddige. "T' Dancing Bear mek's a good waiting-room for such-like as ye when ye go to t' smith's!"

      "Ye ho'd yer wisht!" retorted Pippany. "Nobody's given ye onny right to order my goings and comings, Mistress Graddige. I know when a hoss wants its shoes seeing to as weel as onny man."

      "We'll see what your master says when he comes home," said Rhoda. "You'd no need to take the horse to-day—it was naught but an excuse to go and drink."

      "I care nowt for what t' maister says nor what nobody else says," retorted Pippany, lurching forward past the women. "If Mestur Perris has owt to say to me he can pay me mi wage and let me go. I'm stalled o' this job—there's nowt left about t' place, and t' animals 'll be starvin' afore to-morrow neet. I'm none a fooil, and I can see how things is goin' wi' Mestur Perris—so theer!"

      Tibby Graddige shot a swift look out of her black eyes in Rhoda's direction.

      "There's imperence for yer!" she said softly. "But he allus were a bad un wi' his tongue, were that there Pippany Webster—used to miscall his poor mother, as were bedridden, shameful. Eh, dear—when the cat's away the mice will play, as it says in the Good Book. If I were Mestur Perris I should show t' way to the back door to yon theer."

      Pippany shambled on to the old clover-stack, which stood at the end of the orchard. There was little of it left: what little there was made a dusky tower which rose some eighteen or twenty feet in air from a base of two square yards. It was already shored up on three sides with stack props; on the fourth a ladder led to the particular elevation at which Pippany on the previous day had cut sufficient provender out of the tightly compressed mass to serve for the animals' supper. Round the base of this remnant many inroads had been made upon the clover by the depredations of the cattle which had been allowed to pull at it; when Pippany, carrying his hay-knife and the stable fork, proceeded slowly to climb the ladder, the stack began to tremble and to sway; it was obvious that it would have tottered over but for the support which it received from the poles. But Pippany gave no heed to these signs; he steadily mounted to the top, plunged his fork into the side, and kneeling down proceeded to drive his knife into the edges of the portion which he desired to cut out.

      To drive an imperfectly edged cutting-knife into the compressed mass of an old clover-stack which has been standing, as this stack had, for at least three years, and had accordingly become almost solid, requires no small expenditure of might and strength. At every downward thrust which Pippany gave to his knife the stack shook and tottered on its insecure base, and if he had not been muttering threats and anathemas against Tibby Graddige to himself, he might have heard an ominous cracking and crunching below him. Pippany, however, heard nothing but the harsh voice of his knife crunching through the clover. And suddenly one of the supporting poles, already rotten when it was put up, snapped off short, the reeling stack gave way, and flinging Pippany, knife still in hand, headlong from it, heeled over after him and enveloped him in the debris of its destruction.

      The two women looked round from the clotheslines with scared faces.

      "God ha' mercy on us, missis!" exclaimed Tibby Graddige. "What's yon atomy done now? Oh, Lord, Lord, that owd stack's fallen on him! And us wi'out a man about the place!"

      When they reached the scene of disaster there was no sign of Pippany. The fine dust caused by the fall of the stack was clearing away, but neither leg nor arm protruded from it.

      "He's buried under it!" whispered Tibby Graddige. "Oh, Lord, whatever mun we do?"

      Rhoda was already silently tearing at the clover, seizing great heaps of it in her powerful arms and casting it aside. The elder woman joined her, but ever and anon loudly lamented the absence of a man. And suddenly she looked up, listening.

      "There's СКАЧАТЬ