The Complete Short Stories of W.D. Howells (Illustrated Edition). William Dean Howells

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СКАЧАТЬ his father bought it with a number of other books at an auction, and the boy, who had about that time discovered the chapter on prosody in the back part of his grammar, made poems from it for years, and appeared in many transfigurations, as this and that god and demigod and hero upon imagined occasions in the Boy's Town, to the fancied admiration of all the other fellows. I do not know just why he wished to appear to his grandmother in a vision; now as Mercury with winged feet, now as Apollo with his drawn bow, now as Hercules leaning upon his club and resting from his Twelve Labors. Perhaps it was because he thought that his grandmother, who used to tell the children about her life in Wales, and show them the picture of a castle where she had once slept when she was a girl, would appreciate him in these apotheoses. If he believed they would make a vivid impression upon the sweet old Quaker lady, no doubt he was right.

      There was another book which he read about this time, and that was The Greek Soldier. It was the story of a young Greek, a glorious Athenian, who had fought through the Greek war of independence against the Turks, and then come to America and published the narrative of his adventures. They fired my boy with a retrospective longing to have been present at the Battle of Navarino, when the allied ships of the English, French, and Russians destroyed the Turkish fleet; but it seemed to him that he could not have borne to have the allies impose a king upon the Greeks, when they really wanted a republic, and so he was able to console himself for having been absent. He did what he could in fighting the war over again, and he intended to harden himself for the long struggle by sleeping on the floor, as the Greek soldier had done. But the children often fell asleep on the floor in the warmth of the hearth-fire; and his preparation for the patriotic strife was not distinguishable in its practical effect from a reluctance to go to bed at the right hour.

      Captain Riley's narrative of his shipwreck on the coast of Africa, and his captivity among the Arabs, was a book which my boy and his brother prized with a kind of personal interest, because their father told them that he had once seen a son of Captain Riley when he went to get his appointment of collector at Columbus, and that this son was named William Willshire Riley, after the good English merchant, William Willshire, who had ransomed Captain Riley. William Willshire seemed to them almost the best man who ever lived; though my boy had secretly a greater fondness for the Arab, Sidi Hamet, who was kind to Captain Riley and kept his brother Seid from ill-treating him whenever he could. Probably the boy liked him better because the Arab was more picturesque than the Englishman. The whole narrative was very interesting; it had a vein of sincere and earnest piety in it which was not its least charm, and it was written in a style of old-fashioned stateliness which was not without its effect with the boys.

      Somehow they did not think of the Arabs in this narrative as of the same race and faith with the Arabs of Bagdad and the other places in the Arabian Nights. They did not think whether these were Mohammedans or not; they naturalized them in the fairy world where all boys are citizens, and lived with them there upon the same familiar terms as they lived with Robinson Crusoe. Their father once told them that Robinson Crusoe had robbed the real narrative of Alexander Selkirk of the place it ought to have held in the remembrance of the world; and my boy had a feeling of guilt in reading it, as if he were making himself the accomplice of an impostor.

      He liked the Arabian Nights, but oddly enough these wonderful tales made no such impression on his fancy as the stories in a wretchedly inferior book made. He did not know the name of this book, or who wrote it; from which I imagine that much of his reading was of the purblind sort that ignorant grown-up people do, without any sort of literary vision. He read this book perpetually, when he was not reading his Greek and Roman Mythology; and then suddenly, one day, as happens in childhood with so many things, it vanished out of his possession as if by magic. Perhaps he lost it; perhaps he lent it; at any rate it was gone, and he never got it back, and he never knew what book it was till thirty years afterward, when he picked up from a friend's library-table a copy of Gesta Romanorum, and recognized in this collection of old monkish legends the long-missing treasure of his boyhood.

      These stories, without beauty of invention, without art of construction or character, without spirituality in their crude materialization, which were read aloud in the refectories of mediæval cloisters while the monks sat at meat, laid a spell upon the soul of the boy that governed his life. He conformed his conduct to the principles and maxims which actuated the behavior of the shadowy people of these dry-as-dust tales; he went about drunk with the fumes of fables about Roman emperors that never were, in an empire that never was; and, though they tormented him by putting a mixed and impossible civilization in the place of that he knew from his Goldsmith, he was quite helpless to break from their influence. He was always expecting some wonderful thing to happen to him as things happened there in fulfilment of some saying or prophecy; and at every trivial moment he made sayings and prophecies for himself, which he wished events to fulfil. One Sunday when he was walking in an alley behind one of the stores, he found a fur cap that had probably fallen out of the store-loft window. He ran home with it, and in his simple-hearted rapture he told his mother that as soon as he picked it up there came into his mind the words, "He who picketh up this cap picketh up a fortune," and he could hardly wait for Monday to come and let him restore the cap to its owner and receive an enduring prosperity in reward of his virtue. Heaven knows what form he expected this to take; but when he found himself in the store, he lost all courage; his tongue clove to the roof of his mouth, and he could not utter a syllable of the fine phrases he had made to himself. He laid the cap on the counter without a word; the storekeeper came up and took it in his hand. "What's this?" he said. "Why, this is ours," and he tossed the cap into a loose pile of hats by the showcase, and the boy slunk out, cut to the heart and crushed to the dust. It was such a cruel disappointment and mortification that it was rather a relief to have his brother mock him, and come up and say from time to time, "He who picketh up this cap picketh up a fortune," and then split into a jeering laugh. At least he could fight his brother, and, when he ran, could stone him; and he could throw quads and quoins, and pieces of riglet at the jour printers when the story spread to them, and one of them would begin, "He who picketh—"

      He could not make anything either of Byron or Cowper; and he did not even try to read the little tree-calf volumes of Homer and Virgil which his father had in the versions of Pope and Dryden; the small copper-plates with which they were illustrated conveyed no suggestion to him. Afterward he read Goldsmith's Deserted Village, and he formed a great passion for Pope's Pastorals, which he imitated in their easy heroics; but till he came to read Longfellow, and Tennyson, and Heine, he never read any long poem without more fatigue than pleasure. His father used to say that the taste for poetry was an acquired taste, like the taste for tomatoes, and that he would come to it yet; but he never came to it, or so much of it as some people seemed to do, and he always had his sorrowful misgivings as to whether they liked it as much as they pretended. I think, too, that it should be a flavor, a spice, a sweet, a delicate relish in the high banquet of literature, and never a chief dish; and I should not know how to defend my boy for trying to make long poems of his own at the very time when he found it so hard to read other people's long poems.

The Last of a Boy's Town

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      My boy was twelve years old, and was already a swift compositor, though he was still so small that he had to stand on a chair to reach the case in setting type on Taylor's inaugural message. But what he lacked in stature he made up in gravity of demeanor; and he got the name of "The Old Man" from the printers as soon as he began to come about the office, which he did almost as soon as he could walk. His first attempt in literature, an essay on the vain and disappointing nature of human life, he set up and printed off himself in his sixth or seventh year; and the printing-office was in some sort his home, as well as his school, his university. He could no more remember learning to set type than he could remember learning to read; and in after-life he could not come within smell of the ink, the dusty types, the humid paper, of a printing-office without that tender swelling of the heart which so fondly responds to any memory-bearing perfume: his youth, his boyhood, almost his infancy СКАЧАТЬ