NICHOLAS NICKLEBY (Illustrated). Charles Dickens

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СКАЧАТЬ resort of foreigners. The dark-complexioned men who wear large rings, and heavy watch-guards, and bushy whiskers, and who congregate under the Opera Colonnade, and about the box-office in the season, between four and five in the afternoon, when they give away the orders,—all live in Golden Square, or within a street of it. Two or three violins and a wind instrument from the Opera band reside within its precincts. Its boarding-houses are musical, and the notes of pianos and harps float in the evening time round the head of the mournful statue, the guardian genius of a little wilderness of shrubs, in the centre of the square. On a summer’s night, windows are thrown open, and groups of swarthy moustached men are seen by the passer-by, lounging at the casements, and smoking fearfully. Sounds of gruff voices practising vocal music invade the evening’s silence; and the fumes of choice tobacco scent the air. There, snuff and cigars, and German pipes and flutes, and violins and violoncellos, divide the supremacy between them. It is the region of song and smoke. Street bands are on their mettle in Golden Square; and itinerant glee-singers quaver involuntarily as they raise their voices within its boundaries.

      This would not seem a spot very well adapted to the transaction of business; but Mr. Ralph Nickleby had lived there, notwithstanding, for many years, and uttered no complaint on that score. He knew nobody round about, and nobody knew him, although he enjoyed the reputation of being immensely rich. The tradesmen held that he was a sort of lawyer, and the other neighbours opined that he was a kind of general agent; both of which guesses were as correct and definite as guesses about other people’s affairs usually are, or need to be.

      Mr. Ralph Nickleby sat in his private office one morning, ready dressed to walk abroad. He wore a bottle-green spencer over a blue coat; a white waistcoat, grey mixture pantaloons, and Wellington boots drawn over them. The corner of a small-plaited shirt-frill struggled out, as if insisting to show itself, from between his chin and the top button of his spencer; and the latter garment was not made low enough to conceal a long gold watch-chain, composed of a series of plain rings, which had its beginning at the handle of a gold repeater in Mr. Nickleby’s pocket, and its termination in two little keys: one belonging to the watch itself, and the other to some patent padlock. He wore a sprinkling of powder upon his head, as if to make himself look benevolent; but if that were his purpose, he would perhaps have done better to powder his countenance also, for there was something in its very wrinkles, and in his cold restless eye, which seemed to tell of cunning that would announce itself in spite of him. However this might be, there he was; and as he was all alone, neither the powder, nor the wrinkles, nor the eyes, had the smallest effect, good or bad, upon anybody just then, and are consequently no business of ours just now.

      Mr. Nickleby closed an account-book which lay on his desk, and, throwing himself back in his chair, gazed with an air of abstraction through the dirty window. Some London houses have a melancholy little plot of ground behind them, usually fenced in by four high whitewashed walls, and frowned upon by stacks of chimneys: in which there withers on, from year to year, a crippled tree, that makes a show of putting forth a few leaves late in autumn when other trees shed theirs, and, drooping in the effort, lingers on, all crackled and smoke-dried, till the following season, when it repeats the same process, and perhaps, if the weather be particularly genial, even tempts some rheumatic sparrow to chirrup in its branches. People sometimes call these dark yards ‘gardens’; it is not supposed that they were ever planted, but rather that they are pieces of unreclaimed land, with the withered vegetation of the original brick-field. No man thinks of walking in this desolate place, or of turning it to any account. A few hampers, half-a-dozen broken bottles, and such-like rubbish, may be thrown there, when the tenant first moves in, but nothing more; and there they remain until he goes away again: the damp straw taking just as long to moulder as it thinks proper: and mingling with the scanty box, and stunted everbrowns, and broken flower-pots, that are scattered mournfully about—a prey to ‘blacks’ and dirt.

      It was into a place of this kind that Mr. Ralph Nickleby gazed, as he sat with his hands in his pockets looking out of the window. He had fixed his eyes upon a distorted fir tree, planted by some former tenant in a tub that had once been green, and left there, years before, to rot away piecemeal. There was nothing very inviting in the object, but Mr. Nickleby was wrapt in a brown study, and sat contemplating it with far greater attention than, in a more conscious mood, he would have deigned to bestow upon the rarest exotic. At length, his eyes wandered to a little dirty window on the left, through which the face of the clerk was dimly visible; that worthy chancing to look up, he beckoned him to attend.

      In obedience to this summons the clerk got off the high stool (to which he had communicated a high polish by countless gettings off and on), and presented himself in Mr. Nickleby’s room. He was a tall man of middle age, with two goggle eyes whereof one was a fixture, a rubicund nose, a cadaverous face, and a suit of clothes (if the term be allowable when they suited him not at all) much the worse for wear, very much too small, and placed upon such a short allowance of buttons that it was marvellous how he contrived to keep them on.

      ‘Was that half-past twelve, Noggs?’ said Mr. Nickleby, in a sharp and grating voice.

      ‘Not more than five-and-twenty minutes by the—’ Noggs was going to add public-house clock, but recollecting himself, substituted ‘regular time.’

      ‘My watch has stopped,’ said Mr. Nickleby; ‘I don’t know from what cause.’

      ‘Not wound up,’ said Noggs.

      ‘Yes it is,’ said Mr. Nickleby.

      ‘Over-wound then,’ rejoined Noggs.

      ‘That can’t very well be,’ observed Mr. Nickleby.

      ‘Must be,’ said Noggs.

      ‘Well!’ said Mr. Nickleby, putting the repeater back in his pocket; ‘perhaps it is.’

      Noggs gave a peculiar grunt, as was his custom at the end of all disputes with his master, to imply that he (Noggs) triumphed; and (as he rarely spoke to anybody unless somebody spoke to him) fell into a grim silence, and rubbed his hands slowly over each other: cracking the joints of his fingers, and squeezing them into all possible distortions. The incessant performance of this routine on every occasion, and the communication of a fixed and rigid look to his unaffected eye, so as to make it uniform with the other, and to render it impossible for anybody to determine where or at what he was looking, were two among the numerous peculiarities of Mr Noggs, which struck an inexperienced observer at first sight.

      ‘I am going to the London Tavern this morning,’ said Mr. Nickleby.

      ‘Public meeting?’ inquired Noggs.

      Mr. Nickleby nodded. ‘I expect a letter from the solicitor respecting that mortgage of Ruddle’s. If it comes at all, it will be here by the two o’clock delivery. I shall leave the city about that time and walk to Charing Cross on the left-hand side of the way; if there are any letters, come and meet me, and bring them with you.’

      Noggs nodded; and as he nodded, there came a ring at the office bell. The master looked up from his papers, and the clerk calmly remained in a stationary position.

      ‘The bell,’ said Noggs, as though in explanation. ‘At home?’

      ‘Yes.’

      ‘To anybody?’

      ‘Yes.’

      ‘To the tax-gatherer?’

      ‘No! Let him call again.’

      Noggs gave vent to his usual grunt, as much as to say ‘I thought so!’ and, the ring being repeated, went to the door, whence he presently returned, ushering in, by the name of Mr. Bonney, a pale gentleman in a violent hurry, who, with СКАЧАТЬ