Mugby Junction. Charles Dickens

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СКАЧАТЬ out somehow (perhaps he meant it should) that the walk tended to the platform at which he had alighted, and to Lamps’s room. But Lamps was not in his room. A pair of velveteen shoulders were adapting themselves to one of the impressions on the wall by Lamps’s fireplace, but otherwise the room was void. In passing back to get out of the station again, he learnt the cause of this vacancy, by catching sight of Lamps on the opposite line of railway, skipping along the top of a train, from carriage to carriage, and catching lighted namesakes thrown up to him by a coadjutor.

      “He is busy. He has not much time for composing or singing Comic Songs this morning, I take it.”

      The direction he pursued now, was into the country, keeping very near to the side of one great Line of railway, and within easy view of others. “I have half a mind,” he said, glancing around, “to settle the question from this point, by saying, ‘I’ll take this set of rails, or that, or t’other, and stick to it.’ They separate themselves from the confusion, out here, and go their ways.”

      Ascending a gentle hill of some extent, he came to a few cottages. There, looking about him as a very reserved man might who had never looked about him in his life before, he saw some six or eight young children come merrily trooping and whooping from one of the cottages, and disperse. But not until they had all turned at the little garden gate, and kissed their hands to a face at the upper window: a low window enough, although the upper, for the cottage had but a story of one room above the ground.

      Now, that the children should do this was nothing; but that they should do this to a face lying on the sill of the open window, turned towards them in a horizontal position, and apparently only a face, was something noticeable. He looked up at the window again. Could only see a very fragile though a very bright face, lying on one cheek on the window-sill. The delicate smiling face of a girl or woman. Framed in long bright brown hair, round which was tied a light blue band or fillet, passing under the chin.

      He walked on, turned back, passed the window again, shyly glanced up again. No change. He struck off by a winding branch-road at the top of the hill—which he must otherwise have descended—kept the cottages in view, worked his way round at a distance so as to come out once more into the main road and be obliged to pass the cottages again. The face still lay on the window-sill, but not so much inclined towards him. And now there were a pair of delicate hands too. They had the action of performing on some musical instrument, and yet it produced no sound that reached his ears.

      “Mugby Junction must be the maddest place in England,” said Barbox Brothers, pursuing his way down the hill. “The first thing I find here is a Railway Porter who composes comic songs to sing at his bedside. The second thing I find here is a face, and a pair of hands playing a musical instrument that don’t play!”

      The day was a fine bright day in the early beginning of November, the air was clear and inspiriting, and the landscape was rich in beautiful colours. The prevailing colours in the court off Lombard-street, London city, had been few and sombre. Sometimes, when the weather elsewhere was very bright indeed, the dwellers in those tents enjoyed a pepper-and-salt-coloured day or two, but their atmosphere’s usual wear was slate, or snuff colour.

      He relished his walk so well, that he repeated it next day. He was a little earlier at the cottage than on the day before, and he could hear the children up-stairs singing to a regular measure and clapping out the time with their hands.

      “Still, there is no sound of any musical instrument,” he said, listening at the corner, “and yet I saw the performing hands again, as I came by. What are the children singing? Why, good Lord, they can never be singing the multiplication-table!”

      They were though, and with infinite enjoyment. The mysterious face had a voice attached to it which occasionally led or set the children right. Its musical cheerfulness was delightful. The measure at length stopped, and was succeeded by a murmuring of young voices, and then by a short song which he made out to be about the current month of the year, and about what work it yielded to the labourers in the fields and farm-yards. Then, there was a stir of little feet, and the children came trooping and whooping out, as on the previous day. And again, as on the previous day, they all turned at the garden gate, and kissed their hands—evidently to the face on the window-sill, though Barbox Brothers from his retired post of disadvantage at the corner could not see it.

      But as the children dispersed, he cut off one small straggler—a brown faced boy with flaxen hair—and said to him:

      “Come here, little one. Tell me whose house is that?”

      The child, with one swarthy arm held up across his eyes, half in shyness, and half ready for defence, said from behind the inside of his elbow:

      “Phœbe’s.”

      “And who,” said Barbox Brothers, quite as much embarrassed by his part in the dialogue as the child could possibly be by his, “is Phœbe?”

      To which the child made answer: “Why, Phœbe, of course.”

      The small but sharp observer had eyed his questioner closely, and had taken his moral measure. He lowered his guard, and rather assumed a tone with him: as having discovered him to be an unaccustomed person in the art of polite conversation.

      “Phœbe,” said the child, “can’t be anybobby else but Phœbe. Can she?”

      “No, I suppose not.”

      “Well,” returned the child, “then why did you ask me?”

      Deeming it prudent to shift his ground, Barbox Brothers took up a new position.

      “What do you do there? Up there in that room where the open window is. What do you do there?”

      “Cool,” said the child.

      “Eh?”

      “Co-o-ol,” the child repeated in a louder voice, lengthening out the word with a fixed look and great emphasis, as much as to say: “What’s the use of your having grown up, if you’re such a donkey as not to understand me?”

      “Ah! School, school,” said Barbox Brothers. “Yes, yes, yes. And Phœbe teaches you?”

      The child nodded.

      “Good boy.”

      “Tound it out, have you?” said the child.

      “Yes, I have found it out. What would you do with twopence, if I gave it you?”

      “Pend it.”

      The knock-down promptitude of this reply leaving him not a leg to stand upon, Barbox Brothers produced the twopence with great lameness, and withdrew in a state of humiliation.

      But, seeing the face on the window-sill as he passed the cottage, he acknowledged its presence there with a gesture, which was not a nod, not a bow, not a removal of his hat from his head, but was a diffident compromise between or struggle with all three. The eyes in the face seemed amused, or cheered, or both, and the lips modestly said: “Good day to you, sir.”

      “I find I must stick for a time to Mugby Junction,” said Barbox Brothers, with much gravity, after once more stopping on his return road to look at the Lines where they went their several ways so quietly. “I can’t make up my mind yet, which iron road to take. In fact, I must get a little accustomed to the Junction before I can decide.”

      So, СКАЧАТЬ