Literary Friends and Acquaintance; a Personal Retrospect of American Authorship. William Dean Howells

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СКАЧАТЬ in my books, but I find very little of it in my memory. This is like a web of frayed old lace, which I have to take carefully into my hold for fear of its fragility, and make out as best I can the figure once so distinct in it. There are the narrow streets, stretching saltworks to the docks, which I haunted for their quaintness, and there is Faunal Hall, which I cared to see so much more because Wendell Phillips had spoken in it than because Otis and Adams had. There is the old Colonial House, and there is the State House, which I dare say I explored, with the Common sloping before it. There is Beacon Street, with the Hancock House where it is incredibly no more, and there are the beginnings of Commonwealth Avenue, and the other streets of the Back Bay, laid out with their basements left hollowed in the made land, which the gravel trains were yet making out of the westward hills. There is the Public Garden, newly planned and planted, but without the massive bridge destined to make so ungratefully little of the lake that occasioned it. But it is all very vague, and I could easily believe now that it was some one else who saw it then in my place.

      I think that I did not try to see Cambridge the same day that I saw Lowell, but wisely came back to my hotel in Boston, and tried to realize the fact. I went out another day, with an acquaintance from Ohio; whom I ran upon in the street. We went to Mount Auburn together, and I viewed its monuments with a reverence which I dare say their artistic quality did not merit. But I am, not sorry for this, for perhaps they are not quite so bad as some people pretend. The Gothic chapel of the cemetery, unsorted as it was, gave me, with its half-dozen statues standing or sitting about, an emotion such as I am afraid I could not receive now from the Acropolis, Westminster Abbey, and Santa Crocea in one. I tried hard for some aesthetic sense of it, and I made believe that I thought this thing and that thing in the place moved me with its fitness or beauty; but the truth is that I had no taste in anything but literature, and did not feel the effect I would so willingly have experienced.

      I did genuinely love the elmy quiet of the dear old Cambridge streets, though, and I had a real and instant pleasure in the yellow colonial houses, with their white corners and casements and their green blinds, that lurked behind the shrubbery of the avenue I passed through to Mount Auburn. The most beautiful among them was the most interesting for me, for it was the house of Longfellow; my companion, who had seen it before, pointed it out to me with an air of custom, and I would not let him see that I valued the first sight of it as I did. I had hoped that somehow I might be so favored as to see Longfellow himself, but when I asked about him of those who knew, they said, “Oh, he is at Nahant,” and I thought that Nahant must be a great way off, and at any rate I did not feel authorized to go to him there. Neither did I go to see the author of ‘The Amber Gods’ who lived at Newburyport, I was told, as if I should know where Newburyport was; I did not know, and I hated to ask. Besides, it did not seem so simple as it had seemed in Ohio, to go and see a young lady simply because I was infatuated with her literature; even as the envoy of all the infatuated young people of Columbus, I could not quite do this; and when I got home, I had to account for my failure as best I could. Another failure of mine was the sight of Whittier, which I then very much longed to have. They said, “Oh, Whittier lives at Amesbury,” but that put him at an indefinite distance, and without the introduction I never would ask for, I found it impossible to set out in quest of him. In the end, I saw no one in New England whom I was not presented to in the regular way, except Lowell, whom I thought I had a right to call upon in my quality of contributor, and from the acquaintance I had with him by letter. I neither praise nor blame myself for this; it was my shyness that with held me rather than my merit. There is really no harm in seeking the presence of a famous man, and I doubt if the famous man resents the wish of people to look upon him without some measure, great or little, of affectation. There are bores everywhere, but he is likelier to find them in the wonted figures of society than in those young people, or old people, who come to him in the love of what he has done. I am well aware how furiously Tennyson sometimes met his worshippers, and how insolently Carlyle, but I think these facts are little specks in their sincerity. Our own gentler and honester celebrities did not forbid approach, and I have known some of them caress adorers who seemed hardly worthy of their kindness; but that was better than to have hurt any sensitive spirit who had ventured too far, by the rules that govern us with common men.

IX.

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      My business relations were with the house that so promptly honored my letter of credit. This house had published in the East the campaign life of Lincoln which I had lately written, and I dare say would have published the volume of poems I had written earlier with my friend Piatt, if there had been any public for it; at least, I saw large numbers of the book on the counters. But all my literary affiliations were with Ticknor & Fields, and it was the Old Corner Book-Store on Washington Street that drew my heart as soon as I had replenished my pocket in Cornhill. After verifying the editor of the Atlantic Monthly I wised to verify its publishers, and it very fitly happened that when I was shown into Mr. Fields’s little room at the back of the store, with its window looking upon School Street, and its scholarly keeping in books and prints, he had just got the magazine sheets of a poem of mine from the Cambridge printers. He was then lately from abroad, and he had the zest for American things which a foreign sojourn is apt to renew in us, though I did not know this then, and could not account for it in the kindness he expressed for my poem. He introduced me to Mr. Ticknor, who I fancied had not read my poem; but he seemed to know what it was from the junior partner, and he asked me whether I had been paid for it. I confessed that I had not, and then he got out a chamois-leather bag, and took from it five half-eagles in gold and laid them on the green cloth top of the desk, in much the shape and of much the size of the Great Bear. I have never since felt myself paid so lavishly for any literary work, though I have had more for a single piece than the twenty-five dollars that dazzled me in this constellation. The publisher seemed aware of the poetic character of the transaction; he let the pieces lie a moment, before he gathered them up and put them into my hand, and said, “I always think it is pleasant to have it in gold.”

      But a terrible experience with the poem awaited me, and quenched for the moment all my pleasure and pride. It was ‘The Pilot’s Story,’ which I suppose has had as much acceptance as anything of mine in verse (I do not boast of a vast acceptance for it), and I had attempted to treat in it a phase of the national tragedy of slavery, as I had imagined it on a Mississippi steamboat. A young planter has gambled away the slave-girl who is the mother of his child, and when he tells her, she breaks out upon him with the demand:

      “What will you say to our boy when he cries for me, there in Saint

       Louis?”

      I had thought this very well, and natural and simple, but a fatal proof-reader had not thought it well enough, or simple and natural enough, and he had made the line read:

      “What will you say to our boy when he cries for ‘Ma,’ there in Saint

       Louis?”

      He had even had the inspiration to quote the word he preferred to the one I had written, so that there was no merciful possibility of mistaking it for a misprint, and my blood froze in my veins at sight of it. Mr. Fields had given me the sheets to read while he looked over some letters, and he either felt the chill of my horror, or I made some sign or sound of dismay that caught his notice, for he looked round at me. I could only show him the passage with a gasp. I dare say he might have liked to laugh, for it was cruelly funny, but he did not; he was concerned for the magazine as well as for me. He declared that when he first read the line he had thought I could not have written it so, and he agreed with me that it would kill the poem if it came out in that shape. He instantly set about repairing the mischief, so far as could be. He found that the whole edition of that sheet had been printed, and the air blackened round me again, lighted up here and there with baleful flashes of the newspaper wit at my cost, which I previsioned in my misery; I knew what I should have said of such a thing myself, if it СКАЧАТЬ