TALES OF THE ALHAMBRA & CHRONICLE OF THE CONQUEST OF GRANADA. Вашингтон Ирвинг

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СКАЧАТЬ style="font-size:15px;">      Our afternoon’s ride took us through a steep and rugged defile of the mountains, called Puerto del Rey, the Pass of the King; being one of the great passes into the territories of Granada, and the one by which King Ferdinand conducted his army. Towards sunset the road, winding round a hill, brought us in sight of the famous little frontier city of Loxa, which repulsed Ferdinand from its walls. Its Arabic name implies “guardian,” and such it was to the vega of Granada, being one of its advanced guards. It was the stronghold of that fiery veteran, old Ali Atar, father-in-law of Boabdil; and here it was that the latter collected his troops, and sallied forth on that disastrous foray which ended in the death of the old alcayde and his own captivity. From its commanding position at the gate, as it were, of this mountain pass, Loxa has not unaptly been termed the key of Granada. It is wildly picturesque; built along the face of an arid mountain. The ruins of a Moorish alcazar or citadel crown a rocky mound which rises out of the centre of the town. The river Xenil washes its base, winding among rocks, and groves, and gardens, and meadows, and crossed by a Moorish bridge. Above the city all is savage and sterile, below is the richest vegetation and the freshest verdure. A similar contrast is presented by the river; above the bridge it is placid and grassy, reflecting groves and gardens; below it is rapid, noisy and tumultuous. The Sierra Nevada, the royal mountains of Granada, crowned with perpetual snow, form the distant boundary to this varied landscape; one of the most characteristic of romantic Spain.

      Alighting at the entrance of the city, we gave our horses to Sancho to lead them to the inn, while we strolled about to enjoy the singular beauty of the environs. As we crossed the bridge to a fine alameda, or public walk, the bells tolled the hour of oration. At the sound the wayfarers, whether on business or pleasure, paused, took off their hats, crossed themselves, and repeated their evening prayer — a pious custom still rigidly observed in retired parts of Spain. Altogether it was a solemn and beautiful evening scene, and we wandered on as the evening gradually closed, and the new moon began to glitter between the high elms of the alameda.

      We were roused from this quiet state of enjoyment by the voice of our trusty squire hailing us from a distance. He came up to us, out of breath. “Ah, senores,” cried he, “el pobre Sancho no es nada sin Don Quixote.” (“Ah, senores, poor Sancho is nothing without Don Quixote.”) He had been alarmed at our not coming to the inn; Loxa was such a wild mountain place, full of contrabandistas, enchanters, and infiernos; he did not well know what might have happened, and set out to seek us, inquiring after us of every person he met, until he traced us across the bridge, and, to his great joy, caught sight of us strolling in the alameda.

      The inn to which he conducted us was called the Corona, or Crown, and we found it quite in keeping with the character of the place, the inhabitants of which seem still to retain the bold, fiery spirit of the olden time. The hostess was a young and handsome Andalusian widow, whose trim basquina of black silk, fringed with bugles, set off the play of a graceful form and round pliant limbs. Her step was firm and elastic; her dark eye was full of fire, and the coquetry of her air, and varied ornaments of her person, showed that she was accustomed to be admired.

      She was well matched by a brother, nearly about her own age; they were perfect models of the Andalusian majo and maja. He was tall, vigorous, and well-formed, with a clear olive complexion, a dark beaming eye, and curling chestnut whiskers that met under his chin. He was gallantly dressed in a short green velvet jacket, fitted to his shape, profusely decorated with silver buttons, with a white handkerchief in each pocket. He had breeches of the same, with rows of buttons from the hips to the knees; a pink silk handkerchief round his neck, gathered through a ring, on the bosom of a neatly-plaited shirt; a sash round the waist to match; bottinas, or spatterdashes, of the finest russet leather, elegantly worked, and open at the calf to show his stockings and russet shoes, setting off a well-shaped foot.

      As he was standing at the door, a horseman rode up and entered into low and earnest conversation with him. He was dressed in a similar style, and almost with equal finery — a man about thirty, square-built, with strong Roman features, handsome, though slightly pitted with the small-pox; with a free, bold, and somewhat daring air. His powerful black horse was decorated with tassels and fanciful trappings, and a couple of broad-mouthed blunderbusses hung behind the saddle. He had the air of one of those contrabandistas I have seen in the mountains of Ronda, and evidently had a good understanding with the brother of mine hostess; nay, if I mistake not, he was a favored admirer of the widow. In fact, the whole inn and its inmates had something of a contrabandista aspect, and a blunderbuss stood in a corner beside the guitar. The horseman I have mentioned passed his evening in the posada, and sang several bold mountain romances with great spirit. As we were at supper, two poor Asturians put in in distress, begging food and a night’s lodging. They had been waylaid by robbers as they came from a fair among the mountains, robbed of a horse, which carried all their stock in trade, stripped of their money, and most of their apparel, beaten for having offered resistance, and left almost naked in the road. My companion, with a prompt generosity natural to him, ordered them a supper and a bed, and gave them a sum of money to help them forward towards their home.

      As the evening advanced, the dramatis personae thickened. A large man, about sixty years of age, of powerful frame, came strolling in, to gossip with mine hostess. He was dressed in the ordinary Andalusian costume, but had a huge sabre tucked under his arm, wore large moustaches, and had something of a lofty swaggering air. Every one seemed to regard him with great deference.

      Our man Sancho whispered to us that he was Don Ventura Rodriguez, the hero and champion of Loxa, famous for his prowess and the strength of his arm. In the time of the French invasion he surprised six troopers who were asleep: he first secured their horses, then attacked them with his sabre, killed some, and took the rest prisoners. For this exploit the king allows him a peseta (the fifth of a duro, or dollar) per day, and has dignified him with the title of Don.

      I was amused to behold his swelling language and demeanor. He was evidently a thorough Andalusian, boastful as brave. His sabre was always in his hand or under his arm. He carries it always about with him as a child does her doll, calls it his Santa Teresa, and says, “When I draw it, the earth trembles” (“tiembla la tierra”).

      I sat until a late hour listening to the varied themes of this motley group, who mingled together with the unreserve of a Spanish posada. We had contrabandista songs, stories of robbers, guerilla exploits, and Moorish legends. The last were from our handsome landlady, who gave a poetical account of the infiernos, or infernal regions of Loxa, dark caverns, in which subterranean streams and waterfalls make a mysterious sound. The common people say that there are money-coiners shut up there from the time of the Moors, and that the Moorish kings kept their treasures in those caverns.

      I retired to bed with my imagination excited by all that I had seen and heard in this old warrior city. Scarce had I fallen asleep when I was aroused by a horrid din and uproar, that might have confounded the hero of La Mancha himself whose experience of Spanish inns was a continual uproar. It seemed for a moment as if the Moors were once more breaking into the town, or the infiernos of which mine hostess talked had broken loose. I sallied forth half dressed to reconnoiter. It was nothing more nor less than a charivari to celebrate the nuptials of an old man with a buxom damsel. Wishing him joy of his bride and his serenade, I returned to my more quiet bed, and slept soundly until morning.

      While dressing, I amused myself in reconnoitering the populace from my window. There were groups of fine-looking young men in the trim fanciful Andalusian costume, with brown cloaks, thrown about them in true Spanish style, which cannot be imitated, and little round majo hats stuck on with a peculiar knowing air. They had the same galliard look which I have remarked among the dandy mountaineers of Ronda. Indeed, all this part of Andalusia abounds with such game-looking characters. They loiter about the towns and villages, seem to have plenty of time and plenty of money: “horse to ride and weapon to wear.” Great gossips; great smokers; apt at touching the guitar, singing couplets to their maja belles, and famous dancers of the bolero. Throughout all Spain the men, however poor, have a gentlemanlike abundance of leisure, seeming to consider it the attribute СКАЧАТЬ