TENDER IS THE NIGHT (The Original 1934 Edition). Фрэнсис Скотт Фицджеральд

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СКАЧАТЬ He was going to fall for her. Elaine had issued that statement to her young set and they were retailing it back to Elaine as fast as they set eyes on Isabelle. Isabelle resolved mentally that if necessary she would force herself to like him—she owed it to Elaine. What if she were terribly disappointed? Elaine had painted him in such glowing colors—he was good-looking, had a “line” and was properly inconstant. In fact he summed up all the romance that her age and environment led her to desire. Were those his dancing shoes that fox-trotted tentatively around the soft rug below?

      All impressions and in fact all ideas were terribly kaleidoscopic to Isabelle. She had that curious mixture of the social and artistic temperaments, found often in two classes—society women and actors. Her education, or rather her sophistication, had been absorbed from the boys who had dangled upon her favor; her tact was instinctive, and her capacity for love affairs was limited only by the number of boys she met. Flirt smiled from her large, black-brown eyes and figured in her intense physical magnetism.

      So she waited at the head of the stairs that evening while slippers and stockings were changed. Just as she was getting impatient Elaine came out beaming with her accustomed good nature and high spirits. Together they descended the broad stairs while the nervous searchlight of Isabelle’s mind flashed on two ideas. She was glad she had high color tonight and she wondered if he danced well.

      Downstairs the girls she had met in the afternoon surrounded her for a moment, looking unbelievably changed by the soft yellow light; then she heard Elaine’s voice repeating a cycle of names, and she found herself bowing to a sextet of black and white and terribly stiff figures. The name Powers figured somewhere, but she did not place him at first. A confused and very juvenile moment of awkward backings and bumpings, and everyone found themselves arranged talking to the very persons they least desired to. Isabelle maneuvered herself and Peter Carroll, a sixth-former from Hotchkiss whom she had met that afternoon, to a seat at the piano. A reference, supposedly humorous, to the afternoon was all she needed. What Isabelle could do socially with one idea was remarkable. First she repeated it rapturously in an enthusiastic contralto; then she held it off at a distance and smiled at it—her wonderful smile; then she delivered it in variations and played a sort of mental catch with it, all this in the nominal form of dialogue. Peter was fascinated and totally unconscious that this was being done not for him but for the black eyes that glistened under the shining, carefully watered hair a little to her left. As an actor even in the fullest flush of his own conscious magnetism gets a lasting impression of most of the people in the front row, so Isabelle sized up Kenneth Powers. First, he was of middle height, and from her feeling of disappointment she knew that she had expected him to be tall and of Vernon Castle-ish slenderness. His hair and eyes were his most noticeable possessions—they were black and they fairly glittered. For the rest, he had rather dark skin with a faint flush and a straight romantic profile, the effect set off by a close-fitting dress suit and a silk ruffled shirt of the kind that women still delight in on men, but men were just beginning to get tired of.

      Kenneth was just quietly smiling.

      “Don’t you think so?” she said suddenly, turning to him innocent-eyed.

      There was a stir near the door and Elaine led the way to dinner. Kenneth struggled to her side and whispered:

      “You’re my dinner partner—Isabelle.”

      Isabelle gasped—this was rather quick work. Of course it made it more interesting, but really she felt as if a good line had been taken from the star and given to a minor character. She musn’t lose the leadership a bit. The dinner table glittered with laughter at the confusion of getting places, and then curious eyes were turned on her, sitting near the head. She was enjoying this immensely, and Peter Carroll was so engrossed with the added sparkle of her rising color that he forgot to pull out Elaine’s chair and fell into a dim confusion. Kenneth was on the other side, full of confidence and vanity, looking at her most consciously. He started directly and so did Peter.

      “I’ve heard a lot about you—”

      “Wasn’t it funny this afternoon—”

      Both stopped. Isabelle turned to Kenneth shyly. Her face was always enough answer for anyone, but she decided to speak.

      “How—who from?”

      “From everybody—for years.” She blushed appropriately. On her right Peter was hors-de-combat already, although he hadn’t quite realized it.

      “I’ll tell you what I thought about you when I first saw you,” Kenneth continued. She leaned slightly toward him and looked modestly at the celery before her. Peter sighed—he knew Kenneth and the situations that Kenneth was born to handle. He turned to Elaine and asked her when she was going back to school.

      II.

      Isabelle and Kenneth were distinctly not innocent, nor were they particularly hardened. Moreover, amateur standing had very little value in the game they were beginning to play. They were simply very sophisticated, very calculating and finished young actors, each playing a part that they had played for years. They had both started with good looks and excitable temperaments and the rest was the result of certain accessible popular novels, and dressing-room conversation culled from a slightly older set. When Isabelle’s eyes, wide and innocent, proclaimed the ingénue most, Kenneth was proportionately less deceived. He waited for the mask to drop off, but at the same time he did not question her right to wear it. She, on her part, was not impressed by his studied air of blasé sophistication. She came from a larger city and had slightly an advantage in range. But she accepted his pose. It was one of the dozen little conventions of this kind of affair. He was aware that he was getting this particular favor now because she had been coached. He knew that he stood for merely the best thing in sight, and that he would have to improve his opportunity before he lost his advantage. So they proceeded, with an infinite guile that would have horrified the parents of both.

      After dinner the party swelled to forty and there was dancing in a large ex-playroom downstairs. Everything went smoothly—boys cut in on Isabelle every few feet and then squabbled in the corners with: “You might let me get more than an inch,” and “She didn’t like it either—she told me so next time I cut in.” It was true—she told everyone so, and gave every hand a parting pressure that said “You know that your dances are making my evening.”

      But time passed, two hours of it, and the less subtle beaux had better learned to focus their pseudo-passionate glances elsewhere, for eleven o’clock found Isabelle and Kenneth on a leather lounge in a little den off the music room. She was conscious that they were a handsome pair and seemed to belong distinctively on this leather lounge while lesser lights fluttered and chattered downstairs. Boys who passed the door looked in enviously—girls who passed only laughed and frowned and grew wise within themselves.

      They had now reached a very definite stage. They had traded ages, eighteen and sixteen. She had listened to much that she had heard before. He was a freshman at college, sang in the glee club and expected to make the freshman hockey-team. He had learned that some of the boys she went with in Pittsburg were “terrible speeds” and came to parties intoxicated—most of them were nineteen or so, and drove alluring Stutzes. A good half of them seemed to have already flunked out of various boarding schools and colleges, but some of them bore good collegiate names that made him feel rather young. As a matter of fact Isabelle’s acquaintance with college boys was mostly through older cousins. She had bowing acquaintance with a lot of young men who thought she was “a pretty kid” and “worth keeping an eye on.” But Isabelle strung the names into a fabrication of gaiety that would have dazzled a Viennese nobleman. Such is the power of young contralto voices on leather sofas.

      I have said that they had reached a СКАЧАТЬ