TENDER IS THE NIGHT (The Original 1934 Edition). Фрэнсис Скотт Фицджеральд

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      Two for A Cent.

      Metropolitan Magazine (April 1922)

      When the rain was over, the sky became yellow in the west and the air was cool. Close to the street, which was of red dirt and lined with cheap bungalows dating from 1910, a little boy was riding a big bicycle along the sidewalk. His plan afforded a monotonous fascination. He rode each time for about a hundred yards, dismounted, turned the bicycle around so that it adjoined a stone step and getting on again, not without toil or heat, retraced his course. At one end this was bounded by a colored girl of fourteen holding an anemic baby, and at the other by a scarred, ill-nourished kitten, squatting dismally on the curb. These four were the only souls in sight.

      The little boy had accomplished an indefinite number of trips oblivious alike to the melancholy advances of the kitten at one end and to the admiring vacuousness of the colored girl at the other when he swerved dangerously to avoid a man who had turned the corner into the street and recovered his balance only after a moment of exaggerated panic.

      But if the incident was a matter of gravity to the boy, it attracted scarcely an instant’s notice from the newcomer, who turned suddenly from the sidewalk and stared with obvious and peculiar interest at the house before which he was standing. It was the oldest house in the street, built with clapboards and a shingled roof. It was a house—in the barest sense of the word: the sort of house that a child would draw on a blackboard. It was of a period, but of no design, and its exterior had obviously been made only as a decent cloak for what was within. It antedated the stucco bungalows by about thirty years and except for the bungalows, which were reproducing their species with prodigious avidity as though by some monstrous affiliation with the guinea-pig, it was the most common type of house in the country. For thirty years such dwellings had satisfied the canons of the middle class; they had satisfied its financial canons by being cheap, they had satisfied its aesthetic canons by being hideous. It was a house built by a race whose more energetic complement hoped either to move up or move on, and it was the more remarkable that its instability had survived so many summers and retained its pristine hideousness and discomfort so obviously unimpaired.

      The man was about as old as the house, that is to say, about forty-five. But unlike the house, he was neither hideous nor cheap. His clothes were too good to have been made outside of a metropolis—moreover, they were so good that it was impossible to tell in which metropolis they were made. His name was Abercrombie and the most important event of his life had taken place in the house before which he was standing. He had been born there.

      It was one of the last places in the world where he should have been born. He had thought so within a very few years after the event and he thought so now—an ugly home in a third-rate Southern town where his father had owned a partnership in a grocery store. Since then Abercrombie had played golf with the President of the United States and sat between two duchesses at dinner. He had been bored with the President, he had been bored and not a little embarrassed with the duchesses—nevertheless, the two incidents had pleased him and still sat softly upon his naive vanity. It delighted him that he had gone far.

      He had looked fixedly at the house for several minutes before he perceived that no one lived there. Where the shutters were not closed it was because there were no shutters to be closed and in these vacancies, blind vacuous expanses of gray window looked unseeingly down at him. The grass had grown wantonly long in the yard and faint green mustaches were sprouting facetiously in the wide cracks of the walk. But it was evident that the property had been recently occupied for upon the porch lay half a dozen newspapers rolled into cylinders for quick delivery and as yet turned only to a faint resentful yellow.

      They were not nearly so yellow as the sky when Abercrombie walked up on the porch and sat down upon an immemorial bench, for the sky was every shade of yellow, the color of tan, the color of gold, the color of peaches. Across the street and beyond a vacant lot rose a rampart of vivid red brick houses and it seemed to Abercrombie that the picture they rounded out was beautiful—the warm earthy brick and the sky fresh after the rain, changing and gray as a dream. All his life when he had wanted to rest his mind he had called up into it the image those two things had made for him when the air was clear just at this hour. So Abercrombie sat there thinking about his young days.

      Ten minutes later another man turned the corner of the street, a different sort of man, both in the texture of his clothes and the texture of his soul. He was forty-six years old and he was a shabby drudge, married to a woman, who, as a girl, had known better days. This latter fact, in the republic, may be set down in the red italics of misery.

      His name was Hemmick—Henry W. or George D. or John F.—the stock that produced him had had little imagination left to waste either upon his name or his design. He was a clerk in a factory which made ice for the long Southern Summer. He was responsible to the man who owned the patent for canning ice, who, in his turn was responsible only to God. Never in his life had Henry W. Hemmick discovered a new way to advertise canned ice nor had it transpired that by taking a diligent correspondence course in ice canning he had secretly been preparing himself for a partnership. Never had he rushed home to his wife, crying: “You can have that servant now, Nell, I have been made General Superintendent.” You will have to take him as you take Abercrombie, for what he is and will always be. This is a story of the dead years.

      When the second man reached the house he turned in and began to mount the tipsy steps, noticed Abercrombie, the stranger, with a tired surprise, and nodded to him.

      “Good evening,” he said.

      Abercrombie voiced his agreement with the sentiment.

      “Cool”—The newcomer covered his forefinger with his handkerchief and sent the swatched digit on a complete circuit of his collar band. “Have you rented this?” he asked.

      “No, indeed, I’m just—resting. Sorry if I’ve intruded—I saw the house was vacant——”

      “Oh, you’re not intruding!” said Hemmick hastily. “I don’t reckon anybody could intrude in this old barn. I got out two months ago. They’re not ever goin’ to rent it any more. I got a little girl about this high—” he held his hand parallel to the ground and at an indeterminate distance”—and she’s mighty fond of an old doll that got left here when we moved. Began ???lerin’ for me to come over and look it up.”

      “You used to live here?” inquired Abercrombie with interest.

      “Lived here eighteen years. Came here’n I was married, raised four children in this house. Yes, sir. I know this old fellow.” He struck the door-post with the flat of his hand. “I know every leak in her roof and every loose board in her old floor.”

      Abercrombie had been good to look at for so many years that he knew if he kept a certain attentive expression on his face his companion would continue to talk—indefinitely.

      “You from up North?” inquired Hemmick politely, choosing with habituated precision the one spot where the anemic wooden railing would support his weight. “I thought so,” he resumed at Abercrombie’s nod. “Don’t take long to tell a Yankee.”

      “I’m from New York.”

      “So?” The man shook his head with inappropriate gravity. “Never have got up there, myself. Started to go a couple of times, before СКАЧАТЬ