A Random Act of Kindness. Sophie Jenkins

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СКАЧАТЬ sympathetic that the paper didn’t call her an actor, but I’m secretly thrilled at being called a fashion curator in print. I read it aloud for Lucy’s benefit:

      ‘Actress Lucy Mills escaped from a blaze in her sauna on Saturday afternoon. Lucy, who’s currently starring as Lady Macbeth at The Gatehouse theatre, Highgate, said, “It’s a miracle we got out of there alive.” Fellow resident, Fern Banks, curator of wearable vintage fashion at Fern Banks Vintage in Camden Market, lost a sizeable amount of irreplaceable stock in the blaze. “I hope my company will survive this. I intend to be like a phoenix rising from the ashes.”’

      I glance at Lucy. ‘Uh-oh. It sounded good when I said I’d lost a sizeable amount of stock, but now people are going to think I’ve got nothing left to sell,’ I comment gloomily. ‘And they’d be right.’

      ‘Don’t worry about it. What you have to do is give it a couple of weeks and call the Camden Journal to tell them you actually are a phoenix rising from the ashes. Get your name out there before everyone forgets it. They always like a good story for the inside pages. You can do an advertorial, with local people rallying around you.’

      I like her optimism. ‘Good idea! Sounds expensive, though. But I’ll think about it, because as we’re on the front page,’ I point out, ‘they might put me rising from the ashes on the front page, too.’

      ‘Aw, Fern. Trust me, they won’t. Because a fire’s bad news. Rising like a phoenix is good news. They never put good news on the front page – who’d buy it?’

      Which is a sad indictment of life today.

      We study the article once more in silence.

      ‘Have you forgiven me yet?’ Lucy asks in a small voice when she comes to the end of the column. ‘I feel really bad about it.’

      ‘Yes, of course,’ I reply, giving her a hug. ‘After all, it was an accident. The fire officers made more mess than the fire did, what with chopping bits out of my door and the water damage,’ I point out ruefully. I don’t believe in bearing a grudge – I don’t want to be like my mother.

      But it is a big problem, all the same, and it’s adding to my worries.

      So far, the loss adjusters are reluctant to pay out for the hole between our flats, because they see the fire as an act of negligence on Lucy’s part, and the estate management isn’t happy with the fact she’s got a sauna at all.

      I haven’t told my parents about the fire yet, because one way or another, going by past experience, they’re going to blame me for it. Ideally, if I have my own way, they’ll never find out.

      But if the worst comes to the worst and we have to pay for it ourselves, I can’t afford to go halves with Lucy to mend the hole. My priority is to get more stock to sell. The whole ‘rising from the ashes’ bit is all very well, but without stock I’m not going to have a business left.

      ‘I’ve arranged for the flats to be thermo-fogged,’ she says after a moment.

      Apparently, thermal fogging is a kind of deodorising method of blasting out the smoke smell, replacing it with something citrusy and nasally acceptable, despite being toxic to aquatic life.

      ‘Great! No more smoke smell!’ I’m very happy about that. Obviously not the toxic bit, but I love the idea of the flat smelling citrusy for a change.

      Back at mine, determined to do as much as I can to put things right, I make a coffee, get my paintbrush and go outside to paint the front door. I’m kneeling on the doormat, when my phone rings in my back pocket. I balance my paintbrush on the pot. It’s a number that I don’t recognise. Spam, at a guess, but I answer it just to be sure.

      It’s a woman. ‘Fern Banks Vintage?’

      ‘Yes, that’s me,’ I say warily. ‘Who’s this?’

      ‘Chalk Farm Library. Just a moment, I have a call for you. Here you are.’

      I’m perplexed. I have no idea why Chalk Farm Library is calling me. I’m not even a member. ‘Hello?’

      ‘Hello?’ The voice is high-pitched and accented, vaguely familiar. ‘Is this Fern Banks who’s in the paper today?’

      ‘Yes,’ I say again, getting to my feet because I’ve been kneeling for ages on the bristles of the doormat and they’re prickling my knees.

      ‘Good! You’re the woman who stopped the bus to give me my money back. You see, I recognised you from your picture. You have a very distinctive style. My name’s Dinah Moss. M-O-S-S,’ she repeats with emphasis. ‘And you’re Fern Banks. B-A-N-K-S. You see how it is? Moss, Fern, Banks.’

      I laugh – I can’t believe it. Something good is happening at last!

      ‘Now, I see from the paper that you have a business as a curator of fashion, I understand?’

      ‘Yes, that’s right!’ I reply brightly.

      ‘I’m ringing to invite you to tea to thank you and I’d also very much like to show you my collection of haute couture. It’s evident to me that you’re a woman who’ll singularly appreciate it.’

      The words thrill me. Haute couture is dressmaking perfection, with garments made from the most extravagant fabrics, in the most intricate designs, with meticulous detailing and the finest needlework. And she thinks I’ll appreciate it! (That’s understating it slightly.) Haute couture is stratospherically out of my price range so it’s my equivalent of treasure. ‘I’d love to come to tea.’

      ‘Ah! We’re agreed! And also, I have a business proposition for you that I believe will interest you. But I won’t talk now; I’m in the library. So, now I have your number. And you take my number, too,’ she says imperiously.

      ‘I’ll get a pen.’ I go into the shadowed, smoke-scented flat to find one and she gives me her home number. I read it back to her and write it down on my wall calendar with her name next to it, smiling to myself: Dinah Moss. Moss, Fern, Banks. We agree to meet on Monday afternoon, my day off.

      ‘Excellent! Goodbye. I’ll look forward to it.’ Her voice fades as she says to the woman on the desk, ‘Here you are, I’ve finished now.’

      The call ends and I put the phone back in my pocket. I have to say, I’m excited about the phone call, because Dinah Moss who wears Chanel says I have a very distinctive style and a compliment always means more coming from an expert.

      I try not to speculate about the business proposition.

      I have a good feeling about it, all the same.

      From time to time over the past few days I’ve been mulling over David Westwood’s comment that no good deed ever goes unpunished. Not that I’m superstitious or anything, but the fire did come shortly after my good deed.

      More than anything, I’d like to prove him wrong.

       LOT 6

       A blue cotton day dress with five bowling-pin-shaped wooden buttons, fitted waist, patch pockets, size 12, labelled with Controlled Commodity symbol (CC41) СКАЧАТЬ