The Other Side of the Coin: The Queen, the Dresser and the Wardrobe. Angela Kelly

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СКАЧАТЬ along the rails freely, looking at all the outfits. It was immediately clear to me that this was not only the work of a designer but of an excellent tailor. I was so impressed that I asked if it would be possible to meet Mr Parvin and, sure enough, the lady offered me a seat while she went to fetch him.

      I had to wait only ten minutes for Mr Parvin, during which time I kept looking towards a particular blue cocktail outfit with the most lovely harlequin multi-coloured gem buttons. In fact, I was engrossed in these buttons when a young man in a pair of jeans and a white T-shirt greeted me warmly and enthusiastically. I explained to Stewart (for that was who he was) that, having looked at his designs, I had my eye on the blue cocktail suit with diamanté buttons, but that I would need to take the piece away for a short while to show my employer. I promised to bring it back within a few hours. Bear in mind that, at this point, Stewart had no idea who I was or for whom I worked, but he agreed: he really was the warm, friendly person he appeared to be.

      Two hours later, I returned with the outfit, which I had shown to The Queen and had received her approval on Stewart’s style. Stewart was there to greet me again and, after thanking him, I asked if he had a stockroom. Sure enough, he took me straight downstairs to show me, seemingly unfazed by my endless questions about his work. Three of his materials leaped out at me as being appropriate for Her Majesty – a blue fleck tweed among them. With these in mind, I asked Stewart if he would do some quick designs there and then for a very high-profile female customer. Once again, Stewart was happy to oblige and we spent some time sketching potential designs. Safe in the knowledge that Stewart was a talented, trustworthy, and kind person, I finally disclosed that these designs would be for Her Majesty The Queen, but that he must be discreet and keep everything confidential.

      And that was that. Since then, Stewart and I have been working together for The Queen, and our friendship and professional relationship have gone from strength to strength. Sometimes it’s hard to believe that we have known each other for over eighteen years. In 2007, Stewart was granted his Royal Warrant in recognition of his contribution to The Queen’s wardrobe. Little does that first designer know what he missed out on.

       Happy times – Stewart and I collaborating together at Joel & Son. Look out for this material used in a cocktail dress to be worn in 2020.

       Jackie and I working hard.

      ALL IN A

       DAY’S WORK

      As my role evolved and became even more varied, I soon learned that there would be no ‘typical’ day for me, just as there is no ‘typical’ day in Her Majesty’s schedule, with its various engagements, Royal Tours and State Visits.

      A couple of years ago, in 2017, a request from the Castle Administrator at Glamis Castle, Tommy Baxter, made its way to my desk in a handwritten letter from Angus, Scotland. Tommy was looking to organise an exhibition to mark the eightieth anniversary of King George VI’s Coronation and was wondering if The Queen would be willing to loan The Queen Mother’s wedding dress, her Coronation dress and Coronation robe for display, as well as the Coronation dresses, robes and coronets of Their Royal Highnesses The Princess Elizabeth and The Princess Margaret. Tommy mentioned that he thought it was unlikely: he had already been in touch with a member of the Royal Household and been offered two paintings for the exhibition, but no outfits.

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