How to Fail: Everything I’ve Ever Learned From Things Going Wrong. Elizabeth Day

Чтение книги онлайн.

СКАЧАТЬ time worrying about trying to be a grown-up. I had a long-term boyfriend, and he frequently stayed over and ate absurd amounts of food, so that soon I had to factor him into my grocery shopping. This being the heyday of Jamie Oliver, I decided I would be the kind of person who was good at cooking, so at weekends, I made roast lunches but would generally put far too much salt and oil on everything in the mistaken belief that made it somehow ‘Mediterranean’. In the spirit of improvisation, I once roasted a tray of broccoli florets. They emerged from the oven desiccated and sad-looking, and when we ate them, they tasted of charred grass and I realised there was a reason no one had done this before.

      That was the thing about my twenties: it was meant to be a decade of experimentation, but sometimes the experiments taught you nothing other than that you shouldn’t have done it in the first place. Yet all around me, everyone else seemed to be having a wild time experimenting with drink, drugs and sexual partners, and I felt I should be doing the same. There was a pressure to conform to the tidal wave of non-conformity.

      But the thing was, I had a full-time job to be getting on with.

      I was lucky enough to have graduated with a job offer in place from the Evening Standard, where I had a spot on the Londoner’s Diary, a gossip column that liked to pretend it wasn’t really a gossip column by carrying acerbically hilarious items about politicians and Radio 4 presenters and big-name novelists rather than the TV celebrities they perceived to be more low-rent. A lot of my job involved going to parties and sidling up to famous people I’d never met before, then asking them an impertinent question designed to make an entertaining titbit for the next day’s paper.

      ‘Oh how fun,’ people would generally say when I told them. And I would reply that yes, yes it was and then I’d regale them with the time I met Stephen Fry at the Cannes Film Festival or the occasion on which I’d told Kate Winslet my house-mate kept rewinding the bits in her biopic of Iris Murdoch where she went swimming naked in the river (she looked taken aback, which is understandable given that the film is an emotionally draining tale of one of our finest modern writers’ descent into the ravages of Alzheimer’s. The naked swimming was very much an incidental thing).

      But although I got to go to extraordinary parties and premieres and meet famous people, my job wasn’t actually that fun. For one thing, I’m a natural introvert and walking into glamorous parties on my own, not knowing anyone but feeling totally convinced everyone else knew each other, was pretty nerve-wracking. I’d have to psych myself up beforehand, and remind myself of my mother’s wise words that ‘no one is looking at you as much as you think they are’. I’d grab a glass of champagne as soon as I could so that I’d look like I was doing something, and then I’d skulk by the wall trying to seem as if I were expecting my date to turn up momentarily.

      My friends also charitably assumed I was constantly being propositioned by famous people.

      ‘I bet it’s a total shag-fest,’ one of my house-mates said when I fell through the front door at 2 a.m. on a weeknight, having just been to the Lord of the Rings premiere where it was impossible to get to Orlando Bloom through the fire-breathing dwarves dressed like hobbits.

      ‘It really isn’t,’ I said but I think everyone believed I was being terribly discreet. In truth, I never slept with anyone I met through work and no one I’ve ever interviewed has tried to come on to me, except maybe once, many years later, when the flirtation was conducted over email. The famous actor in question was filming on Australia’s Gold Coast (good tax breaks, apparently) and would regale me with long anecdotes involving running along the beach and quoting T. S. Eliot to himself. Nothing ever came of it. You simply can’t date a man who tells you all about his exercise regime in excruciating detail and then quotes post-modern poetry in the same sentence.

      Anyway, at parties, I’m one of those people whose resting face assumes an unwittingly haughty expression. During the Londoner’s Diary phase, this meant no one ever approached me.

      Eventually, I’d spot someone who bore a passing resemblance to a man who might or might not have been the reality TV star who tried to survive for a year on a remote Scottish island or a woman who might or might not have been the It-girl daughter of a famous father who did something in construction, and I would take a deep breath and bowl over and ask them who they thought was going to be the next James Bond. This was my fail-safe question, because the British are incomprehensibly obsessed with who is going to be the next James Bond and whatever anyone said was deemed newsworthy.

      Most of the time, celebrities were nice to me. Pierce Brosnan and his wife were absolutely lovely when I met them at a film awards ceremony and I have never forgotten it, even though the entirety of our exchange ran something like this:

      Me: ‘So, Pierce, can I ask – who do you think will be the next James Bond?’

      Pierce: ‘Oh, you can’t ask me that!’

      Pierce Brosnan’s wife: ‘I like your tuxedo.’

      Me: ‘OHMIGOD THANK YOU SO MUCH THAT’S SO NICE OF YOU.’

      Others were less patient. At a red-carpet film premiere in Leicester Square, I commented on the suaveness of a male actor’s suit as he walked past.

      ‘I’m here promoting my film and all you can ask about is what I’m wearing?’ he said, spitting out the words in a fit of pique. To which I should have responded, ‘Mate, that’s what women get asked all the time, I’m just levelling the playing field.’ But I didn’t. Instead, I flushed furiously and felt humiliated and left without seeing the film.

      The truth was, at the age of twenty-two, I didn’t have enough confidence in myself or my own opinions not to let incidents like this get to me. My sense of self was unmoored, at the mercy of any passing gust of wind. This was the age where my people-pleasing kicked in to a higher gear. Like many young women, I mistakenly thought that the best way of feeling better about myself was to get other people to like me and to attempt to survive on the fumes of their approbation.

      For someone who spent her twenties in a series of long-term relationships this was terrible logic. I would contort myself into varying degrees of discomfort simply to fit in with someone else’s life, someone else’s desires. It got to the stage that if a boyfriend asked me where I wanted to go for lunch, I became paralysed by indecision. I didn’t want to tell them where I wanted to go in case they preferred somewhere else. After a few years of this, I genuinely no longer knew what I wanted to eat anyway and so actively needed someone else to make the decision.

      I lost myself in the rush to be part of a couple.

      As a result, I was scared by the notion of not being in a relationship. The longest I was single between the ages of nineteen and thirty-six was two months. In those two months, I came up with every excuse I could to keep in touch with my ex-boyfriend, and simultaneously tried to distract myself by saying yes to any man who crossed my path and expressed even the mildest interest (years later, when I told a male friend of mine about this period in my life, he replied with ‘Fuck. I wish I’d known you had no standards back then,’ which wasn’t exactly what I meant, but it wasn’t far off either).

      During these eight weeks, I engineered the least spontaneous one-night stand in the history of random hook-ups, purely because I believed that having a one-night stand was exactly the sort of thing I should be experiencing in my twenties.

      The man in question was called Mike and lived in Paris but had come to London for the weekend. We spent an evening eating overly complicated Chinese food served on wooden platters and then we danced in a terrible basement club off Oxford Street that only played salsa music and had stains on the walls that looked like faecal matter. Mike was perfectly nice but had the unfortunate quality of becoming less СКАЧАТЬ