50 изобретений, которые создали современную экономику. Тим Харфорд
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      Это обоснованное предположение Эрика Бейнхокера, директора Института нового экономического мышления Оксфордского университета.

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      Walter Isaacson, ‘Luddites fear humanity will make short work of finite wants’, Financial Times, 3 March 2015, https://www.ft.com/content/9e9b7134-c1a0-11e4-bd24-00144feab7de.

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      Tim Harford, ‘Man vs Machine (Again)’, Financial Times, 13 March 2015, https://www.ft.com/content/f1b39a64-c762-11e4-8e1f-00144feab7de; Clive Thompson, ‘When Robots Take All of Our Jobs, Remember the Luddites’, Smithsonian Magazine, January 2017, http://www.smithsonianmag.com/innovation/when-robots-take-jobs-remember-luddites-180961423/.

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      Evan Andrews, ‘Who Were the Luddites?’ History, 7 August 2015, http://www.history.com/news/ask-history/who-were-the-luddites.

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      ‘The World’s 25 Highest-Paid Musicians’, Forbes http://www.forbes.com/pictures/eegi45lfkk/the-worlds-25-highest-paid-musicians/.

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      ‘Mrs Billington, as St Cecilia’, British Museum Collection, http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=1597608&partId=1; Chrystia Freeland, ‘What a Nineteenth-Century English Soprano Can Teach Us About the Income Gap’, Penguin Press Blog, 1 April 2013, http://thepenguinpress.com/2013/04/elizabeth-billington/.

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      W.B. Squire, ‘Elizabeth Billington’, The Dictionary of National Biography 1895–1900, https://en.wikisource.org/wiki/Billington,_Elizabeth_(DNB00).

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      Alfred Marshall, Principles of Economics, 1890, цит. по Sherwin Rosen, ‘The Economics of Superstars’, American Economic Review Vol. 71.5, December 1981.

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      ‘Oldest Recorded Voices Sing Again’, BBC News, 28 March 2008, http://news.bbc.co.uk/1/hi/technology/7318180.stm.

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      Tim Brooks, Lost Sounds: Blacks and the Birth of the Recording Industry, 1890–1919 (Chicago: University of Illinois Press, 2004), р. 35.

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      Richard Osborne, Vinyl: A History of the Analogue Record (Farnham: Ashgate, 2012).

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      Sherwin Rosen, ‘The Economics of Superstars’, American Economic Review Vol. 71.5, December 1981.

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      ‘Mind the Gap’, Daily Mail, 20 February 2016, http://www.dailymail.co.uk/sport/football/article-3456453/Mind-gap-Premier-League-wages-soar-average-salaries-2014-15-season-1-7million-rest-creep-along.html.

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      Дэвид Боуи – британский рок-певец, автор песен, продюсер, звукорежиссер, художник и актер. Прим. ред.

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      Цит. по Alan Krueger, ‘The Economics of Real Superstars: The Market for Rock Concerts in the Material World’, рабочий документ, апрель 2004 г.

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      Alan B. Krueger, ‘Land of Hope and Dreams: Rock and Roll, Economics and Rebuilding the Middle Class’, выступление 12 июня 2013 г. в Кливленде, Огайо, https://obamawhitehouse.archives.gov/blog/2013/06/12/rock-and-roll-economics-and-rebuilding-middle-class.

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      Alan Krell, The Devil’s Rope: A Cultural History of Barbed Wire (London: Reaktion Books, 2002), р. 27.

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      Ian Marchant, The Devil’s Rope, BBC Radio 4 documentary, http://www.bbc.co.uk/programmes/b048l0s1, Monday, 19 January 2015.

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      Olivier Razac, Barbed Wire: A political history, English translation by Jonathan Kneight (London: Profile Books, 2002).

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      http://www.historynet.com/homestead-act, http://plainshumanities.unl.edu/encyclopedia/doc/egp.ag.011.

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      См. карту Джоанны Лю на сайте 99 % Invisible: http://99percentinvisible.org/episode/devils-rope/.

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      ‘The Devil’s Rope’, 99 % Invisible серия 157, 17 марта 2015 г., http://99percentinvisible.org/episode/devils-rope/.

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