The Notebooks of Leonardo Da Vinci. Complete. Leonardo da Vinci

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СКАЧАТЬ whence these reflected rays are derived. Again, the seventh Book will treat of the various distances that may exist between the spot where the reflected rays fall and that where they originate, and the various shades of colour which they will acquire in falling on opaque bodies.

      Different principles and plans of treatment (112—116).

      112

      First I will treat of light falling through windows which I will call Restricted [Light] and then I will treat of light in the open country, to which I will give the name of diffused Light. Then I will treat of the light of luminous bodies.

      113

      OF PAINTING.

      The conditions of shadow and light [as seen] by the eye are 3. Of these the first is when the eye and the light are on the same side of the object seen; the 2nd is when the eye is in front of the object and the light is behind it. The 3rd is when the eye is in front of the object and the light is on one side, in such a way as that a line drawn from the object to the eye and one from the object to the light should form a right angle where they meet.

      114

      OF PAINTING.

      This is another section: that is, of the nature of a reflection (from) an object placed between the eye and the light under various aspects.

      115

      OF PAINTING.

      As regards all visible objects 3 things must be considered. These are the position of the eye which sees: that of the object seen [with regard] to the light, and the position of the light which illuminates the object, b is the eye, a the object seen, c the light, a is the eye, b the illuminating body, c is the illuminated object.

      116

      Let a be the light, b the eye, c the object seen by the eye and in the light. These show, first, the eye between the light and the body; the 2nd, the light between the eye and the body; the 3rd the body between the eye and the light, a is the eye, b the illuminated object, c the light.

      117

      OF PAINTING.

      OF THE THREE KINDS OF LIGHT THAT ILLUMINATE OPAQUE BODIES.

      The first kind of Light which may illuminate opaque bodies is called Direct light—as that of the sun or any other light from a window or flame. The second is Diffused [universal] light, such as we see in cloudy weather or in mist and the like. The 3rd is Subdued light, that is when the sun is entirely below the horizon, either in the evening or morning.

      118

      OF LIGHT.

      The lights which may illuminate opaque bodies are of 4 kinds. These are: diffused light as that of the atmosphere, within our horizon. And Direct, as that of the sun, or of a window or door or other opening. The third is Reflected light; and there is a 4th which is that which passes through [semi] transparent bodies, as linen or paper or the like, but not transparent like glass, or crystal, or other diaphanous bodies, which produce the same effect as though nothing intervened between the shaded object and the light that falls upon it; and this we will discuss fully in our discourse.

      Definition of the nature of shadows (119—122).

      119

      WHAT LIGHT AND SHADOW ARE.

      Shadow is the absence of light, merely the obstruction of the luminous rays by an opaque body. Shadow is of the nature of darkness. Light [on an object] is of the nature of a luminous body; one conceals and the other reveals. They are always associated and inseparable from all objects. But shadow is a more powerful agent than light, for it can impede and entirely deprive bodies of their light, while light can never entirely expel shadow from a body, that is from an opaque body.

      120

      Shadow is the diminution of light by the intervention of an opaque body. Shadow is the counterpart of the luminous rays which are cut off by an opaque body.

      This is proved because the shadow cast is the same in shape and size as the luminous rays were which are transformed into a shadow.

      121

      Shadow is the diminution alike of light and of darkness, and stands between darkness and light.

      A shadow may be infinitely dark, and also of infinite degrees of absence of darkness.

      The beginnings and ends of shadow lie between the light and darkness and may be infinitely diminished and infinitely increased. Shadow is the means by which bodies display their form.

      The forms of bodies could not be understood in detail but for shadow.

      122

      OF THE NATURE OF SHADOW.

      Shadow partakes of the nature of universal matter. All such matters are more powerful in their beginning and grow weaker towards the end, I say at the beginning, whatever their form or condition may be and whether visible or invisible. And it is not from small beginnings that they grow to a great size in time; as it might be a great oak which has a feeble beginning from a small acorn. Yet I may say that the oak is most powerful at its beginning, that is where it springs from the earth, which is where it is largest (To return:) Darkness, then, is the strongest degree of shadow and light is its least. Therefore, O Painter, make your shadow darkest close to the object that casts it, and make the end of it fading into light, seeming to have no end.

      Of the various kinds of shadows. (123-125).

      123

      Darkness is absence of light. Shadow is diminution of light. Primitive shadow is that which is inseparable from a body not in the light. Derived shadow is that which is disengaged from a body in shadow and pervades the air. A cast transparent shadow is that which is surrounded by an illuminated surface. A simple shadow is one which receives no light from the luminous body which causes it. A simple shadow begins within the line which starts from the edge of the luminous body a b.

      124

      A simple shadow is one where no light at all interferes with it.

      A compound shadow is one which is somewhat illuminated by one or more lights.

      125

      WHAT IS THE DIFFERENCE BETWEEN A SHADOW THAT IS INSEPARABLE FROM A BODY AND A CAST SHADOW?

      An inseparable shadow is that which is never absent from the illuminated body. As, for instance a ball, which so long as it is in the light always has one side in shadow which never leaves it for any movement or change of position in the ball. A separate shadow may be and may not be produced by the body itself. Suppose the ball to be one braccia distant from a wall with a light on the opposite side of it; this light will throw upon the wall exactly as broad a shadow as is to be seen on the side of the ball that is turned towards the wall. That portion of the cast shadow will not be visible when the light is below the ball and the shadow is thrown СКАЧАТЬ