The Building of England: How the History of England Has Shaped Our Buildings. Simon Thurley
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Название: The Building of England: How the History of England Has Shaped Our Buildings

Автор: Simon Thurley

Издательство: HarperCollins

Жанр: Архитектура

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isbn: 9780007527908

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СКАЧАТЬ like can be gained by considering Salisbury. Salisbury was the only cathedral during the Middle Ages to be built from scratch. This was down to Richard Poore, first as dean and then as bishop. Poore was also responsible for codifying its liturgical practices, introducing an orderly and regular framework for the feasts of the Christian year that set out how each ought to be celebrated. These liturgical instructions, which became known as the Use of Sarum, were applied to all churches in his diocese and by the 15th century were almost universally used as a sort of standard form of church worship.

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      Although it is not quite comparing like with like, it is useful to compare the plan of St Albans (pp 73–4 and fig. 42) with Salisbury (fig. 108) to show how things had changed since the 1080s.23 The most important principle was that the clergy had their own enclosed area. This was located in the cathedral’s east arm, which was itself of cruciform shape and thus a church within a church. The area was enclosed by screens and was six bays long, three for the choir and three for the presbytery (or chancel). The whole east arm was divided from the rest by a massive stone screen, the pulpitum, which had a central processional entrance.

      Each bay of the main and eastern transepts held its own altars, and these, together with those at the east end, ensured that there were 17 altars available for the 50 cathedral canons to say Mass. The clergy had their own entrance to the cathedral through the north end of the eastern transept, while the laity entered through an elaborate north porch in the nave. The Use of Sarum specified that on major feast days the clergy and choir would process out of their part of the church, round the cloisters and, on the most important feasts, to the front of the cathedral and back in through the west doors. The west doors in cathedrals were generally reserved for ceremonial use only.24

      At the east end of the cathedral was a large chapel dedicated to the Trinity. In practice this was used for the daily Mass dedicated to the Virgin Mary. As noted above, a daily Lady Mass was an innovation of the 12th century, the Feast of the Conception of the Virgin having been introduced in the 1120s. The cult of the Virgin had a major architectural impact, with Lady chapels being added to greater churches and cathedrals all over England. In cathedrals in which the east end was rebuilt, such as at Lincoln, the Lady chapel tended to be the easternmost part of the church, but other places were appropriated as Lady chapels, too, most famously at Ely, where the monks built a new chapel on the north side between 1335 and 1353. Here, although brutally mutilated during the Reformation, is a symphony in stone to the Virgin. Scenes from her life inspired by a sacred text encrust the lower walls and previously filled the vast windows.

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Fig. 108 Salisbury Cathedral, Wiltshire; plan of the cathedral showing liturgical arrangements. Liturgical features: 1) high altar; 2) Shrine of St Osmund; 3) pulpitum with rood above; 4) choir stalls; 5) presbytery. Doors: a) original entrance; b) entrance for laity; c) west entrance reserved for processional use; d) exit to cloisters for processional use; e) exit to Bishop’s palace; f) exit to cemetery g) exit for funerals.
These spaces were available to the laity, when not in use by the canons and monks, and strategically placed boxes would elicit donations from the curious and the pious. The cathedral’s shrines would be regularly visited and at some times of the year mobbed. Pilgrims would leave objects at the shrine as either offerings of thanks or as requests; in 1307 papal commissioners listed 2,204 items next to St Thomas’s shrine at Canterbury, including nightgowns, ships made of wax, wood and even of silver. On ordinary days people would congregate in the seat-less naves and genuflect at the Elevation of the Host. But many would come for the spectacle of the processions and for the music, both of which would have been infinitely more impressive than any parish church could achieve.25
New Urban Religious Institutions
Growing towns, filled with increasingly well-off and literate populations, began to present a challenge to the Church in the late 12th century. Its structures were organised to minister to populations in rural areas, where congregations were illiterate and priests barely above the intellectual level of their rustic parishioners. The rectors of churches in towns had either been appropriated by monasteries or were too poor to attract educated clergy. The church thus perceived a crisis in which educated townspeople would fall into heresy uninformed by the teachings and guidance of the Church. The solution was a radical new type of monasticism, that of the mendicant friars. The friars broke with the established principles of monasticism by refusing to own property and relying on charity for support, while at the same time abandoning the seclusion of the cloister to work among ordinary citizens. In 1221 the first of these orders, the Dominicans (Black Friars), came to England, followed in 1224 by the Franciscans (Grey Friars).26
By 1250 the two orders had established 70 convents in England, and 100 by 1300. Friaries of both sorts were found in 30 towns and, as other orders such as the Carmelites (White Friars) and Austin Friars joined them, many towns might have as many as four friaries. These were often built on the peripheries, as most of the central plots were already occupied by the mid 13th century. The new orders became very fashionable and almost immediately enjoyed generous patronage from bishops, the universities and, crucially, the Crown. Edward I, for instance, never visited a town without giving alms to the friars. As the friars were not allowed to own property their buildings were held in trust for them by corporations of citizens. Individual donors gave buildings or plots of land, but friars never held estates for investment like earlier orders.
At first friaries were very modest, even deliberately uncomfortable, but as their congregations grew the friars needed places in which to preach and work. The earliest surviving Dominican house is at Gloucester. Here there were also Grey and White Friars, but the first were the Black Friars, invited to found a house in 1239. Although later converted into a domestic house, here the essential features of an urban friary can be grasped. The church has a very wide nave designed to enable men from the town to hear sermons. The chancel is much narrower and was for the friars themselves, 40 in all. The rest of the buildings accorded to no set plan, as each friary organised its ancillary buildings itself. At Gloucester there was a simple cloister of timber and, on the south, its most important and rare survival, a library or scriptorium. This has ten or more carrels on each long side, divided by stubby stone screens and each lit by its own window.
The friars, like their predecessors, eventually acquired property and became rich, profiting from the desire of wealthy town dwellers to speed the passage of their souls through purgatory. The richest friaries, such as the London Blackfriars, which enjoyed consistent royal patronage, became palaces with luxurious lodgings and guest accommodation, as well as big, handsome churches.27 Much of the Norwich Blackfriars survived the Reformation as a civic building and, even in its current state, gives a strong impression of a large and luxurious foundation (fig. 109). As with the friary at Gloucester the space inside the church was maximised, with narrow aisles and a wide nave lit by big windows and a slight clerestory. The junction between the nave and the chancel was occupied by an octagonal tower, a common feature of urban friaries. The passage beneath it gave access to the cloister, chapter house, dormitory and refectory. In due course the design of parish churches was influenced by rich and fashionable urban friaries such as Norwich; in addition, after 1350 they too began to have wide naves lit by big windows. Friaries were one aspect of increasingly sophisticated urban institutions stimulated by money and population growth. Another was the development of a new type of hospital. Burgesses in rapidly growing towns became ever more concerned about the underclass and people without family support СКАЧАТЬ