Название: Frankenstein Special Edition: Prodigal Son and City of Night
Автор: Dean Koontz
Издательство: HarperCollins
Жанр: Ужасы и Мистика
isbn: 9780007445158
isbn:
“Dad and Mom weren’t shot to death by some drug dealer who felt Dad was poaching on his territory. That’s all bullshit.”
She hadn’t spoken aloud of these things in a long time. To do so was painful.
“Dad had discovered something that powerful people preferred to keep secret. He shared it with Mom, which is why she was shot, too. I know he was troubled about something he had seen. I just don’t know what it was.”
“Carson, we looked at the evidence in his case a hundred times,” Michael reminded her, “and we agreed it’s too airtight to be real. No file of evidence is ever braided that tight unless it’s concocted. In my book, it’s proof of a frame. But that’s the problem, too.”
He was right. The evidence had been crafted not only with the intent of convicting her father postmortem, but to leave no clue as to the identity of those who had crafted it. She had long sought the one loose thread that would unravel it, but no such thread could be found.
As the traffic light turned green, Carson said, “We’re not far from my place. I’m sure Vicky’s got everything under control, but I feel like I ought to check on Arnie, if that’s okay.”
“Sure. I could use some of Vicky’s bad coffee.”
IN THE MASTER BEDROOM of the Helios estate, all was not well.
What Victor wanted from sex exceeded mere pleasure. Furthermore, he did not merely want to be satisfied but fully expected to be. His expectation was in fact a demand.
According to Victor’s philosophy, the world had no dimension but the material. The only rational response to the forces of nature and of human civilization was to attempt to dominate them rather than be humbled by them.
There were serfs and there were masters. He himself would never wear a slave’s collar.
If there was no spiritual side to life, then there could be no such thing as love except in the minds of fools; for love is a state of spirit, not of flesh. In his view, tenderness had no place in a sexual relationship.
At its best, sex was a chance for the dominant person to express control of the submissive partner. The fierceness of the dominance and the completeness of the submission led to satisfaction of greater intensity than love could have provided even if love had existed.
Erika Four, like the three before her and like the other brides that he had made for himself, was not a partner in the traditional sense of marriage. To Victor, she was an accoutrement that allowed him to function more effectively in social situations, a defense against the annoyance of women who saw in him the prospect of wealth by marriage, and an instrument of pleasure.
Because pleasure and power were synonymous to him, the intensity of his satisfaction was directly proportional to the cruelty with which he used her. He was often very satisfied.
Like all of his modern creations, in a crisis she could block the perception of pain at will. During sex, he did not permit her to do so. Her submission would be more satisfyingly complete and genuine if she were made to suffer.
If he struck her particularly hard, the evidence would be gone in hours, for like all his people, she healed rapidly. Bleeding lasted less than a minute. Cuts healed without scars in a few hours. Bruises sustained in the night would have faded by dawn.
Most of his people were psychologically engineered to be utterly incapable of humiliation, for shame in all its shades grew from an acceptance of the belief that Moral Law lay at the heart of creation. In the war against ordinary humanity, which he would one day launch, he required soldiers without moral compunctions, so certain of their superiority that no ruthlessness would be beyond them.
He allowed Erika humility, however, because from humility arose a quality of innocence. Although he was not entirely sure why this should be the case, the mildest abuse of a delicate sensibility was more thrilling than committing savageries against a woman who lacked all innocence.
He forced her to endure the things that most shamed her because, ironically, the greater her shame and self-disgust, the further she would lower herself and the more obedient she would become. He had made her strong in many ways, but not so strong that he could not break her will and mold her as he wished.
He valued subservience in a wife more if it had been beaten into her than if it had been engineered in the tank, for in the latter case, her slavish obedience felt mechanical and dull.
Although he could remember a time, centuries ago in his youth, when he had felt differently about women and marriage, he could not recall or understand why that young Victor had felt the way he did, what belief had motivated him. He didn’t actually try to understand, however, because he had for a long time taken this different road, and there was no going back.
Young Victor had also believed in the power of the human will to bend nature to its desires; and it was that aspect of his early self with which Victor could still identify. All that mattered was the triumph of the will.
What was wrong here in the bedroom was that for once his will failed to bend reality to its desire. He wanted sexual satisfaction, but it eluded him.
His mind kept straying back to the dinner party, to the sight and sound of Erika noisily sucking soup from spoon.
At last he rolled off her, onto his back, defeated.
They stared at the ceiling in silence until she whispered, “I’m sorry.”
“Maybe the fault is mine,” he said, meaning that perhaps he had made some mistake in the creation of her.
“I don’t excite you.”
“Usually, yes. Not tonight.”
“I’ll learn,” she promised. “I’ll improve.”
“Yes,” he said, for that was what she must do if she hoped to keep her role, but he had begun to doubt that Erika Four would be the final Erika.
“I’m going to the hospital,” he said. “I’m in a creative mood.”
“The Hands of Mercy” She shuddered. “I think I dream of it.”
“You don’t. I spare all of you from dreams of your origins.”
“I dream of someplace,” she persisted. “Dark and strange and full of death.”
“There’s your proof that it’s not the Hands of Mercy. My labs are full of life.”
Both bored with Erika and troubled by the direction of her musings, Victor rose from the bed and went naked into the bathroom.
A jewel in this mounting of gold-plated fixtures and marble-clad walls, he looked at himself in the beveled mirrors and saw something much more than human.
“Perfection,” he said, though he knew that he was just shy of that ideal.
Looping through his torso, СКАЧАТЬ