A Girl’s Guide to Kissing Frogs. Victoria Clayton

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СКАЧАТЬ what we’re doing – there hasn’t been a new production of Giselle for ages … I expect he gets awfully bored with seeing the same old dancers—’

      ‘Miko does not allow himself to be bored. Nor –’ he sent me a glance that was distinctly unfriendly – ‘do I.’

      I folded my hands in my lap and tried to look insouciant, though I was certain that the rapid pulse in the hollow of my throat must be visible from a hundred yards.

      He stroked the smooth handle of the knife with long fingers. ‘I suspect he’s coming,’ he put his thumbnail into the slot provided for the purpose and brought out the blade, ‘because of you.’

      ‘Me? I don’t suppose he even knows who I am. I’ve never actually spoken to him.’

      ‘Oh? Yet Etta tells me that last week there was a letter from Miko in your pigeonhole.’

      Damn and blast and hell! It was well-known that Madame, who would have allowed herself to be chopped to atoms for the good of the company, had extraordinary powers of divination and could detect a disloyal thought the moment it sprang newborn, damp with amniotic fluid, into a person’s mind. But presumably she did not have X-ray eyes that could penetrate layers of Basildon Bond.

      ‘Oh, no! That’s impossible.’

      Sebastian speared a paper polo – one those little rings for reinforcing punch holes – with the blade of his knife. ‘Miko’s hand is distinctive. And the green ink, regrettably jejune, is a trademark.’

      ‘I remember now,’ I blurted out. ‘It was a letter from my aunt!’

      I realized at once this was a mistake.

      ‘Oh? Your aunt?’ He did not bother to hide his scepticism.

      I was thoroughly rattled. ‘Yes … she’s a terrific correspondent … she writes every week, sometimes twice … she lives in the Highlands of Scotland and is awfully lonely, poor old thing … no one to talk to but her old blind collie … you see, she’s in a wheelchair and can’t get out …’ I was supplying too much detail, the common mistake of liars.

      ‘In that case her letters are unlikely to be franked with an NW3 postmark.’

      I felt myself grow cold. Everyone knew the English Ballet had their headquarters in Belsize Park. He smiled, much as a torturer might smile on hearing a bone crack. My entire body tensed in a silent scream, but acting is an important part of a dancer’s bag of tricks, so outwardly I smiled back. He continued to watch my face. The effort required to look innocent and unconcerned was agony. I was on the point of confessing everything and throwing myself on his mercy, if he had any, when he said, ‘Lock the door.’

      I leaped up to do his bidding. I had been so distracted by the latent menace in the interview that I was unprepared for the pain that shot from the sole of my foot to my knee. The door fastened with an old-fashioned brass rim lock. It took a little while to persuade the key to turn, which gave me a chance to compose my face. As I walked back to the desk I was relieved to see that a lightning change had taken place. His eyes had lost their coldness, his smile was almost affectionate.

      ‘Oh Marigold! What a little schemer you are!’ He laughed softly. ‘Take off your tights, my little amuse-gueule.’

      This was his nickname for me – and no doubt countless others – a play on ‘gueule’ and ‘girl’. I accepted the sad fact that I was nothing more than a snack. Also that my Dutch cap was sitting on the shelf in my locker. I knew better than to suggest that he might wait while I fetched it. I scrambled out of legwarmers, tights and knickers. Luckily I was wearing the sort of leotard that fastens with hooks and eyes at the crotch so I could keep on my top half, including my cardigan. Despite the fire there was a chill in the air that was more than metaphorical.

      ‘Sit on the desk,’ he was unbuttoning his flies as he spoke, ‘spread your legs wider … arch your back a bit … ah! yes! … that’s better! That’s good! … mm! what a nice little conformation you have … tight, virginal … a perfect body …’ He began to thrust with slow strokes, in harmony with our restrainedly elegant surroundings. ‘I could, if I wanted, make you the greatest dancer of the decade … one of the greatest names of the twentieth … century …’ As he grew more excited his words came faster and with more of a hiss. ‘But if you leave me … you little… baggage … I’ll make sure you never get another good notice as long as you live … move that fucking thing.’

      I pushed the inkstand to one side and leaned back across the desk. He took hold of my ankles and lifted my legs so that I could hook my feet behind his head. A small, hard object on the blotter pressed into my spine. Probably the emblematic penknife. Was it true that all critics were open to threat and bribery? I had no way of knowing. Surely Mr Lubikoff had as much influence? If not more? But then he might decide that an all-out war with Sebastian did not suit him. Despite the fact that competition, individually and collectively, was fierce – ruthless would be more accurate – a pretence was maintained by all parties that we were above petty rivalries, that the only thing that mattered was the great art of which we were the humble exponents. It was all art for art’s sake.

      Everything depended on how badly Mr Lubikoff wanted me to dance for him. It might be that he had a partner in mind for me. As with candlesticks, ornaments, occasional tables and so on, a pair was worth more than the sum of its parts. Karsavina and Nijinsky, Fonteyn and Nureyev, Sibley and Dowell, couples who struck sparks from each other’s dancing as well as looking good together filled theatres faster than anything. But Mr Lubikoff would not show his hand immediately. For the time being I could not afford to do anything that would make Sebastian my enemy. In my perplexity I almost folded my hands behind my head, the position I generally adopt for serious thinking, but a loud hiss from Sebastian, like a train building up a head of steam before pulling out from the station, prompted me to sigh and look swooningly at his face, now in the grimace of imminent orgasm, the silver lock of hair falling forward across his high bony forehead.

      ‘Be … good … and … you can … dance with … Freddy!’ Each word was accompanied by a powerful thrust that made the boiler blow.

      As he leaned, panting, over me, mission accomplished, I added Freddy to the equation. Frederick Tone, LBC’s premier danseur, and Mariana Willoughby, both dancing at this moment with the touring part of the LBC in America, had failed to become one of those desirable partnerships. No one could say why, it was just one of those things. Freddy had a virtuosic technique with unequalled elevations. Also he had a perfect physique and was breathtakingly handsome. Poor Alex, with whom I usually danced, had no neck, narrow shoulders, a rugby-ball-shaped head and tiny pink-rimmed eyes like a French bull terrier. And although he was technically first class, he never seemed to catch fire, at least not with me. Alex was a nice boy and I was fond of him, but niceness is irrelevant in a partnership – which was lucky because Freddy was an absolute shit.

      Sebastian was already adjusting his clothing. I got back into mine with a feeling of relief that had nothing to do with the act of coitus. Though dancers are usually tremendously sexy, perhaps as an extension of the intense physicality of their lives, and will couple with more or less anyone and anything, I personally could not see what the fuss was about.

      I had lost my virginity at the age of seventeen to a sixty-year-old dramaturge who had been working with Orlando Silverbridge on a revival of Frontispiece, an eccentric ballet which combined dancing and verse. It had been my first professional engagement in the corps. The dramaturge had seemed very old to me then, almost geriatric. He was well connected, a chum of royalty, with a long and distinguished career behind him, and was feted by everyone worth knowing СКАЧАТЬ