Название: A Court Affair
Автор: Emily Purdy
Издательство: HarperCollins
Жанр: Историческая литература
isbn: 9780007459001
isbn:
That was why I wanted to be alone today while the others were having a fine, merry time at the fair, to think, to ponder, with no distractions of any kind, to look back and decide whether I wanted to go forward, whether my life was worth saving now that I had lost everything that mattered. I had lost my husband’s love, as well as his presence, and the cancer had already destroyed my beauty, and the operation that might cure it would complete the destruction and leave me disfigured in such a way that no man, least of all my fastidious Robert, would ever want me again. What man would ever look with desire upon a woman with an ugly, scarred, and gutted crater where her breast, full, creamy, pink-tipped, and tempting, used to be?
After she returns from the fair, I will send Pirto to the inn with my answer, and Dr Biancospino will either stay or go on his way depending upon my answer, whether it comes in the form of stony, distrustful silence or words writ upon paper; I know that he will wait, and hope, for me for one more day. And I will use that day well, to weigh life against death.
I close my eyes and swallow back my tears as Pirto gently dabs away the milky discharge leaking from my nipple and coats it, and the ugly, oozing lump alongside it, with the honeylike ointment with the sharp, acrid scent and the caustic, biting tingle the old woman—wise, witch, or charlatan? I do not pretend to know which one she is—made for me. Only when the whole unsightly, sticky mess is covered over with a fresh linen dressing do I open my eyes again. The sky is starting to lighten, and outside my window, high above the trees in the park, I can see the spire of St Michael’s, the morning sun glinting on it as lightly as a lover’s kiss as he steals away with the coming of dawn after a passionate night.
A small smile plays across my lips as Pirto anoints me with the perfume I used to distil myself, my own special blend made from the pink roses of Norfolk and sweet honeysuckles. Which will last longer, this last vial of scent captured and bottled from my father’s garden or my life? I have become such a maudlin, melancholy woman! I am too young to be so bitter! Such lemon-and-crabapple tartness is better suited to a woman much further along in years, decades older than I, a woman stoop-backed, wrinkled, and grey-haired who has lost her teeth and everyone she ever loved, or never had anyone at all. I press a hand to my forehead and sigh. I hate what I have become!
Carefully, slowly I raise my arms, and Pirto gently slips a shift of fine white lawn over my head, and it billows down easily about me, unimpeded by curves, concealing the now frail and wasted figure Robert used to describe as “luscious”, playfully sinking his teeth into my breast, buttock, or hip as if it were a ripe and juicy peach. Gone is the round and rosy Amy he used to love.
Though I have no need of them now—this disease has melted away so much of my flesh, the full, buxom, rounded curves, hips, and bum, and flattened the little round hint of a belly that longed to swell with the promise of a baby nesting inside—I insist that Pirto fetch my stays from the chest at the foot of my bed, so prettily embroidered with bright yellow buttercups, and lace me up tightly, even though it ignites a lightning storm of pain rippling across my ribs and up and down my spine. Pain plays my spine like the ivory keys of a virginal, but I don’t care; I want to be perfectly dressed today. I want to look like Lady Dudley, Robert’s wife, should look.
Then come the petticoats, starched and crisp. I want my skirts to billow and rustle; I want to have full, feminine hips again, even if it is just an illusion. And then the gown, a glossy satin the colour of high-polished oak, festooned with frills of golden lace, and embroidered all over with green and gold oak leaves and amber acorns—my husband’s personal emblem.
Though everyone knows it is a play on the Latin word for his name, robur, which means oak, only I know this device once had another, more intimate and loving, meaning. Perhaps even Robert himself has forgotten, but I remember the day we stood in the drizzling rain huddled together in our cloaks beneath a mighty oak overlooking the crumbling ruins of Syderstone, fallen into decay and disrepair, too sprawling and expensive to keep up, the lands gone to seed and weed, overtaken by thistles and grazing sheep with burrs studding their woolly coats. Robert promised me that he, as my husband, would be like a mighty oak unto me, to shelter and protect me all the days of my life, and these acorns represented the many children we would have. Syderstone would rise again, he swore, and be a greater, grander estate than it had ever been before. He would double—nay, quadruple!—the size of our flock, and he would breed and train horses that would be famed throughout the land and even abroad. And, best of all, the halls of Syderstone would ring with the joyous laughter of our children playing. My husband was one of thirteen children, though five of them had died before they reached the age of ten, and, as we held our hands together, cupping a shared handful of acorns, we both dreamed that each tiny acorn represented a child that would someday grace our nursery. We both wanted a large family, “the more the merrier,” we smiled and agreed. And with a broad sweep of his arm at Syderstone, he vowed that we would have an avenue of oaks leading to the house, a new sapling planted each time my womb quickened with a new life, and we would bring our children out and show them their own special tree, planted the day they first stirred inside of me. Oh, it was a beautiful, grand, wonderful dream!
But not all dreams come true, and there were so many promises that he didn’t keep. There were never any children, not even one, to fill our nursery; we never even had a nursery. And there was no avenue of oaks. Syderstone still lies in ruins, the sheep still munch thistles, and the burrs still snag their coats, but someone else owns it all now. Robert sold it—to pay off his gambling debts and buy lavish gifts for the Queen, the one who holds his future in the palm of her hand, the one who can make him a pauper or a prince upon a moment’s whim. And though he might be a mighty oak, he does not shelter and protect me. It isn’t fair! If Robert can afford to hang the Queen’s hair with diamonds, he can afford to put a roof of my own over my head to shelter me; it’s as simple as that. I needn’t spend my days as a constant guest in the homes of others but never the proud chatelaine of my own domain. And he certainly does not protect me; even in the rustic wilds of England the rumours still find me. Divorce, poison, murder, madness, adultery! I’ve heard them all. My father would weep and spin like a chicken roasting on a spit in his grave if he knew that his daughter had become the centre of such a lurid, raging scandal, her name being bandied about like a bawdy woman’s in every alehouse in England.
I cross the shadowy room and go to sit upon my bed, made fresh by dear Pirto while I rested in my bath, enveloped by soothing clouds of steam. A sad smile flits across my face, like a pebble skimming a pond, as my hand caresses the apple green and gold brocade coverlet woven with a pattern of apples and apple blossoms and trimmed with frills of golden lace. Apples remind me of the happy years of my childhood spent at Syderstone before it became unfit to inhabit and we moved, a good, long but brisk, invigorating walk away, to my mother’s more elegant abode, Stanfield Hall. I love apples, everything about them—their colours, their smell, their taste, especially that first juicy, crisp bite, whether it be tart or sweet.
Pirto comes and kneels before me to put on my shoes and stockings, tying the satin garters into pretty bows just below my СКАЧАТЬ