Napoleon: The Man Behind the Myth. Adam Zamoyski
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Название: Napoleon: The Man Behind the Myth

Автор: Adam Zamoyski

Издательство: HarperCollins

Жанр: Биографии и Мемуары

Серия:

isbn: 9780008116088

isbn:

СКАЧАТЬ Jean Lannes, by Gérard. (Photo by Fine Art Images/Heritage Images/Getty Images)

      General Armand de Caulaincourt, sketched in 1805 by David. (Portrait of Armand Augustin Louis. Marquis de Caulaincourt (1772–1827) (pencil on paper) (b/w photo), David, Jacques Louis (1748–1825)/Musée des Beaux-Arts, Besancon, France/Bridgeman Images)

      General Géraud-Christophe Duroc, by Anne-Louis Girodet-Trioson. (Portrait of Duroc, Grand Marshal of the Palace (oil on canvas), Girodet de Roucy-Trioson, Anne Louis (1767–1824)/Musée Bonnat, Bayonne, France/Bridgeman Images)

      Napoleon I in 1806, by Jean-Auguste-Dominique Ingres. (Photo Josse/Leemage/Corbis via Getty Images)

      View of the proposed palace for the King of Rome, by Pierre-François Fontaine. (From Projets d’architecture, plan number 32, France, 19th century/De Agostini Picture Library/Bridgeman Images)

      Napoleon en famille, by Alexandre Menjaud. (Napoleon I (1769–1821), Marie Louise (1791–1847) and the King of Rome (1811–73) 1812 (oil on canvas), Menjaud, Alexandre (1773–1832)/Château de Versailles, France/Bridgeman Images)

      Napoleon in early 1812, by David. (Photo by Ann Ronan Pictures/Print Collector/Getty Images)

      Napoleon on the bridge of HMS Bellerophon, by Charles Lock Eastlake, 1815. (Granger Historical Picture Archive/Alamy Stock Photo)

      The house at Longwood on St Helena, where Napoleon spent his last years. (Photo by The Print Collector/Getty Images)

      Napoleon on St Helena, 1820. (Paul Fearn/Alamy Stock Photo)

       Maps

      Europe in 1792

      Toulon

      The Italian theatre

      Montenotte

      Lodi

      The pursuit

      Castiglione

      Würmser outmanoeuvred

      Arcole

      Rivoli

      The march on Vienna

      The settlement of Campo Formio

      Egypt

      Europe in 1800

      Marengo

      Ulm

      Austerlitz

      The campaigns of 1806–07

      Europe in 1808

      Aspern–Essling

      Wagram

      Europe in 1812

      The invasion of Russia

      Borodino

      The Berezina

      The Saxon campaign, 1813

      The defence of France in 1814

      The Waterloo campaign

       Family Tree

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       Map

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       Preface

      A Polish home, English schools, and holidays with French cousins exposed me from an early age to violently conflicting visions of Napoleon – as godlike genius, Romantic avatar, evil monster or just nasty little dictator. In this crossfire of fantasy and prejudice I developed an empathy with each of these views without being able to agree with any of them.

      Napoleon was a man, and while I understand how others have done, I can see nothing superhuman about him. Although he did exhibit some extraordinary qualities, he was in many ways a very ordinary man. I find it difficult to credit genius to someone who, for all his many triumphs, presided over the worst (and entirely self-inflicted) disaster in military history and single-handedly destroyed the great enterprise he and others had toiled so hard to construct. He was undoubtedly a brilliant tactician, as one would expect of a clever operator from a small-town background. But he was no strategist, as his miserable end attests.

      Nor was Napoleon an evil monster. He could be as selfish and violent as the next man, but there is no evidence of him wishing to inflict suffering gratuitously. His motives were on the whole praiseworthy, and his ambition no greater than that of contemporaries such as Alexander I of Russia, Wellington, Nelson, Metternich, Blücher, Bernadotte and many more. What made his ambition so exceptional was the scope it was accorded by circumstance.

      On hearing the news of his death, the Austrian dramatist Franz Grillparzer wrote a poem on the subject. He had been a student in Vienna when Napoleon bombarded the city in 1809, so he had no reason to like him, but in the poem he admits that while he cannot love him, he cannot bring himself to hate him; according to Grillparzer, Napoleon was but the visible symptom of the sickness of the times, and as such bore the blame for the sins of all. There is much truth in this view.1

      In the half-century before Napoleon came to power, a titanic struggle for dominion saw the British acquire Canada, large swathes of India, a string of colonies, and aspire to lay down the law at sea; Austria grab provinces in Italy and Poland; Prussia increase in size by two-thirds; and Russia push her frontier 600 kilometres into Europe and occupy large areas of Central Asia, Siberia and Alaska, laying claims as far afield as California. Yet George III, Maria Theresa, Frederick William II and Catherine II are not generally accused of being megalomaniac monsters and compulsive warmongers.

      Napoleon is frequently condemned for his invasion of Egypt, while the British occupation which followed, designed to guarantee colonial monopoly over India, is not. He is regularly blamed for re-establishing slavery in Martinique, while Britain applied it in its colonies for a further thirty years, and every other colonial power for several decades after that. His use of police surveillance and censorship is also regularly reproved, even though every other state in Europe emulated him, with varying degrees of discretion or hypocrisy.

      The tone was set by the victors of 1815, who arrogated the role of defenders of a supposedly righteous social order against evil, and writing on Napoleon has been bedevilled ever since by a moral dimension, which has entailed an imperative to slander or glorify. Beginning with Stendhal, who claimed he could only write of Napoleon in religious terms, and СКАЧАТЬ