Every Woman For Herself: This hilarious romantic comedy from the Sunday Times Bestseller is the perfect spring read. Trisha Ashley
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‘Time for a change.’
‘I can’t afford a change.’
‘My hairdresser’s very cheap,’ she assured me, and looking at her frizzed ginger-grey curls I could believe it.
She was right: her hairdresser was cheap. In a moment of madness induced by receiving the decree nisi in the post, I summoned her and had all my hair chopped off: very cathartic.
It was now clipped short and close to my head like a convict’s, but at least it was all silver. I left off the heavy eye make-up, which made me look like a marmoset in combination with the cropped head, but the loose black clothes (I’d lost weight) and big boots now looked ridiculous.
I’d forgotten how to eat as well as sleep, which was why my clothes hung on me, but there was no more money so the escaped fugitive look would have to remain for the time being.
A rare phone call from Mother in America.
The last time she’d called me was after I married Matt, when she’d said that I was a pathetic, downtrodden negation of everything the women’s movement had ever fought for.
Perhaps I was. And perhaps I might have turned out differently had she taken us children with her on her flight from Father; but then again, maybe not.
This time it was a congratulatory phone call, she having heard about Dead Greg.
‘Well done!’ she said. ‘A blow struck right at the heart of male oppression.’
‘More the head, Mother. And I’m not proud of it. I’m finding it very hard to live with the idea that I’ve killed someone.’
‘The guilt was his: it was his own fault.’
‘True, but somehow that doesn’t seem to make it feel any better. Mother, did you know Matt and I are divorcing? We’re waiting for the final bit to come through.’
There was a pause. ‘I’d have loved to have had you to stay with me,’ she said eventually, as though I’d asked. ‘But I’m afraid I’m about to go on a lecture tour for my next book, and – wait, though! – you could come with me, and tell everyone about—’
‘No, thanks,’ I said hastily. ‘I’m going home to Upvale.’
‘You can open the cage door, but you can’t force the animals out,’ she said cryptically, sighing.
Chapter 5: The Prodigal Daughter
It was strange to be going home for good and yet not to be going back to my square, high-ceilinged bedroom, with the teenage-timewarp décor.
Of course, I’d escaped back from time to time over the years, usually alone. Among so many big, self-assured people Matt always felt very much the small Fry in the pond, I think. (Which he was.)
Father, Em and Anne petrified him, but I don’t think he found Branwell threatening, just loopy. When I asked Bran soon after I was married if he liked Matt, he just replied vaguely, ‘Who?’
Matt was always jealous of the stretched but uncut umbilical cord that connected me – and all of us Rhymers – to Upvale, though strangely enough I hadn’t even realised it existed until I tested its limits by running away with Matt.
Even Anne, globetrotting TV correspondent that she was, returned from time to time to recharge her batteries on Blackdog Moor, before going back to foreign battlefields. Wherever in the world there was trouble, there also was Anne in her khaki fatigues and multi-pocketed waistcoat. Wars didn’t seem to last long once she’d arrived – I think they took one look and united against a greater peril.
Since the Ding of Death I’d tried to phone Anne a couple of times at her London flat (stark, minimalist, shared with her stark, minimalist, foreign-correspondent lover, Red), but there had been no reply other than the answering machine. Em said she’d managed to get hold of the lover once, but he’d just said Anne was away and put the phone down.
Anne, Em and Father are all big, handsome, strong-boned, grimly purposeful types, with masses of wavy light hair: leonine. Maybe that’s why they made Matt nervous – he thought he may be the unlucky zebra at the waterhole.
I’m small and dark – now small and silver-haired – like Mother, but I’m not the fragile little flower I look. Bran is slight too, but wiry, with dark auburn hair like a newly peeled chestnut, and strangely light brown eyes. We think he must take after his Polish mother’s side of the family, but we barely remembered her brief tenure as au pair, mistress, and oh-so-reluctant mother; even Em, who is the eldest.
Em had run the house as far back as I could remember, with the help of Gloria Mundi and her brother, Walter. Funnily enough, housewifery didn’t sort of seep into me by osmosis – I had to go out and buy a book. But you can’t say I didn’t try; it’s just that nature intended me to be an artist, not a housewife.
Upvale Parsonage has never seen a parson in its life – that was just Father being Brontëan. It stands foursquare in stone, with a small formal garden of mossy gravel and raddled roses dividing it from the road. Behind it the ground falls away steeply down to the stream, so the kitchen and sculleries are built into the hillside below the road level, facing across the valley.
And even below that is the undercroft, which we call the Summer Cottage, also partly built into the hillside, and linked to the house by a twisting and rather dank spiral staircase with oak doors top and bottom.
The Summer Cottage gives on to the narrow, rough track that leads down to another cottage, derelict last time I saw it, but recently renovated and sold to some kind of actor, according to Em. Then there’s Owlets Farm, where Madge and her old father, Bob, live.
Em had always kept the hinges on the Parsonage door to the Summer Cottage unoiled, so she’d know by the squealing when an alien invader (i.e. one of Father’s seemingly endless string of mistresses) was entering her territory.
But this time the invaders had sneaked in behind her back.
Kitchen Pests
1) Your Father’s mistress
2) Your Father’s mistress’s children
3) Your Father …
‘The van got here OK,’ Em said when I phoned her from my strangely naked house. ‘I had everything put into the cottage, including all the stuff from your bedroom that I’d stowed in the attic. Walter took it all down.’
‘It seems odd coming back to the cottage. Still, I suppose I do still have a lot of things and I’m going to have a car full of plants, despite Miss Grinch having taken some. I don’t know where I’m going to put them, but I’ll need them if I ever paint again. I can’t do it now without the jungle round me.’
But would I ever paint again? I’d had painter’s block since the Great Pan Swing … and if I did paint, would I revert to the old style at Upvale, СКАЧАТЬ