Bob Marley: The Untold Story. Chris Salewicz

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СКАЧАТЬ rolling. Nervously, I took it and pulled away.

      After a minute or two Diane came over. Gathering together the youth, she led them in the direction of a mini-bus parked in the shade that I had not previously noticed. Bob made his excuses – ‘We have to go somewhere’ – and walked over to the vehicle. Then, as he stepped into it, he turned. ‘Come on, come with us,’ he waved with a grin, climbing down out of the vehicle and holding the door open for me.

      I hurried over. Ushering me into the mini-bus, Bob squeezed up next to me on one of its narrow two-person bench-seats, his leg resting against my own. I tried to disguise my feelings – a sense of great honour as well as slight apprehension that the herb I had smoked was beginning to kick in, suddenly seeming a million times stronger than anything I had ever smoked in London. I was starting to feel rather distanced from everything, which was possibly just as well. Bumping through the potholed backstreets of what I knew to be the affluent uptown suburb of Beverly Hills, I ventured to ask Bob, who was himself hitting on a spliff, where we were going. ‘Gun Court,’ he uttered, matter-of-factly.

      I blinked, and tried quickly to recover myself. The Gun Court had a reputation that was fearsome. To all intents and purposes, the place was a concentration camp – certainly it had been built to look like one: gun towers, barbed-wire perimeters, visibly armed guards, a harsh, militaristic feel immediately apparent to all who drove past its location on South Camp Road. The Gun Court was a product of Michael Manley’s Emergency Powers Act of 1975. Into it was dumped, for indefinite detention or execution after a summary trial, anyone in Jamaica found with any part of a gun. (In more recent times, it is said, the security forces adopt a more cost-effective and immediate solution: anyone in Jamaica found with any part of a gun, runs the myth, is executed on the spot – hence the almost daily newspaper reports of gunmen ‘dying on the way to hospital’ …) The previous year, when I had been in Kingston with Lydon, Letts and co., the dreadlocked Rastafarian filmmaker had been held at gunpoint by a Jamaica Defence Force soldier whilst filming the exterior of the Gun Court. At first the squaddie refused to believe Letts was British; only after being shown his UK passport did he let him walk away. What would have happened had he been Jamaican?

      ‘Why are we going there?’ I demanded of Bob, as casually as I could.

      ‘To see about a youth them lock up – Michael Bernard,’ he quietly replied.

      Michael Bernard, I learned later, was a cause célèbre.

      Having descended from the heights of Beverly Hills, a detour that had been taken to avoid morning traffic (like most of the rest of the world, and especially in Jamaica at that time, when cars and car parts were at a considerable premium, this was nothing compared to the almost permanent gridlock that Kingston was to become by the end of the century), we were soon pulling up outside the Gun Court’s sinister compound.

      At nine in the morning, beneath an already scorching tropical sun, the vision of the Gun Court was like a surreal dubbed-up inversion of one of the ugly, incongruous industrial trading estate-type buildings that litter much of Kingston’s often quite cute sprawl.

      At the sight of Bob emerging from the mini-bus, a door within the main gates opened for his party. We stepped through into the prison. After standing for some time in the heat of the forecourt yard, an officer appeared. In hushed tones he spoke to Bob; I was unable to hear what passed between them, which was probably just as well – it being almost a year since I had last enjoyed a regular daily diet of patois, I was beginning to register I could comprehend only about a half of what was being said around me.

      Then we were led into the piss-stinking prison building itself. And through a number of locked, barred doors, and into the governor’s broad office, like the study of a boarding-school headmaster, which was also the demeanour of the governor himself, a greying, late-middle-aged man who sat behind a sturdy desk by the window. We were seated on hard wooden chairs in a semicircle in front of him. I found myself directly to the right of Bob, who in turn was seated nearest to the governor. Through a door in the opposite wall arrived a slight man who appeared to be in his early twenties. He was shown to a chair. This was Michael Bernard, who had been sentenced for an alleged politically motivated shooting, one for which no one I met in Kingston believed him to be responsible.

      Discussions now began, the essence of which concerned questions by Bob as to the possibilities of a retrial or of Bernard’s release from prison. Bernard said virtually nothing, and almost all speech was confined to Bob and the governor. I asked a couple of questions, but when I interrupted a third time Bob wisely hushed me – I was starting to get into a slightly right-on stride here. Most of the dialogue, I noted, was conducted in timorous, highly reverent tones by all parties present, almost with a measure of deference, or perhaps simply hesitant nervousness. (Over the years I was to decide that it was the latter, noting that often Jamaicans called upon to speak publicly – whether rankin’ politicians at barnstorming rallies, Rasta elders at revered Nyabinghi reasonings, Commissioner of Police Joe Williams in an interview I conducted with him, or crucial defence witnesses in the rarified, bewigged atmosphere of English courts – would present themselves with all the stumbling hesitancy and lack of rigorous logic of a very reluctant school-speechday orator. Yet in more lateral philosophical musings and reasonings, there are few individuals as fascinatingly, confidently loquacious as Jamaicans when it comes to conversational elliptical twists, stream-of-consciousness free-associations, and Barthes-like word de- and re-constructions.)

      After twenty or so minutes, all talk seemed to grind to a halt. Afterwards I was left a little unclear as to what conclusions had been arrived at, if any. At first I worried that this was because initially I had been struggling with the effects of the herb, which seemed like a succession of psychic tidal-waves. Then later I realised that the purpose of this mission to the Gun Court was simply to show that Michael Bernard had not been forgotten.

      Bidding farewell to the prisoner, wishing him luck, and thanking the governor for his time, we left his office, clanking out through the jail doors and into the biting sunlight. Soon we were back at 56 Hope Road, which by then had become a medina of all manner of activity. ‘Stick around,’ said Bob. I did. And on a bench in the shade of a mango tree round the back of the house promptly fell asleep for at least two hours from what was probably a combination of jet lag, the spliff, and some kind of delayed shock.

      This visit to the Gun Court with Bob Marley was one of the great experiences of my life. I was in Jamaica for another three weeks or so. During that time I saw Bob several more times. I watched rehearsals at 56 Hope Road; saw Bob playing with some of his kids – the ones that had just released their first record as the Melody Makers; and found him with one of the most gorgeous women who had ever crossed my eyes (a different one from the car-driver at 56 Hope Road) at a Twelve Tribes Grounation (essentially, dances steeped in the mystique of Rastafari) one Saturday night on the edge of the hills. She turned out to be Cindy Breakspeare, Jamaica’s former Miss World. I also interviewed Bob for an article: whilst doing so, I remember feeling a measure of guilt for taking up so much of his precious time – though I didn’t realise then precisely quite how precious and finite it was. Part of the reason I thought this was because I felt Bob looked terribly tired and strained – it was only just over eighteen months later that he collapsed whilst jogging in Central Park with his friend Skill Cole, and was diagnosed as suffering from cancer.

      It came as a deep, unpleasant shock just before midnight on 11 May 1981 to receive a phone call from Rob Partridge, who had so assiduously handled Bob’s publicity for Island Records, to be told that Bob had lost his fight with cancer and passed on. (I had always believed that Bob would beat the disease …) Although I wrote his obituary for NME, it seemed my relationship with Bob and his music was only just beginning. In February 1983, I was back in Jamaica, writing a story for The Face about Island’s release of the posthumous Bob Marley album Confrontation.

      Again, jet lag caused me to wake early on the first morning I was there. СКАЧАТЬ