Название: Collected Letters Volume Two: Books, Broadcasts and War, 1931–1949
Автор: Walter Hooper
Издательство: HarperCollins
Жанр: Биографии и Мемуары
isbn: 9780007332663
isbn:
I have tried in vain to buy Voyage to Arcturus but it is out of print. For reading, lately, I have re-read the Faerie Queene with enormous enjoyment. It must be a really great book because one can read it as a boy in one way, and then re-read it in middle life and get something very different out of it—and that to my mind is one of the best tests. I am at present engaged with Sir Thomas More’s English works57 (i.e. everything except the Utopia)58 which are necessary to a job I’m doing. They are quite interesting, and sometimes really helpful in religious aspects, but not so good as they have lately been made out to be.
The worst of these letters at long intervals is that I can never remember how much has happened since I wrote last. e.g. did I tell you how much I was moved by seeing A Winter’s Tale?59 I can’t have told you about the magnificent philharmonic performance of me Ninth Symphony we were at a few weeks ago.60 You know I used to dislike the choral part of it. I was completely converted and have seldom enjoyed anything more. How tonic Beethoven is, and how festal—one has the feeling of having taken part in the revelry of giants. By the way, the Siegfried Idyll,61 which we had in the same programme seems to me the dullest thing Wagner ever wrote: do you agree? The only successor to Wagner (since we’ve got onto that subject), the only man who has exercised the same enchantment over me since the old days, is Sibelius. This bent to ‘Northern’ things is quite real and one can’t get over it-not that I ever thought of trying!
You would like this day. Behind the hill there is yellow early morning light and small clouds racing. Then, the bit of wood, bare and brown, and furiously agitated. Then, the pond half skinned with ice—the swans both ashore. And round the house a terrific wind is roaring-‘Arthur O’Bower has broken his band.’62 In fact I have enjoyed the whole of this winter—especially after the really tropical summers.
The only member of the visiting family whose society we like is the boy, Michael, about 5. You will be interested to hear that W. gets on with him much better than I do. That is, I theoretically hold that one ought to like children, but am shy with them in practice: he theoretically dislikes them, but is actually the best of friends. (So many new sides to his character have appeared in the last few years.)
Minto reads him the Peter Rabbit books every evening, and it is a lovely sight. She reads very slowly and he gazes up into her eyes which look enormous through her spectacles—what a pity she has no grandchildren. Would you believe it, that child had never been read to nor told a story by his mother in his life? Not that he is neglected. He has a whole time Nurse (an insufferable semi-lady scientific woman with a diploma from some Tom-fool nursing college), a hundred patent foods, is spoiled, and far too expensively dressed: but his poor imagination has been left without any natural food at all. I often wonder what the present generation of children will grow up like (how many middle aged men in all generations have said this). They have been treated with so much indulgence yet so little affection, with so much science and so little mother-wit. Not a fairy tale nor a nursery rhyme.
Please thank your mother for her kind and forgiving letter; I was very rude to her. I should like to be at home in these gales. I am sure there are waves in the Lough, and the firs are lifting the earth in our old wood. I must stop now and do a little work. A happy Christmas to you all, and from all.
Yours,
Jack
TO OWEN BARFIELD (W):
Magdalen College,
Oxford.
[9? December 1935]
In the crescendo of horror at the end of the myth you have done what v. few people could now do.63 About the greatness and truth of that part I have no doubts. In the earlier parts of the myth I had not been prepared for so large a satiric element and therefore had to make rapid re-adjustments: but of course the ordinary reader will not be in that position. There are lovely things all about the place—the honest Caliban, Ariel, Bottom, the luring voice that all old civilisations hear. (By the bye, you have been re-imbursing yourself pretty freely for ‘sheep dotted downs’!—or else Dymer and English People have a common source).64
The Diary of an Old Soul is magnificent.65 You placed the moment of giving it to me admirably. I remember with horror the absurdity of my last criticism of it, and with shame the vulgarity of the form in which I expressed it. He knows all about the interplay between the religious and metaphysical aspects of the One. I see now (since I began this letter) that these two are opposite only with the fruitful opposition of male & female (how deep the old erotic metaphor of the proelia veneris is) and what they beget is the solution.
Incidentally, since I have begun to pray, I find my extreme view of personality changing. My own empirical self is becoming more important and this is exactly the opposite of self love. You don’t teach a seed how to die into treehood by throwing it into the fire: and it has to become a good seed before its worth burying.
As to my own book—the question whether notes shd. come at the end of the chapter or the bottom of the page is partly for publisher & printer.66 Personally I loathe a book where they come at the end—and I am writing mainly for people who will want to know where they must look to verify my facts. Your other criticism about the two classes of readers whom I conflate, I don’t understand. I meant this to be only a note.
Yours
C. S. Lewis
TO OWEN BARFIELD (W):
[Magdalen College 12?
December 1935]
My dear Barfield
What a drivelling letter I wrote you a few days ago. A day in bed has given me the chance to re-read Pt IV and my opinions are revised. In every way the merits are far greater than I had seen, specially the myth of wh. the ‘crescendo of horror’ tho’ perfectly adequate is, as I now perceive, the least excellence. You have done what you wanted-how you could get so much good tenderness & so much good sensuousness into prose is a mystery. There is of course a lot I don’t follow-has the extraordinary jumble of Hindu with Mohameddan accessories any significance? But the whole СКАЧАТЬ