Dangerous Women Part 2. Джордж Р. Р. Мартин

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      She stared at the pattern for five minutes, in the dimness of the little passageway, lost to the world. In her mind, the pattern in the bricks floated free of the wall and hung before her all on its own, pure and abstract and shining. Her world shrank and focused. Mentally, she entered the pattern, inhabited it, pushed at it from the inside, feeling for any sloppy joins or subtle imbalances.

      There must be something. Come on, Plum: it’s easier to screw magic up than it is to make it. You know this. Chaos is easier than order. Whoever drew this seal was smart. But was she smarter than Plum?

      There was something odd about the angles. The essence of a glyph like this wasn’t the angles, it was the topology—you could deform it a good deal and not lose the power as long as its essential geometric properties were intact. The angles of the joins were, up to a point, arbitrary. But the funny thing about the angles of these joins was that they were funny. They were sharper than they needed to be. They were nonarbitrary. There was a pattern to them, a pattern within the pattern.

      17 degrees. 3 degrees. 17 and 3. Two of them here, two of them there, the only angles that appeared twice. She snorted again when she saw it. A simple alphabetical code. A moronically simple alphabetical code. 17 and 3. Q and C. Quentin Coldwater.

      It was a signature of sorts. A watermark. A Coldwatermark. Professor Coldwater had set this seal. And when she saw that, she saw it all. Maybe it was on purpose—maybe he’d wanted a weak spot, a key, in case he needed to undo it later. Either way, his little vanity signature was the flaw in the pattern. She extracted the little knife from Wharton’s pencil case and worked it into the crumbly mortar around one specific brick. She ran it all the way around the edge, then she stressed the pattern—she couldn’t unpick it, but she could push at it, pluck its taught strings, so that it resonated. It resonated so hard that that one brick vibrated itself clean out of the wall, on the other side. Clunk.

      Deprived of that one brick, and hence the integrity of its pattern, the rest of the wall gave up the ghost and fell apart. Funny that it should have been him—everybody knew Coldwater was a wine lush. Plum ducked her head, stepped over the threshold, and drew the panel closed behind her. It was dark in the passageway, and chilly, much chillier than in the cozy Senior Common Room. The walls were old, unfinished boards over stone.

      Dead reckoning, it was about one hundred yards from the Senior Common Room to the back of the wine closet, but she’d only gone twenty before she got to a door, this one unlocked and unsealed. She closed it behind her. More passage, then another door. Odd. You could never tell what you were going to find in this place, even after living here for four and a half years. Brakebills was old, really old. It had been built and rebuilt a lot of times by a lot of different people.

      More doors, until the fourth or fifth one opened onto open air—a little square courtyard she’d never seen before. Mostly grass, with one tree, a fruit tree of some kind, espaliered against a high stone wall. She’d always found espaliers a little creepy. It was like somebody had crucified the poor thing.

      Also, not that it mattered, but there shouldn’t have been a moon out, not tonight. She hurried across the courtyard to the next door, but it was locked.

      She fingered the doorknob gently, inquiringly. She checked it for magical seals, and wow. Somebody smarter than her and Professor Coldwater put together had shut it up tight.

      “Well, blow me down,” she said.

      Her internal GPS told her that she ought to be going straight ahead, but there was another door off the courtyard, a heavy wooden one on a different wall. She went for door number two, which was heavy but which opened easily.

      She had suspected before, but now she was sure, that she was traversing some magically noncontiguous spaces here, because this door opened directly onto one of the upper floors of the library. It wasn’t impossible—or it was, obviously, but it was one of the possible impossibles, as Donald Rumsfeld would have said if he’d secretly been a magician. (Which fat chance. Now there was an impossible impossible.) It was preposterous, and a bit creepy, but it wasn’t magically impossible.

      The Brakebills library was arranged around the interior walls of a tower that narrowed toward the top, and this must have been one of the teensy tiny uppermost floors, which Plum had only ever glimpsed from far below, and which, to be honest, she’d always assumed were just there for show. She never thought there were any actual books in them. What the hell would they shelve up here?

      It looked tiny from below, and it was tiny—in fact, now she realized that these upper floors must be built to false perspective, to make the tower look taller than it was, because it was very tiny indeed, barely a balcony, like one of those medieval folly houses that mad kings built for their royal dwarfs. She had to navigate it on her hands and knees. The books looked real, though, their brown leather spines flaking like pastry, with letters stamped on them in gold—some interminable many-volume reference work about ghosts.

      And like a few of the books in the Brakebills library, they weren’t quiet or inanimate. They poked themselves out at her from the shelves as she crawled past, as if they were inviting her to open them and read, or daring her to, or begging her. A couple of them actually jabbed her in the ribs. They must not get a lot of visitors, she thought. Probably this was like when you visit the puppies at the shelter and they all jump up and want to be petted.

      No, thank you. She liked her books to wait, decorously and patiently, until she chose to read them herself. It was a relief to crawl through the miniature door at the end of the balcony—it was practically a cat door—and back into a normal corridor. This was taking a long time, but it wasn’t too late. The main course would be half over, but there was still dessert, and she thought there was cheese tonight too. She could still make it if she hurried.

      This corridor was tight, almost a crawl space. In fact, it was one—as near as she could tell, she was actually inside one of the walls of Brakebills. It was a wall of the dining hall: she could hear the warm hum of talk and the clatter of silverware, and she could actually look out through a couple of the paintings—there were peepholes in the eyes, like in old movies about haunted houses. They were just serving the main, a nice rare lamb spiked with spears of rosemary. The sight of it made her hungry. She felt a million miles away, even though she was standing right there. She almost felt nostalgic, like one of those teary alums, for the time when she was sitting at the table with her bland crab cakes, half an hour ago, back when she knew exactly where she was.

      And there was Wharton, showily pouring his mingy glasses of red, totally unrepentant. The sight emboldened her. That was why she was here. For the League.

      Though, God, how long was this going to take? The next door opened out onto the roof. The night air was bone cold. She hadn’t been up here since the time Professor Sunderland had turned them into geese, and they’d flown down to Antarctica. It was lonely and quiet up here after the dining hall—she was very high up, higher than the leafless tops of all but the tallest trees. She had to stay on her hands and knees because the roof was so sharply raked, and the shingles were gritty under her palms. She could see the Hudson River, a long, sinuous silver squiggle. She shivered just looking at it.

      Which way to go? There was no obvious path. She was losing the thread. Finally Plum just jimmied the lock on the nearest dormer window and let herself in.

      She was in a student’s room. Actually, if she had to guess, she’d guess it was Wharton’s room, though obviously she’d never seen it, because her crush had remained in a theoretical state. What were the odds? These spaces were beyond noncontiguous. She began to suspect that somebody at Brakebills, possibly Brakebills itself, was fucking with her.

      “OMG,” she said out loud. “The irony.”

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